Showing posts with label Women's Voices. Show all posts
Showing posts with label Women's Voices. Show all posts

Saturday, March 21, 1987

RACIAL MEMORY


RACIAL MEMORY  
        —for Duane BigEagle

A lover seeking racial memory 
struggling with my blouse
prefers the old way of skins
Fox, rabbit, coyote, buffalo.
We hide too much from the elements
remembering other paths.
The feet never forget the scars 
they leave on the earth.  
He reaches for the breast in greeting,
concealing a weapon in his hand. 
The first kiss, even between old lovers
is cautious, not passionate. 
A hearthstone, the fire.
On this hillside, this grass, 
where are 
the men coming to terms with the earth  
spilling nothing more than seed?

Spring 1987
Petaluma

1990 Poetry USA
1988 Women's Voices



Tuesday, September 17, 1985

FALLING TO SEA LEVEL


FALLING TO SEA LEVEL

              Yo no lo conocÌa, pero aveces
              me entero de uno que otro detalle.
              Monica Mansour
                               —para John Oliver Simon

Late in the season, small avalanches begin
where our boots break a trail.
I place my feet carefully in each milk-blue hollow
and learn the distance of your stride.
We crawl up the crevice toward the sky.
Rocks tumble into the deep valley
and the space between worlds widens.
We rush to fill it with our hands, lichen & stone.

In the thin blue air above timberline
a cornice of snow gives under our weight.
We imagine it to sweep us up like swimmers
at the crest of a wave.  Wind, uncoded
from fingerprints fluxes the surface
of the lake.  The patterns carried
within us makes us recount the myths.
What passes for human
fallen off from ritual
urges us to jump.

We see beyond each mountain, a cloud;
beyond each cloud, another mountain.
By climbing on all fours, we learn to trust our hands.
Slowly, our hands lead us back to our hearts.
Our hands become small commas to separate sky from world
& the mountain watches them paying out shapes to the wind.
Clouds on the horizon have escaped us this time.

The dark thing that chased us from sleep
today, is a pale witness in snow.
Tracks of a mountain lion take on a new shape
separated from night.
We trace the origin of tracks
to a hollow beneath the last vertical face
of the mountain.
We drink from the same water
and leave rock cairns to mark a trail
no one else will follow.
Perhaps, in the future other climbers
will puzzle over this.

Hold in your hand this poem without words;
a white reminder of what we've lost.
Fur trappings slide from bare shoulders.
Glaciers scrub stones smooth again.
At sea level, the cave fire retreats
to its proper place in time.
I say, what civilized us
was the donning of clothes.
You say, No, language separated us.
And your tongue fills my mouth.

The temptation would be to stay in these mountains
and dress language in lichen & stone for vows,
but at sea level, the gods of dailiness
sweep through us and our grasp upon sky,
stones & skin loosens.  One misstep;
a false handhold could throw us back into air.
The next snowfall would bury our tracks.
When spring comes again,
they will sink back into the earth
without a trace.
The years are turning colder, I said.
There are other witnesses, you said,
The mountain lion and us.

Blue Canyon, Sonora Pass
Rosh Hoshana
Fall 9/17/1985


1986-88 Falling to Sea Level
1988 Women's Voices
1987 Creative Discourse

           Marin Poetry Center
           Poet News/ Sacramento Literary Review




CAYENDO AL NIVEL DEL MAR/FALLING TO SEA LEVEL
      Yo no lo conocía; pero a veces
      me entero de uno que otro detalle.
                        —Monica Mansour

Tarde por la estación, las avalanchas empiezan  
donde nuestras botas hacen un sendero  
en el empinado campo de nieve.  
Pongo los pies con cuidado en cada hueco  
color de leche azulado y aprendo la distancia de tu paso.  
Reptamos por la grieta hacia el cielo.  
Las rocas se derrumban en la valle profunda  
y se ensancha el espacio entre los mundos.  
Precipitamos para llenarlo con 
Las manos, los liquenas v la piedra.

En el aire azul y fino de las montañas  
luna cornisa de nieve se desploma bajo nuestro peso.  
Imaginamos que nos arrasta como nadadores  
en la cresta de una ola. El viento, descifrado  
de las huellas digitales funde el superficie  
del lago. La forma llevada  
adentro nos hace recontar los mitos.  
Lo que pasa para lo humano  
caído rel rito, nos urge saltar.  
Vemos más alla de cada montañ a, una nube;  
más allá de cada nube, otra montaña.  
Subiendo a gatas, aprendemos a confiar en las manos.  
Despacio, nuestras manos nos llevan a los corazones.  
Las manos nos hace pequeñas comas para separar cielo y mundo  
y la montaña las mira arriando formas al viento.  
Las nubes en el horizonte nos escaparon esta vez.

La cosa oscura que nos cazó del sueño  
hoy es un testigo pálido en la nieve.  
Las huellos de una pantera toman una nueva forma  
separadas de la noche.  
Trazamos el origen de huellas  
hacia un hueco abajo de la última cara vertical de la montaña.  
Bebemos de la rnisma agua  
dejamos montones de piedras para marcar un sendero  
que nadie va seguir.  
Quizás en el futuro  
otros alpinistas se preguntarán sobre esto.

Toma en la mano este poema sin palabras;  
un recuerdo blanco de lo que hemos perdido.  
Atavios de pelos nos deslizan de los hombros.  
Los glaciares suavizan las piedras otra vez.  
Al nivel del mar, la hoguera de la caverna retrocede  
         hacia su lugar apropriado en el tiempo.  
Digo, lo que nos civilizó fue la ropa.  
Dices que no, el lenguaje nos separó  
y tu lengua me llena la boca.  
La tentación sería quedarnos en las montanãs  
y vestir el lenguaje en líquenas y piedras para votos,  
pero al nivel del mar, los dioses cotidianos  
nos arrastran y nuestro asimiento en el cielo,  
las piedras, la piel relaja. Un tropezón,  
un asidero falso podria tirarnos  
en el aire. La próxima caida de nieve  
enterraría nuestras huellas.  
Cuando la primavera viene otra vez,  
hundirán en la tierra sin rastro.  
Los años se enfrían, dije.  
Hay otros testigos, dijiste,  
la pantera y nosotros.  

9/1986

1986, 87, 88 Falling to Sea Level

Tuesday, August 20, 1985

MERWIN'S INLET

MERWIN'S INLET
   I want to find the inlet
   where rocks rub thighs
   with the shore.


In the mango forest, small red flowers
the color of chickenblood
splatter against damp limed walls
& pulse against the shadowed green.
White veranda, gardenias, bleached shells
in black volcanic soil.
I check papayas for ripeness,
avoid stepping on the toad in the shower
& watch out for banana spiders.
As I dig the earth, my breath
says roshi roshi roshi.
Geckos chuckle in white-limed rooms
& swallow moths whole.
Last night I dreamed of lizards
eating the bark from trees.
Below the clearing, the sounds of the creek
are swallowed by the jungle.
Density & decay
the progression of desire.

Haiku, Maui 1985?
the experience was from 5/26/83; did I have another draft? I sometimes took poems that needed work to Napa for revision. I don’t know if it’s any good, but it was published enough times, so I put it to bed.

1991 Poet Magazine
1990 Poetry USA
1989 Chaminade Literary Review
1988 Women's Voices
1987 Electrum

Saturday, June 1, 1985

EXODUS, EXILE AND DESIRE


EXODUS, EXILE AND DESIRE


Clouds cover the moon like a map of Africa
and the moon breaks through the continents.
Beneath the sweet, almost foetid odor of frangipani,
blue-tailed lizards mate,
thrusting ocher bibs of ruffled lace
and arch their backs to a silent calypso.
Distant thunder wraps itself in sheets of ghost lightning.

Arawak Indians once lined conch shells
along the eastern shores of these islands
to remind the sun of its feathered cloak.
We eat sweet white meat of the conch.
What's no longer needed is thrown back into the jungle.
The barracuda sleeps and the shark is hungry.

As we bathe in the sea,
bone-white lilies of our arms
blossom under the full moon.
Translucent fish slide between my thighs.
The fan turns slowly in an empty room.

5/85

1993 We Are Not Swans, with Cecelia Woloch
1991 Poet Magazine
1988 Chaminade Literary Review
         Women's Voices
1987 Blue Window

Wednesday, October 13, 1982

WAKING MNEMOSYNE

WAKING MNEMOSYNE

As you rise up in sleep,
dreams and memory merge
like dove-tailed hands.

In sleep's imperfect flight,
the sum of our lives
enters a new waking.

Seeking night vision
a memory slowly approaches
in the shape of wings.
The mantle of stars drops
over your death—

lifts away from it,
& of this, you remember
how like doves,
her hands.

10/13/1982  (81?)
rev. 1988
Forestville

1989 Women's Voices

Mnemosyme, a Titan goddess of memory, mother of the muses by Zeus
2. roughly translated, it means speak-memory

ASCII file was half gone. hard copy rools.
Such a radical shift from the first draft, almost a completely different poem, so I've posted both.  see MNEMOSYNE AUBADE

Friday, April 18, 1980

MORNING COMES IN AWASH


Morning comes in awash
with sunlight the color of apples.
A bluejay banging away at the window
with a need to build her nest,
searches for a place to call home,
not remembering from day to day
that the window is still there.

Still, she comes
trying to find a way in.
Even if she could,
her chances are no better
today than yesterday.
Her instinct surely guides her,
and when she finds the right spot,
she'll know her need, while I
continue to stare out this window,
making no move at all.

4/18/1980
rev. 1984
Forestville