Wednesday, August 10, 2022

A HOARDER OF SMALL THINGS



I am a hoarder of small things with plain stories to tell 
if you look closely enough. How that one lone yellow die, 
buried in the dirt—its lost mates, long gone—
still hankered for the darkness of the leather liar’s cup 
that tumped down on the mahogany bar like a fist
at Speck McAuliffe‘s Lagunitas Lodge. He rolled the dice.
The long mahogany bar was my runway, sticky as flypaper, 
where I could crawl and observe the adults up close. 
My aunts, thirsty after picking berries in the creek,
amid sizzling crickets and relentless summer heat, 
nursed tall Tom Collinses garnished with lime, while I
was thinking of the pies that my grandmother would make.
And Old Pete, the last real cowboy, a mule skinner,
perched on a stool at the end of the bar that no one dared use, 
rolled his cigarettes one-handed, and lived out back 
in a Slipstream, with his strawberry roan in a makeshift corral.
And Speck wiping down the bar with a threadbare rag,
told stories punctuated by a nasal Boston drone 
by way of the Mission, like a politician or petty king.
Those ivory dice decided the transitory fate of so many, 
from who was going to buy the next round, calling out
from snake eyes to boxcars, was there enough time 
to knock back another one, or to leave the wife behind?
After all, it was midday. In the cavernous darkness of that bar, 
time itself was suspended. On leave. But no one ever turned 
down the politics of a free boilermaker or a whiskey neat.
I listened to their unfinished stories that bled like old wounds, 
ate the odd snack of stick matches or cigarette butts, seeds  
that even Pete’s mean old green parrot, rejected.
He swore like a sailor every time that liar’s cup hit the bar, 
and churlishly rejected my childish offerings,
no matter how carefully I tried to disguise them 
amid the hulls of sunflower seeds. His baleful yellow eyes
like small suns followed me as he edged closer 
to grab my finger, his black leathery tongue 
and cruel beak seeking revenge on all humankind.

8/10 Write On! Susie Terence 

The collector


I collect photos of landscapes and paintings that move me, an inspiration bank for new art. I never know what will grease the wheel but I do know if I collect enough imagery, it fuels the tank and fills me with longing, or if I am lucky, an urge to create. I don’t know which photos I will use, or how it will come out. That isn’t the point. Captured beauty, whether my own work or by the eyes of others, is still beauty.

Sometimes I gather chert and jasper red and green, abstract art embedded in lakes or creeks. Jewels glistening in sunlight and I feel rich when I add quartz and agates to the dragon’s wealth, in the layer of memory. Our small creek filled with treasures in the crimson roots of the alder caressing the water, so like blood, tiny dark seed cones like announcing Christmas in summer.

Sometimes I collect old coins and nameless iron gleaned from the garden, and admire the way that copper mimics the plants with their verdigris dreams. The rudder board of an old boat, brass screws. And my latest treasure, a big brass number six, part of someone’s address purloined from I know not where. The nail hole to mount it to a door or fence, both long gone, turned it into a swan’s eye and once I saw that bird I couldn’t let it go. It rides shotgun on my dashboard along with the river rocks and a brass cleat waiting for a jib line to tighten the sail.

8/10 Write On! Susie Terence

Sunday, August 7, 2022

Lá Fhéile Lúghnasa Sona Daoibh go léir


Lá Fhéile Lúghnasa Sona Daoibh go léir. Lá fhéile' translates as 'feast day', 'lá' is 'day'. Sona translates to 'happy'. Sort of. And, 'daoibh' means 'to youse'. Singular is ‘duit.’ And ‘go léir’ is an extra everybody and y’all thrown in for good measure. The ‘go’ is a timeless oddity sometimes translated as may (you) as in may you all have a right grand time. And if you wanted to toss some extra blessings in you’d tack on Beannachtaí to the front end of that sentence.

“Peace to sky. Sky to earth. Earth under sky, strength in each, a cup full, full of honey, mead in plenty. —Cath Tánaiste Maige Tuired (2nd Battle of Moytura).

And as promised, the second installment of Lúghnasadh. 

Lúnasa, the beginning of harvest season, technically begins Aug 7 because our modern calendar doesn’t quite jive or jibe if you prefer, with cross-quarter celebrations juxtaposed halfway  between the solstice and equinox. 

Lúghnasadh is one of four agrarian festivals, once called Brón Trogain (the earth’s sorrow), followed by Samhain, Imbolc and Beltane. The Welsh equivalent of Lúghnasadh is Gŵyl Awst, in Breton, Gouel Eost (August festival), and the English equivalent is Lammastide (I mentioned that last week). 

The beginning of the harvest season is called Lúnasa in modern Irish (also the name for August—no Caesar here!), Lùnastal, in Scots Gaelic, and: Luanistyn in Manx/Vannin. But it’s the same bringing in the sheaves party however it’s spelled.

Dedicated to the god Lugh Lámhfhada, Lugh of the Long Arm—master of all the arts, this end of summer celebration marks the beginning of harvest season, also referred to as Lammastide, and to the Tailteann Games. Lúghnasadh ( -násad means an assembly) was a time of visiting holy wells, with lots of feasting, fighting, and fu- I mean, matchmaking, and horse and cattle trading. Possibly some raiding too.

The earliest written reference recording the Games and festivities is during the 15th c. in the redaction of Tochmarc Emire ("the Wooing of Emer"). Writing came rather late to Ireland, a country steeped in oral tradition since time immemorial, during the early Medieval era—there was a lot of catching up to do to record and preserve the distant past. First came the threat of the Vikings to annihilate Irish culture, followed by the larcenous British Monarchy. My grandmother said, Sinn Féin: Ourselves, Alone. Or, We, Together are saving culture story by story, no matter how imperfectly told.

Thursday, August 4, 2022

The shape of the universe

Long ago, when I was struggling to grasp a concept of how the universe was shaped, I was thinking along the lines of the time-space continuum, gawd only knows why, how the past and the present could coexist at the same time. Using Kekule’s concept of problem-solving via dreams,  I dreamt that the universe was vast grid system by way an explanation, or perhaps it was merely a metaphor. But in the dream the lines didn’t run parallel or horizontal, no flat universe grids (that model is only for cats, those gravity-masters), the grid lines bent up at the edges, the way a straw looks like it’s in two places at once in a glass of water, and then it became circular, or bent. Sort of like being inside a Möbius strip. A warped universe. So I spent the morning making Möbius strip timelines with beginning, middle, and end. That model accounted for the past and present, but not the future. Epic model fail. The universe is roundish or sphering with a twist. Or two. Maybe even a Gordian knot. And we’re trapped on the inside, like mitochondria. The gravity of this situation is flawed. Not to mention the timeline. The origins of the universe is/was a singularity of infinite mass turning itself inside out, becoming a multiverse. Everything to-ing and fro-ing while expanding and contracting  at the same time.

Wednesday, August 3, 2022

DIGGING


As I excavated an old flower bed 
covered with years debris and duff,
the tump and pitch of the shovel changed songs
as I delved deeper into rocks and loam. 
Green chert and jasper emerged, obsidian flakes.
I dug past the debris, old paint rollers, beer cans,
shredded plastic, onto an age of opalized bottles.
Then, deeper into the dark jumbled ivy roots,
an artifact from my halcyon days at College of Marin.
My sculpture of Fat Kate on her throne,
emerged from tangled slumber, a relic of the past, 
when love was young & all things were possible.
Then, a Greek kylix, a jughandled goblet 
glazed with cobalt and rutile, a wine-dark ocean
streaked with sea foam and silvered feathers, 
oxidized iron green swaths across a borate bowl. 
Thano always told us to destroy our flawed darlings.
But we were young and thought we knew better.
The coarse clay that we mixed in the pugmill 
was gritted with pulverized pots, our failures, 
recycled to give strength and courage to new pots. 
What survived were not the masterpieces, 
but those failed vessels, the rejects we threw back.
The handle and spout held onto the flawed teapot, 
50 years underground. Hardpan packed into the belly 
insulated against the atrocities of weather and ice. 
It was like an archaeological dig excavating the past 
as I dug deeper, uncovering treasure after treasure, 
raku pots shards that once glistened in metallic hues, 
now mottled with age from the acid soil that leached 
bright copper carapaces into celadon streaks.
Only an oxblood pinchpot held its rubied stance 
against the rough markers of time.
I dug down deeper until I found the old coins, 
quarters and pennies from 1929 and 1937. 
Terminus post quem. Until I could go no further.
When our family moved here to this land, 
how much was a penny worth then, 
and what were their dreams made of?

8/3 Write On! Terri Glass

Monday, August 1, 2022

Lammastide and Lúnasa

Image: “Lammastide,” British postage stamp, 1981.

Lúnasa, the beginning of harvest season, technically begins Aug 7 because our modern calendar doesn’t quite fit with the cross-quarter day celebrations between the solstice and equinox. Dedicated to the god Lugh Lámhfhada, this harvest celebration and Tailteann Games, marks the beginning of the harvest season, also celebrated as Lammastide in Britain and Northern Ireland. I’ll give Lugh his due on Aug 7.

Today, Lammas Day, aka Loaf Mass Day, from Hlaef-masse, is celebrated Aug 1. The hlafsenunga, 'blessing of bread,' from segnian, is 'to make the sign of the cross.’ The Auld Lammas Fair, a traditional fair dating back to the Renaissance, is held in Ballycastle, County Antrim, Northern Ireland, every year on the last Monday and Tuesday of August. There is also a Welsh variant, Gŵyl Awst that ties in with Lammas Day rituals. 

In a book of Anglo-Saxon charms (no, not Bede who was strangely silent on the subject), Anglo Saxon monks blessed the first loaf of the new harvest, the Lammas bread, decorated and baked in the shape of a sheave, an owl, or a corn dolly, broken into four farls, and tucked in the corners of the barn to protect the new harvest from vermin and harm. 

Corn dollies were made with the last sheaf of grain so that the spirit of the corn had a place to winter over until they were turfed into the ground during the first plow. (Corn means grain, not maize.) The time of the agrarian goddess and the Greenman, a time of blessing of the First Fruits of harvest. 

The Old English name for autumn is hærfest. A sheep was let loose in the stubble fields and whoever caught it got to keep it. It was also rent day. In many parts of England, tenants brought sheaves of freshly harvested wheat to their landlords on the first day of August. The landlords in turn, gave their tenants a gift of a pair of gloves at Lammastide to show their authority and benevolence. 

A day that debts were settled, labourers hired, households moved, contracts and promises made. And from that, arises the term, “latter Lammas,” a day that will never come. And of course, there is John Barleycorn, who must die.

Wednesday, July 27, 2022

HEADED FOR CHIAPAS


We rode the overnight bus cross-country, 
snaking our way from the coast up dirt roads, 
13 hours of hairpin bends threaded
up steep mountain passes like a tapestry.
You can only hold your breath for so long.
Near the Chiapas border we stopped at a pullout
to stretch our legs, while waiting for the engine to cool, 
clouds of fireflies circled us. We were so high up,
I mistook them for the stars overhead.

7/27/22 rev. 2/18

WORD BY WORD

WORD BY WORD
     —For John Oliver Simon

Because I wanted to write about risk, I couldn’t choose. 
Because I had a plethora of memories to choose from, 
I drew a blank, I was a stalled page, a blank screen
where you sit in a small storm, isolated by the elements. 

Sometimes writing is like that, a clean slate 
waiting for you to say something, anything at all. 
But I’m in love with the act of longhand, 
that journey of letters scrying across the sky, 
proclaiming acts of birdsong and mountain passes, 
earned word by word, step by step.

Was it the time I scaled Half Dome, 
and hung my legs over the ledge, 
listened to silly music rise up from the valley floor? 
Or the time we found our own Thank God ledge 
on Mt. Tallac where I hovered like a bird on the brink 
between land and air as he shoved me into the rock face?

In that moment the cliff taught me balance, 
not just a matter of passively occupying space, 
but conforming to it, becoming one with the mountain—
which required an earned respect. And trust in the other.

That time we scaled the rock chimney at Sonora Pass
where we proclaimed eternal love at the summit,
the sky and the clouds as our witness.
But the journey back down the chute was treacherous. 
Portent of things to come. I dislodged a rock 
that clattered deep into the crevasse, where I found 
a small pocket of quartz crystals gleaming like stars.

Or was it the time we tested the tensile faith 
of that rope bridge as we inched across the gorge,
the headwaters of the Urubamba River
rapids assuaging the stark hunger of the rocks 
gnashing their teeth below us?

It seems we are always on the verge of leaving 
each other behind. That is the dance.
When it came to all the men I’ve loved, 
I never learned where the trail ended, how to cleave,
or where the river began, and without wings, 
I leapt blindly, followed the vagaries 
of the heart bursting into thin air,
in search of my sullied craft.

7/27 Write On! Terri Glass

Monday, July 25, 2022

Facebook punking 4.0

Facebook is either broken or it’s found a new form of gaslighting/ punishment for those of us who think outside the box. Right now every single comment on my posts comes back as a broken link. When my Facebook account goes wonkers, I find myself asking how long am I in the Facebook doghouse this time? Set to the O Brother Where Art Thou song, You’re in the Jailhouse Now.

It seems like there is a yellow card warning, and a red card warning system, with a secret extended time out period ,followed by Facebook shenanigans, and ultimately jail. My feisty friends Andrew and Tori know it well.

Turns out the punitive time out warning penalty is much longer than the actual duration of the offense. So we’re on active Big Brother watch. I’ve been issued both yellow and red warnings for using language figuratively. Facebook doesn’t like metaphor or aphorisms either, and says it goes against “community standards.” It’s a good thing James Joyce is not a Facebook user, is all I can say.

Certain words trigger the Facebook AI po-lice bots. No one knows exactly what they are. But I have figured out some of them: Slav-  ery. Kil. il as in Bill is one. Nuk with an e, as in “to microwave something” and the use of cho- with a p, as in “to crop a photo,” triggered a few of my latest warnings. Hate speech this time. do I have to get inventive in order to use those words? Guess I’ll work out my aggression by Chopin some wood. 

Sunday, July 24, 2022

Naming one’s duty

Naming one’s duty is a tricky business. I suppose I could be a tree or a horse, but then what? Having shaken off the shackles of Catholicism, the Lord’s Prayer is too deeply ingrained in my psyche to casually cast it aside. Shall I name my last request? Give it a reason? Shall I finish it off with a bird of praise? Pluck its feathers from my teeth?

7/24/22

RAINCORPS


Out of death comes life. 
Carrion wasps lift the fleece of a dead sheep, 
make it seem alive. It rises up like a cloud 
takes flight in the long sky, 
turns to rain falling on parched earth.

7/24

adjective noun verb adjective noun

Dark death emerges, shining life,
dour clouds growl, dancing wind,
fluttering stars weep, o parched earth.

7/24 Poets & Writers workshop, Allison Adelle Hedge Coke, Exquisite corpse form

OAKFIRE


Yet another wildfire, 
I come undone again, 
the firescars of summer
emerge, we carry 
the scars deep inside, 
as we watch mesmerized by ash 
smoke calligraphing the sky, 
while the skeletons of trees, 
ancient oak and madrone 
hold vigil with wind and clouds. 

Living in this world of fire 
we constantly check the horizon 
for signs of the approaching inferno, 
we make plans, and wonder 
if we can make it home in time 
to grab memories packed in bags. 
Everything comes down to this:
our lives are compartmentalized 
and categorized according to 
want and need.

7/24 Poets & Writers workshop,Allison Adelle Hedge Coke, nonce based on Quincy Trope's Seven Elevens 

OH, WIND

OH, WIND
     —for Pádraig Ó Tuama

Oh, wind, with your restless hands 
rippling the deep grasses on the hillsides, 
your invisible corpse suppressing the morning fog 
until it flops over like a cat wanting a belly rub, 
your breath pleating the hems of a lake 
or fanning the wildfires scorching the earth 
until we succumb to detachment,
until there is no other choice left except now.

Oh, wind, bring me detachment,
bring me a place of no boundaries 
because we daily drown in the detritus of dailiness
and sometimes we forget the larger picture.
Bring  me no countries, no alliances, 
until we are no longer earthbound. 
Oh, let me be more like the birds of prey 
circling updrafts and searching for a pattern 
larger than the confines of the mind.

May it be.

7/24 Poets & Writers workshop based on a Pádraig Ó Tuama prayer exercise a Collect poem
In the name of the bee, the butterfly, the breeze. Amen  —Emily Dickinson
Published in Fly Like the Clouds of Time, 2022 California Poets in the Schools Statewide Anthology

Saturday, July 23, 2022

Fugitive colors on Vincent van Gogh’s paintings

Vincent van Gogh, Bouquet of Irises, 1890, the background was lemon yellow.

I can’t help but wonder what this painting of Vincent van Gogh’s irises would have looked like when it was new, the yellow-green cast would not have been there and the blues would’ve been more intense. Perhaps even purple. His Bouquet of Irises against a Yellow Background (above) probably depicted purple irises, not blue ones. The yellow-green background to has shifted color and was probably closer to Naples yellow, as Vincent described it as a lemon yellow.

Irises painted May, 1889, at the St. Paul-de-Mausole asylum, in Arles, were once purple.

How much color degradation by photo-oxidation, or chemical reaction to varnishes added later has happened since this canvas was painted? Did Vincent use cadmium yellow or lead-based chrome yellow? Or yellow ochre? Zinc yellow favored by one of his contemporaries, Georges Seurat, too, is unstable. In other words the colors we see in La Grande Jatte are no longer true. They have shifted. 

The invention of new synthetic colors for textile dyes during the Industrial Revolution in the 1800s coupled with the revolutionary invention of paint in a tube in the 1850s, directly led to the era of Modern Art. Not only had the painter’s palette, brightened considerably, painters were having a field day, literally, out painting in the fields, en plein aire. having forsaken the confines of the studio for the bucolic countryside. 

There was a major painting revolution going on. Artists were painting directly from life, not from smudged field notes and memory. Impressionism was in full swing, followed by Post-Impressionism. Color was king. No more drab chiaroscuro paintings. But artist also needed bold new colors that were more stable. There’s the rub.

What we are seeing now in many of Vincent van Gogh’s paintings—especially the yellows—is not what Vincent painted. Chrome-yellow turns brownish-green when exposed to sunlight. Ditto that with the reds and blue-purples. In his famous Bedroom at Arles painting and the many Irises paintings, Vincent used red lake with organic bug-based cochineal, and both were fugitive colors that either darkened, or faded to white. As it is, those white flowers in the field were once red poppies. And the brown buttercups were once yellow.

If we are to understand Vincent van Gogh’s palette choices, we need to know what pigments and binder mediums he used. And how they have changed colors with the passage of time. For example, linseed oil, the most-favored vehicle that binds pigments to the canvas, yellows and darkens with age. Too bad safflower (sunflower) oil wasn’t yet invented. For me, this is all sort of a hold my beer kind of epiphany. I need to recalibrate a long-standing notion of what I think of as Vincent‘s color palette.

It’s a good thing Vincent mixed cobalt blue pigment into his irises as well, otherwise we would be viewing a field of white irises. At least I think he used cobalt. He probably couldn’t have afforded lapis lazuli or ultramarine blue. There was a new synthetic ultramarine blue on the market, but it was terribly pricey. And surely he knew that azurite goes rogue and turns teal green or even black with age. 

Friday, July 22, 2022

Ants in my tea


 My morning tea had a little extra zing to it—with several stranded ants madly racing around the rim of the cup. A piquant acquired taste. Or should I say piqu-ant? Since the sugar bowl is locked down tight in a clicky-lid dish, it had to be from the sugar spoon. Formalic acid, like drinking sourdough yeast starter.

Wednesday, July 20, 2022

TOTAL ECLIPSE ON THE BIG ISLAND, JULY 11, 1991


On the Big Island, in the City of Refuge, 
how we all stood at attention, saluting the morning sun 
as the mist parted, and we watched the bright orb 
slipping into a nightgown of stars. 
How we gasped as the stars reasserted their raiments 
and the goddess was well pleased with her handiwork. 
The black flower of the sun blossomed 
in the wilderness of the sky as the moon covered her face, 
and the solar flares became petals, a corona of fire.
Oh how we were rendered speechless, 
uttered primal guttural phrases as Bailey’s Tears 
dripped stringed pearls of light into the darkness. 
During totality, you could see with the naked eye 
the silhouette of the mountains of the moon.
And time itself stood still. Even the raucous wind fell silent.
And when the fabled Diamond Ring appeared, 
the couple on the beach, draped in feathered cloaks,
exchanged vows and leis. It was either a good time 
or a very foolish time to get married. And why not?
The moon and the sun continued their odd love affair
and the confused birds all went back to sleep.
The waves stopped conversing, the wind and fell silent.
I sat in a tidepool where bright fish gathered,
cloaking me with their yellowed brilliance 
that faded into grey in the darkness, I held them 
in my arms as if I were the madonna of fishes, 
while sea turtles hovered like islands or planets.
I took the flower from my hair, a night blooming cereus, 
and let it go into the sea, waited for the light to return.

7/20. Write On! with Terri Glass

Cormac McCarthy’s Olivetti

       —Cormac McCarthy July 20,1933-June 13, 2023

I can almost hear William Faulkner sluicing a vein with all that O-negative blood resonating in Cormac McCarthy’s writing. A seething ghost informant. Both of us distantly related to the first Cormac McCarthy, having canted back to kiss the Blarney Stone. In love with conjunctions. And, and, and…. A man who couldn’t keep his day jobs, who carried a 100-watt bulb so he could write at night—no matter what fleabag hotel room he called home. And I love the fact that Cormac used an old Olivetti that cost $50 from a Knoxville pawnshop. And that hand-to-mouth living from grant to grant, a story I know well. A well that goes dry when you least expect it. Nothing but dust and bitter darkness aligned with distant stars. There is something poignant about Cormac auctioning off his 50-year-old Olivetti for a quarter million in order to fund his writing residency at the Santa Fe Institute. A haven of scientists, and of course, Cormac. And a friend found him a replacement Olivetti for $11 in a thrift store. Those Olivettis were the Italian race-car typewriters of writers, sleek, svelte, built low to the ground, and extremely transportable. He’d take the old Olivetti to the gas station for its yearly blow-out with the air hose. To think 5 million words poured forth like a river of regret from the paten of that old Olivetti. Talk about mileage. May he be granted 5 million more words. I learned to render my random scribblings into poetry on a enameled powder-blue Olivetti purloined from my mom’s paramour. That Olivetti was more like a moped than a race car. The matching zippered case was like a mod-squad mini dress. White go-go boots and all. All those bottles of whiteout. But when I couldn’t find new ribbons for it, I let it go. I had to let it go.

Tuesday, July 19, 2022

Fund the National Endowment for the Arts

I have worked a lifetime in the schools, as an artist in residence, 50 years to be exact, and without the National Endowment for the Arts, which also funds our state and local arts partnerships, I could not have reached so many students where traditional teaching methods have failed them. You see, I am dyslexic. Albeit undiagnosed. The arts are the only thing that saved my life. I am both a visual artist and a poet. Because of art I learned to read. Because of art, I became a writer, and have won numerous awards for my work. Art allowed me to access my intellect, and also to grasp critical thinking skills—and my life goal has been to share this process with young students where traditional educational practices have failed them. This was all was made possible through the auspices of the NEA, and the CAC. Please support the arts. Art literally saves lives.

Sunday, July 17, 2022

A weird spa day

When I saw the price of BioElements body cream on eBay I nearly fainted. $65 for 4 ounces? I got the bright idea to spruce up what was left of my old (read rancid) BioElements body cream with my equally old essential oils. 

What I thought was lavender oil was lemon oil that spilled al over the place—now I smell like a piano in a used furniture store. It seems like such a good idea at the time using up all that old oil. The little plastic lid that was supposed to control how much oil comes out of the essential oil bottle flew off—oil spilled everywhere. 

My Winix air purifier is going completely nuts, it’s in the red with all four fans going for all they’re worth. Soon it will achieve lift-off. Luckily because the lemon oil was so thick I was able to mop most of it up. But some was on my hands which I rubbed on my feet. I rubbed the excess oil on my feet and legs as I had nowhere else to wipe it….damage control. Put it this way, my toes think they are well lubed honkey-tonk piano keys at this point. 

I’m showing the grain all right. I was able to mop up quite a bit of the lemon oil and smear on some furniture. The furniture is happy, my air purifier is not. My little teak pullout desk board is now very shiny. Now I can’t go outside into the sun because lemon oil is phototropic.

What makes this entire story ludicrous is that I did it twice, first with Rosehip oil. The lid dolloper literally flew off. Rose hip oil all over the place. I did not expect to have two freak accidents today. It seems when I’m going to royally fuck up I do it in spades. 

Saturday, July 16, 2022

Ophiuchus the 13th constellation reinstated


On top of everything else, according to NASA, the 13th constellation is being reinstated, after being in Facebook Jail for some 2000 years, thus bumping the astrological signs as we know it out of whack. I am not willing to give up my star sign Sagittarius to become a Scorpio—even if I was born on the cusp—so Ophiuchus gets a prime time slot in the sky. I only just learned about it the other night, on Crimson Rivers, a gory French murder series from Walter Presents. I can’t even pronounce it, and the snake thing, well… sounds so Medusian. Not liking this moment of synchronicity at all. Serpens Caput indeed. Give me a centaur any day over a scorpion or a snake. Had to learn to like scorpions and snakes. I used to have nightmares about scorpions. It took a lot of willpower to overcome my fear and to appreciate them. Oh yeah, and today is National Celebrate a Snake Day. It’s all in the stars. Ssssssss.

Backside of the moon


My flabber is gasted and my mind blown daily by these NASA photos. The back ass of the moon. When’s the last time you saw that, if ever? You do know that the moon always keeps its face towards the earth. I think that earth image is Baja California. This photo may be from the space station. John Butcher said it might be a Photoshop overlay since the ISS is between the earth and moon, only  230 miles out. One theory down. Jeremy M Shaver said there’s another satellite beyond the ISS space station that could’ve recorded the photo. Edward Carl Hylin said it’s a genuine NASA photo of the far side of the moon, illuminated by the sun, taken by DSCOVR. Thanks, guys!

From NASA: “Behold the moment when the moon passed between Nasa's Deep Space Climate Observatory and the Earth, allowing the satellite to capture this rare image of the moon's far side in full sunlight. We don't see this side of the moon. 

This is because the moon is tidally locked to the earth and doesn't rotate. So we only see one face of the moon from the earth. Humans may likely land on the far side of the moon before the end of this Century. This is indeed beautiful shot.”

📸 NASA

Patrice Vecchione workshop: Write your life open, journal

Patrice Vecchione says to write with your heart, write with your eyes, and write with your life wide open.

What am I looking for within this writing life? To be open is to change, to not be static, to ask what if, and let’s see, maybe include curiosity and exploration, and especially trust. The closed fist and the open hand, the relief of trust and the infinite possibilities that we, as we sit at our work, will uncover truth. 

We are open, free, but not always able to speak about life as we feel it, but we mostly choose not to. So take my words, these words as strong as my mind. I would use my words to write near and far. In Galway the bird stands for all things and Saint Francis and the sea.

1. At the center of my life is my work, the calm within the urge to create. Everything revolves around it. It is how I define myself, how I see myself. I was one of those children who failed miserably at school, I learned late and I learned slow. As if in a fog. Reading outwitted me until the end of third grade. I can still remember the day I learned to read.

The overwhelming feeling I am left with at school was that I was hopelessly sad. But at the center of my life was the quest to explore distant vistas, discover secret valleys that led me up to the mountain passes where euphoria sleeps. John Denver called it Rocky Mountain high, but, for me, it was every mountain pass. 

Maybe it’s the exhaustion or a lack of oxygen, but where I feel most alive is when I am in the mountains. My knees know their relative age, so hiking is now problematic. There was a time when I hiked all the fireroads of West Marin road and the sky was the limit. 

And I feel that I am not writing what I should be writing about—par for the course. Sometimes writing is a shield and when I crow about my accomplishments, I feel guilty, I am so used to being slapped down. Is it a Catholic thing? Pride goeth before the fall? Or has it more to do with not tempting fate? Not tempting the devil to eke out his revenge on your success. Not tempting the furies to take it back a few more millennia.

Friday, July 15, 2022

Jumping Jupiter!


Jupiter as it has never been imagined before. The James Webbie infrared cam has outdone itself. I am gob-smacked. OK, so the image is computer enhanced, making the invisible visible! But beauty x beauty = beauty. It’s a real gas. Planet, that is. No land. But when my eyes land on this—no words. WOW. More images here:

Thursday, July 14, 2022

Approaching my 70th birthday


Approaching my 70th birthday, my journey having arrived at the home stretch and the question is, "how are you going to live out the rest of your days" arises. Yesterday‘s mail from Social Security arrived with dire warnings that time was running out, that I  needed to register before my 70th birthday, brought it all home, full circle. It’s suddenly all very real. This aging process. Time is running out. I didn't sign up for this. Yet here I am. I feel lucky having lived a life rich in creativity and adventure. All the travel I’ve done continues to inform my sullied art. I got the adventuring out of the way in my 30s and 40s while I still had knees that worked. I swam in the Galapagos, traversed the Andes, straddled the equator, went to the USSR bearing gifts, lived in St. Petersburg and Amsterdam. how I loved those cities of light. I loved fiercely and mourned when the relationships inevitably failed. But I was always running from the past. It’s frightening to see how so many people begin that cognitive slope of decline long before they reach this age, but I must be one of the lucky ones. My mind is busy putting together thoughts and rebuttals, always ready for the next argument, always ready to challenge the norm, as if life itself depended upon it. But sometimes the fear rises up like an unwelcome tide. When I was 20 I couldn’t imagine myself at 50. When I was 50 I couldn’t imagine myself at 70. And yet here I am inside this uncharted wilderness of age, the same landscape of my childhood. What I’ve gained is knowledge but that’s cumulative. Knowledge is not wisdom. Joseph Campbell talked of the hero’s journey, those rites of passage, not gathering statistics or fact. Like what Einstein said, creativity is more important than knowledge. My hero’s journey, having survived a childhood where I was shunted off from parent to grandparent, with aunts and uncles threatening to either adopt me, or to send me off to boarding school, left me shaken, with no sense of home—so the hills became my refuge. I was a feral child. And from that world of uncertainty, I retreated to the realm of my horse, she became my escape, my solace. As I rode the long ridges of West Marin, we were like needle and thread stitching together the carpet of a storied life as we traversed fire roads, into a map that I could navigate and find my way back home. How am I going to live out the rest of my days, as best as I can, savoring the odd moments of ordinary beauty, while climbing that steep slope of that last mountain pass with one foot in front of the other.

7/14 Mill Valley Library non-fiction workshop with Sarah Broderick

THUNDER MOON 3 haiku


In the sky’s pale arms
wind whispers secrets to the pines,
gibbous moon rising.

Thunder Moon spreading
a shimmering quilt of stars,
disturbs night’s dark song.

Buck Moon’s throbbing heart
sings a song of silvered light
& adamantine stars.


Wednesday, July 13, 2022

Moors are not Black

A Facebook poster from LA, in an epic sleight of hand, repurposed the story of Calafia (yes, it’s spelled that way) to fit his own modern socio-political needs, wrote, “The state of California was named after the mythical Black(Moorish) Queen Califia. (Khalifa).” Ok. The story of Calafia stems from a series of medieval stories translated into Spanish from the Portuguese. The term in Spanish and Portuguese, that means dark or black, but not white—is a case of what gets lost in translation. This idea that Amazon warrior queen Calafia was a Black African is a modern American binary interpretation.

Then the poster went on to say, “It is well documented that of the 44 people who founded the City of Los Angeles, 26 were of Afrikan (Moorish) descent. What is amazing and not taught in California schools is that the majority of the founders of San Francisco, San Jose and San Diego were of Afrikan (Moorish) descent, or that Orange County, Beverly Hills and Malibu were once owned by people of Afrikan (Moorish) descent. According to the story, California was an island where only Black (Moorish) women lived, gold was the only metal and pearls were as common as rocks. The women were the most powerful women in the world. When Cortez arrived in California, searching for this mythical queen, her influence on him was so severe, he paid tribute to this powerful Black (Moorish) Woman Queen Califia by naming California after her. California literally means, “the land where Black (Moorish) women live." History has been hidden for a long time.” 

Sigh. Of course he provided no references for that last bit of repurposed history. Whereas it is true that Hernán Córtez named the long peninsula Baja California Sur, thinking it was an island, after Calafia. But we seem to be mixing apples with oranges. Calafia was an Amazon from the Hyperborean north, beyond the realm civilized (Classical) Mediterranean world. She was other, therefore exotic. And the term negra could mean swarthy, or dark, but not African. And certainly not a Moor. This is like saying Cleopatra, a Ptolemaic Greek, was black.

Also the term, Moor is not synonymous with Black. If anything, it’s the opposite. A Moor can be anyone from Arabia to Iberia to North África—Egypt, Alexandria, Morocco Mauritania—which probably means homeland the Moors—regardless of skin color, and the Berbers of North Africa were all called Moors— because they converted to Islam, and spoke Arabic—and literally shoehorned their own culture into Arabic ideals in order to be considered part of the elite ruling classes.

The term Moorish refers more to religion and the Arabic language/culture rather than to skin color. Also, for centuries, the Arabs were the undisputed ruling class, so to self-identify as a Moor was to be part of the ruling elite, or not be a slave (Black). The matrilineal Berbers were in a fix and they had to wholesale invent patrilineal Semitic genealogies in order to fit into an Arabized world.

The Habesha Ethiopians, Eritreans (Abyssinians), and Tuareg—who self-identify as Berbers, though dark-skinned, do not consider themselves as Black, but Semitic, though some are also Christian. And for the record, sub-Saharan and Sahel Africans, the Arabized Maghreb Berbers, aka Moors, during the 15th c., are light-skinned.

Sadly when the Berbers began to identify with the ruling class Arabs they gave up their matrilineal society and had to construct a patrilineal Arabian lineage which create it all kinds of havoc—especially for the Berber women who lost most of their freedoms in a Moorish world.

Moorish means more than anything else—meant non-Christian, therefore, in European eyes, exotic. Shakespeare’s Othello was a Moor. You see where this leads to. Let’s just say, it’s complicated. And if you actually read the novella from which the name comes, Las Sergas de Esplandián (The Adventures of Esplandián) penned or collected by Garci Rodríguez de Montalvo in the late 15th c., Calafia is referred to as an Amazonian warrior woman who lived in the far north—beyond civilization.

So here we have a strong woman, with warrior superpowers, from a post-Moorish subjugated world, call it Iberia, where women collectively had few personal rights. Perhaps the model for Calafia was a Sub-Saharan Greek, or a Maghreb woman. 

Note the use of the terms Moor and Arabic in this quote, taken from references of 14th c. Arabic scholars….
“In contemporary Hassaniyya Arabic, the language spoken by the Moors (Arabs) of Mauritania and Northern Mali, the terms ‘Whites’/‘Blacks’ (b ̄ıda ̄ n/su ̄ da ̄ n) are used to distinguish between Moors who are, in status, freemen, and those who have a slave past. A different Arabic word for ‘Blacks’ (kwa ̄r) is used to identify non-Moorish Africans. In contemporary Tuareg discourse, colour-based terminology is used to distinguish internal social status and to denote those who are termed ‘Blacks’ (koualnin), whether people of servile origin within Tuareg society, or to refer to non-Tuareg ‘Blacks’…. In the pre-colonial Arabic literature of the area, the term ‘su ̄da ̄n’ is most often used to refer to ‘Blacks’ who are ethnically and linguistically distinct from the Moors…” THE JOURNAL OF NORTH AFRICAN STUDIES
But Las Sergas de Esplandián (The Adventures of Esplandián), a novela redacted by Garci Rodríguez de Montalvo in the early 15th century, is a sequel to a popular 14th c. chivalric romance novela, Amadís de Gaula. While the novela suffers from a lack of literary style, it achieved notability “in 1862, when Edward Everett Hale concluded that the novel was the origin of the name California.”

“Sabed que ala diestra mano de las Indias ouo una Isla llamada California mucho llegada ala parte del paraiso terrenal la qual sue poblada de mugeres negras sin que algun uaro entre ellas ouiesse: que casi como las amazonas …”

OK, not only do we have Amazons from somewhere beyond the Black Sea, but also a mythical knight from Gaul. A far cry from Africa. Here’s the thing, the Spanish term negra/o is also used to refer to any people with swarthy or dark-colored skin (both native and foreign). Including the Moors who were considered freemen vs. slaves. 

WAKING SLOW


I wanted to waken slow 
and write something holy and profound 
like finding a buried treasure trove 
on those gleyed trails deep in the forest. 
I wanted to be paid in birdsong and stellar light, 
reflecting off mirrored montane lakes 
deep in the mountains where carnivores
hunt on glaciers older than civilization. 
I wanted to waken with a cup of coffee in hand 
ready to render those fleeting moments 
into words, polished and sharpened 
with nuances of carborundum 
where the opinions of poets 
aren’t brushed off linen tablecloths 
by the baseless butler brooms of apathy. 
I wanted to mend the rents and tears in the fabric
of those missed moments in the past 
with a polished thread, where the darning needle
becomes a silvered road to stitch 
all those lost moments into a quilt,
those lost moments that have slipped 
irrevocably into a skein of untended fields. 
Those golden what if moments 
where only in hindsight, do you realize, that yes,
there were always other choices to be made,
but the bouncer at the trapdoor of the heart said no. 
What did he know of love?
I wish I had married the men I loved 
at least once, maybe even twice. 
I wanted to look back and say that I lived 
every moment fleshed in the round, 
that the prisoners were of my own choosing. 
I wanted to swing on the long arms of that clock,
stop time in the middle of the town square, 
dangle my legs into the air like a heron or a stork, 
say, that clock in Prague that charts constellations,
but my gut said no, and stupidly I listened. 
I wish I had traveled more. Just like that time 
I turned down a yes to the Great Barrier Reef, 
or to the Outer Hebrides dressed in indigo twilight.
I always thought there would be more time, 
but now as I stand at the lintel of that waiting room 
where age, and the erosion of memory is palpable.
I want to contemplate the sand left in the hourglass
as an end to a life well lived, as best as I was able,
considering the crossroads of familial inheritance
I was given—with no roadmap, or Michelin guide. 
InterestI squandered my days curating the detritus of the past.
All those portmanteaus of wrinkled what ifs
lost luggage circling all the carousels of the world
waiting for someone to take them home.
I wanted to inhabit a place of memory where love 
was the only viable stamp in my passport.
I wanted my heart to say yes yes yes.

7/13 Write On! with Terri Glass

Tuesday, July 12, 2022

First views from the James Webb Space Telescope


 “We are stardust, we are golden.” How can you not love this stuff? I’m all agog and a-drool here. Pure poetry to be able to see back in time into the heart of deep space star nurseries. 

The progeny of the 1990 Hubble, the colossal JWST, or Webb infrared telescope camera, was conceived in 1977. After many mishaps and missed dates (it was supposed to be built in 2002, and ready in 2005), it was finally launched Dec. 25, 2021. It took six months for Webbie-cam to reach its destination, and to send back these stellar photos. Wow, I am gobsmacked. This is the most extraordinary news in three years.

Hubble photos took weeks of constant exposure, Webbie-cam managed to see through all that cosmic dust and achieve absolute clarity and enlightenment in just 12 hours. But unlike Hubble and E.T., if something goes wrong, the golden-eyed Webbie cannot call home, nor can astronauts take a space jaunt to tweak it. Webbie has enough juice to last about 20 years. Then it’s lights out. Sayonara, so long and thanks for all the fish.

The gold-plated lens array, designed at Stanford, is 21.7 feet across, the size of a VW Bug, and looks like  bee’s dreampad, or a MI6 prop from GoldenEye. Because it is infrared, it has a special shield array, and orbits in the forever shadow of the moon and earth. “JWST operates in a halo orbit, circling around a point in space known as the Sun-Earth L2 Lagrange point…” In other words, direct exposure to light or heat would fry Webbie-cam san. It’s like totally chill, dude.

Webb is orbiting a million miles from Earth, and is geared to peer through impenetrable clouds of thick cosmic dust, into the secret hearts and wombs of the earliest galaxies and stars ever born. We are literally looking back billions of years in the space/time continuum with these images of ancient “high redshift” starlight. In this case, red stars are the oldsters. White stars are teenagers. OK, my mind is sufficiently blown, folded, stapled and mutilated.

One of my favorite nebulae along with the Horseshoe, or Omega Nebula, is the Eta Carinae Nebula, host to a hopping hot young star nursery, and home of the Mystic Mountain, the Homunculuse Nebula, and the Keyhole Nebula in the Carina-Sagittarius Arm of the Milky Way, at a mere 6,500 and 10,000 light years from Earth. And who doesn’t love the gas ring of the Southern Ring Nebula? Aka the Eye of God. And for the record, I’m a Sagittarius. We don’t need no stinking badges.

Thursday, July 7, 2022

The bee-ginning of the end is nigh

I always get a kneejerk reaction to the Facebook honeybee memes. At least the circulating memes have been updated to include other (native) bees. Part of the premise of the so-called Einstein quote in conjunction with bees is that we will disappear from the earth in four years as well if the honeybees disappear. But most New World foods are not pollinated by bees—and certainly not by European honeybees. Not that I think extinction of any species is ever a good thing. 

Speaking of truth versus fiction, it’s interesting to note how many memes are but half-truths. They need a pithy quote, an authority figure (in this case Einstein) and an erroneous extrapolation to support the straw argument. It’s not a question of challenging one’s faith or belief, but a willingness to look at both sides of our quasi-scientific biases in order to see the larger picture. 

Folks from my California native plant groups, are focused on helping the environment, but in their misplaced alliance, they don’t see the irony in planting native plant gardens in order to feed non-native European honeybees, which are classified as livestock. Euro-bees certainly help agribusiness, but not necessarily the environment—as they compete with our native bee species. Besides, butterflies want equal rights and equal billing as super-pollinators when the next doomsday bug meme comes along.

Many native bee dining favorites happen to be toxic to European honeybees including buckeye, azalea, rhododendron, death camas, corn lily, mountain laurel, sheep laurel, and locoweeds. Do we next suggest getting rid of those native species because their nectar kills those euro-bees? Gardening articles actually suggest not planting these native species for a more “bee-friendly garden.”

We have 1600 species of native bees in California alone, including Yellow-faced bumble bee, Bombus vosnesenskii, Sweat bee, Halictus spp., Wool carder bee, Anthidium manicatum, Mining bees, Andrena spp., Long-horned bee, Melissodes spp.,  Leafcutter bee, Megachile spp. to name a few. They can drink the toxic nectar, ingest the pollen from these “toxic” plants because they co-evolved with them. 

Here’s the thing, honeybees certainly help the farmers but they don’t necessarily help the environment as they are non-native species—except in Europe and North Africa. If anything, they drive the native populations of insects away, and hog all the local food sources. Check out this National Geographic article. And this Scientific American article.

What’s really killing the honeybees? Pesticides, and varroa mites are a real problem. Monoculture is the real killer. And it is having an illicit affair with Round-up. As for our native bees—they too are threatened by pesticides, loss of habitat, and competition from those Euro-trash bees. 

We need to build more bee hotels and create habitats for our native species too. And maybe send those non-native honeybees to bee school. All is not woe. Italian x Carniolan hybrids, are supposed to be more resistant to the narcotic charms of the buckeye. Sounds like both the nectar and the pollen is toxic—like the hallucinogenic mad honey produced by rhododendron and azaleas. I wonder if honeybees hallucinate?

Wednesday, July 6, 2022

TODAY I AWOKE


1. Today I awoke wanting a divorce 
from my country of origin, and
I'm not even married, but I’ve had enough 
though we’ve been joined at the hip since birth. 
Somehow I always found a path forward 
even when ideologies clashed like cymbals 
on the bloody killing fields of Vietnam, 
of Iraq, or Afghanistan, or Aleppo.
And the glistening wounded words of my despair,
is the destruction of women’s rights, human rights.
We have spiraled into a second-world country status.
But the world itself has changed irrevocably, 
young men mow down fellow citizens with A15s
as if life were a weekly video war game. 
I don’t want to live in a country, 
trapped in this marriage of convenience,
where we routinely slaughter children in schools,
(two dozen massacres since Uvalde), I weep 
for the fallen in niteclubs, theatres, and parades,
where we strip the basic rights from people— 
where we legislate who to love, who to marry, 
who to give birth to, all regulated 
by repressive “Christian” ideologies. 
What happened to the separation of church and state?
I'm too depressed to even render this into a poem. 
I don’t want artifice. Like Dylan, I too want 
to rage against the dying of the light.
I’m too angry for my sullied art to emerge. 
I cannot think on those terms,  
because to do so, is to render and to codify it,
and codification, the heart of the problem
those SCrOTified codpieces of (in)justice 
sitting on the bench draped in robes of darkness,
where they truly believe women are unequal. 
I just want to stop this world and get off. 
America is a failed post traumatic experiment, 
and to think it all began with a tax on tea 
and we are daily taxed, both mentally 
and physically. The problem is I see no way out, 
no shining dawn to bring us new hope
in this country of origin and this is not a poem. 
It is the dark venous blood of broken treaties
seeking the formless tears of the sea.

Wednesday, June 29, 2022

Supreme Court folly


I was a love child. I have lived my life owned by no man, always my body, my terms. The men of my life knew better than that, and if they didn’t that that was the end. I was an accidental child, a mad scramble at sunset in the backseat of a Ford atop Bolinas Ridge overlooking the lagoon. The ocean is my mother, the bay, an artifact of the San Andreas Fault, the natal waters from which all life comes. The amniotic fluid of  byrazoan and seasponge, laminaría, coralina and copepod. I am not someone’s chattel. Perhaps this is why I never married, though I had offers enough.  And my body offered the fruits of its womb, a fecund harvest, before I said no three times, before my body listened. The genetic code is strong and the urgent blueprint to codify ourselves unto the next generation. I said no. I have never had to codify my choices. My body, myself. I was a child of the Roe vs. Wade era. I was also the product of an accident in the backseat of a car at sunset. My mother did not survive the onslaught of 50s that demanded broodmare wives. After the third baby by yet another man, a miscarriage of justice began during a time of coat hanger abortions. She said she wanted every one of her children, but her body was not able to collect rent when it was due. Then her mind. She aborted fetuses that could not survive the onslaught of the times.

6/29 Write On! with Sue Terence

Thursday, June 23, 2022

Alexander McCall Smith’s inlet, Argyle

Billy Collins often asks us to write about what we’re doing and to post it on his poetry broadcast thread. This morning, I woke up thinking I was in Oban, of all places, I haven’t been there in years! and so I did a quick sketch of Alexander McCall Smith’s inlet near Argyle from a video he had posted, with friends singing an alfresco Jubilate Deo in the gloaming. My good drawing pencils and watercolor set were in the car, far away, but I happened to have nearby, an odd jumble of prismacolor pencils in a baggie I was planning to give away. I was desperately trying to finish a complicated multi-year Cal Arts Council Artists in Schools grant due at midnight, my head was a slaughtered pumpkin, I was working off the arse-end of a four-day migraine, and was flummoxed by the Covid/community access questions, and this wee drawing was my one lone procrastination distraction that I allowed myself. I tucked in, and got the blasted grant in on time. An odd solstice gift. Sometimes you just have to find the time to waste a little time. And sometimes the best art supplies (or camera) are the ones you have on hand. And yes, I did post it on Sandy’s Facebook page. No comment was the loud reply.


Wednesday, June 22, 2022

Black Bart, a life of crime


Imagine a self-styled Robin Hood intent on leveling the playing field between bankers and everyman, by robbing stagecoaches from Wells Fargo. See, Wells Fargo did him wrong, they screwed him over a lame land deal, they robbed him blind, and no, he never forgave them. Whenever there was a shipment of gold, he arrived on foot, unannounced, wearing the dust coat of a clerk, and a flour sack over his head. He was a gentleman poet, he never relieved the passengers of their trinkets and keepsakes. Only Wells Fargo. He offered up a poem, a posy, and a white handkerchief which he left at the scene of each crime. But Wells Fargo never surrendered. For years he harassed and robbed the stages, always on foot, having walked across California more times than he could count—to carry out his revenge. He was undone by a laundry mark on a handkerchief. No use crying over spilt milk. He was done with his life of crime, and poetry as well.

6/22/22

WHAT IF THE DEAD


What if the dead, 
not just family and friends, 
could visit us? 

What if we’re their mouthpieces, 
reliving interrupted dreams, 
imagining them as our own? 

What if those we admire 
have unfinished business, 
and stories to tell, and so 

they steer us closer to the heart,
so that we, the living, 
can bring closure to the dead? 

Picture Harriet Tubman, 
her head in a vise, dreaming 
of the open road, dreaming 

of following the stars north 
towards the heart of winter, 
the adamantine stars weeping. 

And what if we sing coded songs, 
having forgotten what they stood for, 
the drinking gourd corked with a star. 

Sometimes I imagine the dead 
slumbering beside me, 
with such stories to tell, 

that I wake up, forgetting all the words,
each fragment crenulating itself 
into fanciful constellations 

and when I wake up, all I remember 
is a scrabbled handful of stars 
thrown against the horizon of sleep.

6/22 Write On! Susie Terence

Monday, June 20, 2022

Greengrocer

Mr. Bagley returned home with a truckload of unsold vegetables. He drove a dusty-blue pickup the color of a humid sky, kitted up with produce bins and green doors that propped up to make a canopy. He must’ve had a greengrocer route similar to the Lucas Valley milk route in central Marin, over the hill, because we never saw him set up anywhere in the San Geronimo Valley. He was fairly new to the area, his large family took up two pews in the Lagunitas church. I didn’t know anything about them or where they came from. It was an unlikely convergence of events that became a moment etched in time. I was playing with Rosemary and Danny Magnussen. Taciturn Mr. Bagley didn’t say much as he counted out the day’s profits, a mere bowl of change. But his wife took it all in stride and cooked up a massive pot of rice and leftover vegetables. I remember sitting at a makeshift table on a large bulldozed flat, two old wooden doors on sawhorses turned into a table. It never occurred to the Bagleys to send us home. We were all invited to the meager feast, grubby neighborhood kids, no one was excluded. After a hard afternoon of playing kick-the-can, and hide-and-seek, yelling out olly-olly-oxen-free, come out, come out wherever you are, we were scabby wains as ravenous as vultures. I remember a mob of kids sitting around that makeshift table, seated on long planks or on tree stumps, scarfing down mountains of rice and butter, with zucchini and ketchup, like it was the last supper. I never tasted anything so good before. There was something holy and profound in that moment. It could’ve been a Dorothea Lang photograph straight out of a migrant worker camp. Mr. Bagley, sunburned and worn out from a long day selling his vegetables, gazed at us with watery eyes, then cracked open a beer, took a long drought from the amber bottle, then leaned back to take it all in as he smoked his cigarette down to the nub. In retrospect, they were probably on welfare, like many of us, the 50-pound sack of rice, from a food bank. Sometime those who had the least were the most generous. They didn’t stay long in the valley, they moved on to other pastures. Hopefully they were greener ones. What I remember is the indigo sky and the watery stars. And then, the long walk back home in the dark.

This evolved from a Facebook comment.

Sunday, June 19, 2022

Buckeyes as famine food


Somebody in Trinity County insisted that native peoples routinely ate buckeyes. I countered and said that buckeyes were a famine food because the toxins were difficult to remove. What concerned me was that someone would read his comment as verbatim. And you can die from eating buckeyes. Sort of like eating oleander and there is no antidote.

He did not like my response and then proceeded to berate and harass me. When that happens, I copy my comments and then delete the thread from Facebook rather than feed his angst. Since he was responding to my comments, I deleted all his comments too. Score.

From a Facebook post. 

Buckeyes are a last-resort famine food, acorns are much easier to process, have more protein and are far less toxic. The only thing you need to leach out of acorns are the tannins—which is an acid, like in black tea. And they are highly nutritious. Hardest part is peeling them for leaching.

Double leaching won’t remove all the buckeye toxins. All parts of the buckeye are highly toxic, they contain the glycoside aesculin, a blood thinner, a saponin aescin, and more alkaloids. Not a mere case of getting rid of tannins. The glucoside aesculin is a toxic compound similar to glucocides in rat poisons. Most cases of aesculin poisoning occur when people roast and eat the nuts.

Aesculin poisoning symptoms include dilated pupils, vomiting, diarrhea, muscle weakness, paralysis, stupor and causes death to ruminants like cattle, sheep, horses, deer and humans. Only squirrels can survive eating them. Buckeye nectar is so toxic it kills non-native honeybees, “buckeyed bees” are deformed larvae. Luckily the nectar does not kill native pollinators. I don’t know if the pollen too is toxic, my guess is probably yes.

According to the Pomo elders I knew, buckeye required a lot of processiing to get rid of the toxins and was only used as a last resort if the acorns failed. And they’re also way less nutritious because you have to leech them so many times (up to ten baths). It could be that freezing and leaching removes some of the toxins but buckeyes raw are not good for any mammals. Sometimes a little knowledge is a dangerous thing.

edited for clarity

Thursday, June 16, 2022

On lynx and bobcats

Native lynx are being re-introduced to Ireland, to control a burgeoning non-native deer population that is hybridizing with native deer and stripping the forest. According to the Irish tTimes, people completely lost their minds. You’d think someone was suggesting that they were planning to let loose African lions to hunt in the suburbs of Dublin at night. We had a similar hysterical reaction in North America when wolves were reintroduced to Yellowstone.

So these are some of my comments culled from a Facebook thread

Most of the fear-based comments in this thread are absurd. Lynx are not lions. And if they became extinct around 1,300 years ago, then humans were the culprit. The medieval era was all about hunting and killing everything off. 

According to Irish mythology, there were indeed larger native cats. The Voyage of Maelduin. Place names: Owenynagat. There was the cait sith, Cairbe Cinn-Chait, Old Cathead, the usurper. In Scotland, Cloch taghairm nan Cat, the myriad Clach a'Chath stones (probably from cath vs. cat); then there’s Clan Chattan. The wildcats were later associated with witchcraft, or against Christianity—and that ultimately led to their demise.

We have a type of lynx in rural California, the bobcat, a descendent of the Eurasian lynx, and though they occasionally get lucky and make off with a chicken, we rarely, if ever, see them. They don’t make off with lambs or calves, or attack children. They are shy, solitary nocturnal creatures, they don’t hunt in packs like wolves. We never see them. And they don’t seem to tangle with foxes who are much more destructive when it comes to livestock.

In fact, I see more foxes than bobcats who rarely leave the protection of the forest. Their range is the entire North American continent. No one loses livestock or children to rufous lynx, or to its cousin, the mountain, or Canada lynx. Lynx are not very large, about double the size of a housecat. Or a little larger than the Scottish wildcat. They weigh 40-60 lbs, and stand under two feet tall, they’re the size of a small sheepdog. 

A Sitka deer may be too big for a lynx to bring down. They are literally twice the size of a lynx, and outweigh them as well. We had two species of non-native deer (fallow, and axis) that were eradicated by hunters in Point Reyes National Seashore. So it is possible to hunt them down. 

Some bad news, the Sitka deer have hybridized with native red deer in the Scottish Highlands, a death sentence to the red deer gene pool. Sterilization/birth control will quell, but not eradicate the Sitka deer. Sometimes it is difficult but necessary to restore the balance of mother nature. Or all will be lost.

Marie Walsh


My grandmother‘s niece, Marie Walsh, who grew up at Home Ranch, in the Reese River Valley, a block fault valley near Austin, Nevada, was a math whiz. But she disappeared right out of high school. Whenever my grandmother talked about her, she grew sad, Marie had disappeared. She said Marie was like so like an angel with her golden hair about her, my grandmother explained, task-tisking. My grandmother, who was also her godmother, was distraught by the lack of contact. Eventually postcards with 4-cent stamps began to trickle in from exotic places like Chicago, New Mexico, with no return address. Sometimes there were words cut out of the text going right through the postcards like little windows to the soul, but we couldn't see our way in or out. In this way we kept track of Marie, never knowing the backstory, or where she was. This much we knew, she was gifted in math. It had something to do with crunching numbers. Most of our family never got the math gene but we made up for it with boisterous singing at family parties, and in the gift of the gab. It was during the late 50s or mid 60s that we got the obituary, a small column scalloped by a fingernail scissors. My grandmother kept all Marie's cards and letters in an old cigar box, on the top dresser drawer that doubled as a linen closet. The article said that she had died of cancer and there was a hint of the life she had lead, hidden in the lines. I memorized the names of places, Alamogordo, White Sands, Los Alamos. In this way I learned the reason why we practiced those bomb drills, hiding under our desks, waiting for the big one to drop. During recess we all filed out onto the blacktop to see the white flash in the east, followed by the percussion and the sound as they detonated bombs at Jackass Flats. A neighbor, Roger Kent said the Manhattan Project was one of the best kept secrets during the Cold Was, as even his brother Buffalo, who was in the CIA, didn’t even know about it.

6/16 Mill Valley Library Non-fiction class with Sarah Broderick

Wednesday, June 15, 2022

IN THE COUNTRY OF POETS


In the country of poets, there’s a potter’s field 
limed with the corpses of dead poets, 
but the trains run on time. There are trees laden with fruit 
and horses prancing in a fancy parade, 
while a president is perpetually shaking hands. 
But in all those green pastures, the republic of poetry lies fallow, 
because in reality, no one ever adopts the poets. 
The unaknowledged legistators of the world have fled 
to safer climes as they are often first on the hitlist 
with a one-way ticket to that undiscovered country. 
This is an elegy for the dead poets of Chile, Nicaragua, Iraq. 
Now, Ukraine. The idea of a republic is an old notion 
bandied about until it slithers back into the black hole 
of despotic dictatorship. Again. You’d think 
we would’ve learned history’s harsh lesson by now.

From the toga republic of ancient Rome 
to the fascista black shirt of Il Duce, 
to the jumpsuited Orange One, the fight continues. 
I think of Ukraine holding fast to its identity 
as the new & improved USSR 
tries to swallow it like a despotic python. 
Mother Russia was always insatiable, 
unable to assuage her Stalinesque bloodlust, 
absorbing and stripping cultures 
at the speed of invading tanks, and missiles,
or cossacks rumbling across the tundra. 
How can I write about what was lost? 

And to think of our own republic of senators, 
in clandestine backroom deals, war profiteers 
selling out to the highest bidder. There goes democracy.
We, the people, are the ones that suffer, and so it goes. 
I admit I only watched the first day of the Jan 6 hearings. 
I can’t bear to witness any more, opting for synopsis, 
if only for a momentary peace of mind. 
Does that make me any less unpatriotic? 

I know this isn’t a poem, it will never be a poem. 
Yet I write because there is no hope of resurrection, 
nor will those plump images come to my bidding. 
It is nothing but imitation, after all. 
The labyrinth of music holding onto the past, 
is choosing you, whether or not you are ready for it. 
And hidden in the folds of the lair of dreams,
are things left undone that cannot be fixed, 
nightmares that resurrect at life’s end. 
In the trap of memory, what is in force, 
is not what I imagined, yet here we are. 

In the republic of the artists, the keepers of truth, 
we wouldn’t censor ourselves in order to beg for money, 
or tighten our proverbial belts, thus girding our loins, 
and not go down for the count. 
The realm of the heart is a labyrinth, 
with a policeman on patrol, searching for truants. 
And hope is a name looking for its heartsong, 
to escape on the wings of a bird. 
This is the first dead bird among many, 
feathered fragments of silence 
resurrected in the bookstore of dreams. 
That candle guttering in the library 
is a dangerous weapon of mass distraction.

6/15 Write On! Susie Terence workshop

IN THE KINGDOM OF WILDFLOWERS

IN THE KINGDOM OF WILDFLOWERS 

In the kingdom of wildflowers, clarkia and lupine,
iridescent dragonflies hitch onto stems like airships. 
I admired the way that blue dragonfly held onto the grass 
like a docking station in deep space 
and I suppose it could have been a she 
laying a constellation of eggs so far from water. 
Obviously she has hope for the future.
Her goal was the headlands of Walker Creek 
or the other fork, another dammed tributary 
in that nemesis of a watershed, where
that bend where the road nearly killed me. 
The bumblebees whirl and spin on the teasel,
each one circling a small white rosette of blossoms 
providing nectar and succor. The bumblebees nap.
In the garden I find a pipevine but not the pupae, 
shrouds of black swallowtails driven to near extinction.
Soon the sky will be filled with iridescent shadows 
and ghost thoughts in the air.

6/15/22

In one man’s republic


In one man’s country there is a potter’s field littered with poets, and the trains run on time. There are trees laden with fruit and horses prancing in a parade, while a president is perpetually shaking hands. But all those green pastures, the republic of poetry lies fallow, because in reality, no one ever adopts the poets. The unaknowledged legistators of the world, the keepers of truth, flee to safer borders. They are often first on the hitlist to that undiscovered country. The poets of Chile, of Iraq. Now, Ukraine. The idea of a republic is an old notion bandied about until it slithers back into the black hole of dictatorship. From the toga republic of ancient Rome to the black shirt of Il Duce, to the jumpsuit of the Orange One, the journey continues. I think of Ukraine holding fast to its identity as the new and improved USSR tries to swallow it like a despotic python. Mother Russia was always insatiable, unable to assuage its blood lust, absorbing and stripping cultures at the speed of tanks, or cossacks rumbling across the tundra. How can I write about what was lost? And to think of our own republic of senators, in clandestine backroom deals, war profiteers selling out to the highest bidder. There goes democracy. We, the people, are the ones that suffer, and so it goes. I admit I only watched the first day of the Jan 6 hearings. I can’t bear to witness any more, opting for synopsis, if only for peace of mind. Does that make me unpatriotic? I know this isn’t a poem, it will never be a poem. Yet I write because there is no hope of resurrection, nor will those plump images and juicy verbs come to my bidding. It is nothing but imitation. The labyrinth of music holding onto the past, is choosing you whether or not you are ready for it. And hidden in the folds of the lair of dreams, are things left undone that cannot be fixed, nightmares that resurrect at life’s end. In the trap of memory, what is in force, is not what I imagined, yet here we are. In the republic of the artist, we wouldn’t have to beg for money, or tighten our proverbial belts, thus girding our loins, and not go down for the count. The republic of the heart is a labyrinth, with a policeman on patrol, searching for truants. And hope is a name looking for its heartsong, to escape on the wings of a bird. This is the first dead bird among many, feathered fragments of silence resurrected in the bookstore of dreams. That candle guttering in the library is a dangerous weapon of mass distraction.

6/15 Write On! Susie Terence workshop

PIPEVINE SWALLOWTAIL


In the garden I find the elusive pipevine 
but not the pupae of the black swallowtail butterflies.
Soon the sky will be filled with iridescent shadows 
and ghost thoughts will drift unmoored in the air.
This is how we measure the beginning of extinction.

fragment 

Thursday, June 9, 2022

Endless summer


End of the school year. We were all sitting in the garage clubhouse on Railroad Avenue in Woodacre.  Someone was rolling doobies, an album cover served as a desk. Jimmy Bowman lit one up, inhaled deeply, errant seeds popping like firecrackers. He passed it around, and I remember looking at my friends, as if I was in suspended animation, present, but not fully present. You know that moment when you step outsite of your dailiness and take a fresh look. And everything looks strange and new at the same time. 

Judy Soga was mad for Jimmy and he was aloof which only spurred her on. We were a ragged tangle of odds and ends. Though I was a grade older, we were all roughly the same age as I began school early. There wasn’t anyone in the group I was romantically interested in except for maybe John but he was a summer blow-in, not a permanent resident. Besides, he was from LA which was hard to take. But he was my first kiss. I remember I didn’t like it. 

I wasn’t ready to grow up but I wanted to just get on with it. Rites of passags. Everyone else was paired up—even the twins, Jack and John McBride. John was seeing Janet who look like Yoko Ono. They crashed in Bill‘s white van on Dead Man’s curve. 

Bill, the drummer for the Sons of Champlin was our main man. We bought dope in little baggies laden with seeds for $15 a pop, pooling our resources. I contributed spare change when I could, but I wasn’t really into the dope scene. Seeds rolled off of the album onto the carpet as we rolled another one. Teach your children well was blaring on the dinky stereo, if you could call it that. 

There was something endless about that summer. The sheer depth of those blue skies and golden hills. The shadow green of oaks. We were all on the cusp of something—we knew not what, but something was stirring, and soon our tightknit group would disperse with the winds in the fall. We were growing up, and growing away from each other. I didn’t know to savor any of this. 

I was sitting at the piano bench with Jack showing me a chord progression. And in that moment, I realized that this happenstance friendship of proximity was every bit as valuable as the throes of first love. I thought of The Turtles singing, Happy together, and that was the last summer we were all truely happy together, before the winds came.

6/9 Mill Valley Library non-fiction workshop with Sarah Broderick

Wednesday, June 8, 2022

ODE TO A SPIRAL NOTEBOOK


Nestled in the Dollar Store bins, like broody hens, 
with cheery Easter egg covers, slender spiral notebooks 
that came all the way from China, begged for words in any language.
I was far from home, having forsaken notebook for computer long ago. 

I forgot how much I loved the tactile sound of felt pen against paper, 
purple ink carving out a highway of forgiveness on the pristine page. 
My first strokes were hesitant, wobbly as a child on their first bicycle.
It’s been decades since I kept a journal. I, who was almost religious—

aside from an occasional skirmish with random scraps in classrooms, 
or in the car while driving down the highway, small blank refuges
when nothing else would do. Those pages were broken wings,
orphaned thoughts hiding out in the most unlikely of piles. 

They were buried in that precarious horizontal storage system 
that threatens to engulf us all. But imagine my surprise 
as I culled old teaching files to find nascent poems hidden deep 
in manila folders, beneath old class lists and shards of student poems. 

It was like finding buried treasure off a sunken reef of the past
with an impossibly blue sky guarding it with blankets of golden sunset. 
Then, a night sky—was that the Southern Cross reflected on its surface?
Words waiting to combust off the pages into another life, unimagined.

6/9 Write On! with Terri Glass

Tuesday, June 7, 2022

What did you do today, Billy asks


What did you do today, Billy asks. He is collecting fragments of dailyness from each of us. We are juxtaposed list poems in the making. I tell him I compiled my end of year student evaluations—second through fifth grade—for a grant, if there is a next year.  I ate stale vegetable chips because there was nothing else left in the house. I am in desperate need of coffee, and now it’s too late in the afternoon. It’s hot and muggy after our freak summer rainstorm, we might as well be in Florida. The rooster is complaining. We never get rain in June. I take that back. We sometimes do get rain in June, it’s unusual and when it comes with lightning, then we have wildfires. Not to mention humidity with a threat of arsonists. This last storm did not disappoint. Last night, an eucalyptus grove in San Rafael caught fire. They are like blow torches when they ignite. And the homeless freelance arsonist was finally caught on camera so the Russian River watershed did not go up in smoke—though he tried 11 times. People got mad and decided to do something about it. They mounted wildlife cameras on all the redwoods throughout the Russian River gorge, from Monte Rio to Rio Nido—and they finally caught him on tape. Or rather, digital. He was clever, changing his clothes, so he wouldn’t be recognized at the scene of the crime. The camera caught him removing his orange shirt as he rode off on his bicycle.  Earlier in the month, another homeless arsonist set fire to the inside of the largest redwood in the North Bay, it fell during a windstorm. Why do they want to bring these giants down? Redwoods already hanging onto the brink of extinction. These days I find myself weeping for the trees. A venerable age of trees is lost.

Wednesday, June 1, 2022

DYING REDWOODS ON THE REDWOOD HIGHWAY


It was after the Tubbs fire that I first noticed it, 
the redwoods were dying – not just where the flames 
had leapt the highway to devour Kmart and TJ‘s. 
Those spindly blackened sticks 
re-sprouted greenery from their trunks. 
Regeneration after the fire was possible. 
After all, they were redwoods. 
So odd to see the furry green poles 
with blackened arms reaching for the sky.
The branches dead in the fire’s path.
But life returned, the cambian layer 
pumped precious sap skyward.
It reminded me of the lizards 
regrowing their tails from the heart. 
But not so for all the other trees 
lining the Redwood Highway. 
Sure, many trees were planted a half century ago or longer, 
but the water table has drastically dropped all over California. 
Some 30 feet in the central valley. 
We are losing elevation, we are losing height 
every time we pump water from the ground. 
In some places, sea level has been breached. 
In the Alexander Valley it began with the grapes. 
A neighbor’s well went saline. 
Remnants of ancient sea beds resurrected.
We trucked in water, used groundwater for dishes and laundry. 
Our own private odor of sulfur, radiolarian and Satan‘s breath.
Our skin was so slick and smooth, we were sleek seals 
cavorting in tubs. But now it extends throughout the county 
not just one county but the entire north coast.
The redwoods are dying, they are dying. 
They are dying. everywhere.
And we cannot turn the tide.