Showing posts with label Dan Levinson. Show all posts
Showing posts with label Dan Levinson. Show all posts

Friday, June 26, 2020

CPITS workshops, Jane Hirshfield, Dan Levinson, Jessica Wilson


“It is important that awake people be awake.” Stafford
Poem Is Small Kindnesses by Danusha Lameris
Writing Prompt:  On left side in a vertical column:  5 -10 concrete nouns.  Make them different from each other.

On the right side of the page, do the same vertical columns - 5-10 abstract nouns.  Any school subject, any emotion, ideas…Things you can’t touch.
In between each two words in both set of columns, write the word “OF”  Should give you a set  “coffee cup of science”  or switch order “science of coffee cups”
Pick one of these sets or constellations of words that excites you and begin a piece of writing.
On left side in a vertical column:  5 -10 concrete nouns.  Make them different from each other.
On the right side of the page, do the same vertical columns - 5-10 abstract nouns.  Any school subject, any emotion, ideas…Things you can’t touch.
In between each two words in both set of columns, write the word “OF”  Should give you a set  “coffee cup of science”  or switch order “science of coffee cups”
Pick one of these sets or constellations of words that excites you and begin a piece of writing.
You have roughly 10 minutes.

Freewrite 1

In the mirror, grief waited
patiently for light to surrender,
and for the darkness to follow.
Its silvered tongue spoke of the past
when women plumbed its depths,
scrying the future from the dross.
I was once one of those women,
living in the USSR, one winter, waiting
for a glimpse of the future.
And now here we are.
The old beveled mirror, someone’s discard,
silver scratched off the back,
faithfully reflects the light, sharpens its teeth,
while I measure shadows crawling across the room
where containment is equal to life.
The banshee wailing at the door, is hunting again.
So many fallen, I do not know where to begin,
or how to comprehend such grief.
My pen is mute, filled with darkness,
my hand speaks of loss, trying on other dreams
in the mirror when I am not looking.
The clock is writing down the calendar of days.
We grow used to the genteel confinement.
It becomes our familiar. We become inured to it.
Yet the world rages on, a lethal stew of protesters,
AntiFa and AltRigh boiling in the streets
as if naming it could quell the civil unrest.
Tearing down statues of oppression
and tearing down what was once good—
there is no filter. It is all fodder for the rage that burns.
And we sit in our towers watching the wind
bending the tall grass to its will
as the ashes of the dead ride on the breeze.


Next Prompt:  Write down some things that people might actually say.
Next, write down 1-3 factual statements. Simple sentences that are true. For example: “The earth is round.”
Last thing to write down:   one question.

Cheating is allowed.  Change any elements. Write a poem which is someway relevant to your reality (and unreality.) Write a poem that has actual spoken words or dialogue in some way in it. Be aware of the typographical possibilities as well as the possibilities of how many ways there are to work dialogue into a poem: in passing, as the main way the poem moves, or something in between, or a momentary breaking of the fourth wall. Optional: include a fact, a question, or both.

Model poems:
The Act by William Carlos Willams
In the Desert by Stephen Crane
A Note on ‘Iowa City:  Early April’ by Robert Hass
[from Citizen] by Claudia Rankine
Table by Edip Canceler, translated by Richard Tillinghast from the Turkish

10 minutes… Write a poem which is someway relevant to this moment in your reality (and unreality.)  Write a poem that has actual spoken words or dialogue in some way in it. Be aware of the typographical possibilities as well as the possibilities of how many ways there are to work dialogue into a poem: in passing, as the main way the poem moves, or something in between, or a momentary breaking of the fourth wall. Optional: include a fact, a question, or both.

Freewrite 2

Where to even begin? The mind wants answers,
and some are satisfied with any answers
that will do, no matter how impossible.
People are grasping at straws as if they were liferafts
in the deep end of the COVID pool.
Lemmings flock to the beaches, as if to find the answer,
the first terrestrial “I am” ever uttered.
I want to tell the gobies and the mudskippers
there’s been a mistake, but I’ve said it all before
in another poem, long ago, when I was someone else.
As we look down the hind site
of that long barreled gun of time,
we can’t even imagine anything else but this moment,
frozen, in the perpetual now.
Each act takes us farther from ourselves,
and what we once held to be true,
makes us re-define our lives with a new timeframe,
so that we can barely remember
anything other than now.
What is happening to time?
As we speed headlong
towards our own extinction.


Wednesday, July 31, 2013

Write, Sing, and Move the Future Poetry Writing & Teaching Symposium


Join us for a fantastic poetry & teaching symposium

Write, Sing, and Move the Future
Poetry Writing & Teaching Symposium

with California Poets In the Schools,
August 23-25, 2013
at La Casa de Maria
in Santa Barbara, California


Deadline to register is coming up SOOOON!



Saturday, September 8, 2007

CPITS poems, Warner Springs

Poems from our annual CPITS gathering, at Warner Spring Ranch, a truly magical place replete with hot pools and native California Palms, nestled at the foot of Mt. Palomar.


ANCESTOR TONGUE
       —from Simon Ortíz's class

Conas tá tu. Mo anim Mairín
I am called Maureen, she of the sea,
Sometimes I am the Morrighan of the Battlefield
She who stood on the shoulders of CúChulainn
as he slumped tied to the Lía Fail
to the Stone of Destiny
as darkness descended
behind the corneas of his eyes.
She, who became the enemy
when he spurned her love—
she was steadfast in death.
I am not little Mary, the mother of God
as the Jesuits were wont to say.

To be the great three-fold goddess
the raven, forever associated with death
has me worried
because I was given the owl nametag
no raven, but still the same messenger.
Why it worries me is because of what follows.
Sometimes I dream of things no one should see
but the witness is an afterthought.

They say it's the Second Sight
a gift from my mother's family.
They say that in dreams begins responsibility.
but my mother's craziness chased me toward sanity
and I ran from that responsibility.

I'm supposed to be writing a poem
going deep inthe the verbness of am and is-be.
Instead, I'm skittering on the surface of fíos
of what I know, knowledge stacked like facts
cords of wood to hold us against the winter
instead of an airy dance
of water skeeters on a glassy pond.
I'm skittering on the brink 
of imagination into the precipice.

I have been the standing stone,
the Oghan writing on its edge
the raven, and the washer at the ford.
We wre uncertain of where we stand
the boundaries of self and will,
the anarchy of culture.

Ta me go maith. I learned some Irish at the knee.
I am the broken vessel, the carrier of a dead language.
I had to change my mother tongue in school
because Irish syntax didn't fit the American way.
We were like Simon Ortiz's Aco-ma
where the preposition does the work of language
the harbinger of direction and time.

Our mind works mysteriously, circuitously
and it remembers in spite of ourselves.
What is hidden, the hidden places
we all write it into our selves
our own way of being guided by the ancestral tongue.
Naming is a language event
that moment when you're presented to the sun, an Grian.
We write it into our selves, in stone.
We may have lost our language
but we have not lost ourselves.
We have not lost ourselves.
We have not lost ourselves.
We have not lost ourselves.
Hoh.

Maureen Hurley 9/7/2007 Warner Springs Ranch

NATURAL SELECTION
—from Maggie Anderson's class

Straddling a bridge of indecision
I face two paths, two beds of the same stream
one runs hot, the other is cold.
California Fan Palm is rooted deep into the fault
and grows as close as it can to the fire
where boiling water burbles out of the earth
while stinging nettles of the northern latitudes
lean into the perpetual shade on the cold bank
and remembers an age of ice and perpetual winter
the willow guards both sides of the bridge
but the datura of oblivion chooses
the wash of the desert wadi as its dream
Maybe I should seek its counsel or go mad
should I stay or go? 
A decade or two and then what?
I test each stream with my feet
my left foot in the cool creek bed
the other dips into hot water
but the voices of both streams gurgle in unison
they offer no solace, no sage advice
nor do they drown the stinging words.
The moment of change is the only poem.

Maureen Hurley 9/7/2007 Warner Springs Ranch


NATURAL SELECTION, II
—from Maggie Anderson's class

Desert willows guard the footbridge to another world
with a cacophony of graygreen leaves
while the honey locust spreads
its ordered palmate structure in lacy patterns.

California Fan Palm is rooted deep into the faultline
and grows as close as it can to the fire
where boiling water burbles out of the earth
while stinging nettles of the northern latitudes
lean into the perpetual shade on the cold bank
and remember an age of ice and perpetual winter.

But the datura of oblivion chooses
the wash of the desert wadi as its dream.
Maybe I should seek its counsel or go mad.

Where am I today with one foot in each stream
I can't decide whether to stay or go
whether to write poetry or prose
Am I done with poetry or is it done with me?

I let the next thing to cross my path
guide me and offer instructions.
The first is a bluebird flitting after flies,
the other is a pileated woodpecker
jackhammering holes into the pulpwood
drilling deeper, do it again.

But the voices of both streams gurgle in unison
they offer no solace, no sage advice
nor do they drown the stinging words.

A red dragonfly bleeds against the thermal pool
algae plants itself in vermillion & verde
three cottonwood leaves float, sun yellow
a raft of two crow feathers eclipses them.

Murmur of voices in a room, a steady stream of words.
Fear of change keeps me rooted here.
The moment of change is the only poem.
Maggie says that exact moment of change
that moment when we're neither here nor there
that is where the poem lies.

Maureen Hurley 9/7/2007
Warner Springs Ranch

UNTITLED SOUND POEMS
-from Dan Levinson's class

knock, knock, anyone there?
In the alley, broken glass questions
the soles of my shoes
again and again
Willful destruction of a window
an eye of the wind
Someone lived here once
He sweeps the glass across the cement floor
with his shoe, cleaning up
centuries of sand and glass
I'm shattering the surface of what I know
skimming the depths of what I am
ascending to the teatime level of the noon whistle

Maureen Hurley 9/8/2007 Warner Springs Ranch

UNTITLED SOUND POEM, II
-from Dan Levinson's class

bowl of sound
the tubes warming up
electronic buzz
a TV after hours
Frankenstein bellying up to the bar
for another shot of juice
birds twittering
or an old radio
can't pull in the station
Hello? tap the mike, blow on it
then inanely ask if you can hear me
too torturous to tell what the message is
morse code written by mice
I'm searching for an old SOS on the upright Royal
a gumshoe ganglion of words
staccato of bullets
an air raid of words
end of a song
an old 78 record hissing in the grass

Maureen Hurley 9/8/2007 Warner Springs Ranch

SIMMER RITUAL
-from Joe Milosch’s class

Nestled at the foot of the Palomar mountains
the thermal pools at Warner Springs Ranch
ripple with myriad prisms. Refracted light
bends our legs into sevens and elevens.
Palm leaves clatter in the desert breeze
like a film projector at the end of a reel
the audience waits while the spliced leader
flashes crosses and numeric bulls-eyes: 1, 2, 3, 4, 5...
The Cupeños, Bing Crosby & the Duke
once soaked their weary bones here.
Joe asks us to write about a time when we were young.
I can't think of anything. I'm pushing 55, and I think
soon I'll be able to get into the movies cheap.
But the price of admission has more than tripled
since I was a kid. Yesterday I was the Baba, the baby.
Time is zooming by art the speed of regret.
I may have passed the half century mark,
but behind the long distance of these eyes,
behind this crepe thin skin, I am still young.
My hair is a raft of chestnut light
floating behind me like a horse's tail
and I'm remembering the ritual
of the first pool dip of the season.
Sometimes we'd sneak into the water
before the sun had done her job
as if to rush the coming of summer
and a glove of icy fear gripped our hearts.
We were left gasping for breath.
When I was young, I spent the entire season
swimming myself into aqua exhaustion
the healing plunge into a pool where pale bubbles
rose up to challenge the endless sky.
A crimson leaf floats in the pool.
Stains the retina.
For a moment time had stopped.

Maureen Hurley 9/9/2007
Warner Springs Ranch


UNTITLED
—from Kim Shuck's class

Walk into the red morning
set your intentions of the day
What is the difference between prayer and poem?
I have been fighting that religion since I was six.
Things to be said, that should be said
transforming the noun of self into the verb of being.

Honor the tongue
drinking deep from the stream
drinking both hot and cold
drinking the ancient artesian water
drinking fire from the earth
to get to the heart of things.

Words from the Cherokee:
this woman's soul has come to rest
on the edges of your body
Let it linger there a while.

Poems have a specific time of morning
Four things that need to be said.
You breathe a poem, you don't recite it.
Simon's Mai Lai May Lai, letting it out
letting the breath out.

Small summit reaching the sky
reaching, reaching, reaching the blue
the blue granite, holes in the rock, mortar and pestle
winnowing, winnowing, winnowing, winnowing on granite
buckwheat and artimesia
granite reaching its stubby fingers to the sky
mountain mother milking the sky
cloud milk in deep blue (thin spring milk)
hangliding buzzards and sky hawks circle
ravens gossiping in the cottonwoods
buckwheat fingers accusing the sky
cabbage moths sucking nectar from tiny flowers
beneath the desert sun, a spittling pine,
cooling rain of tree sap on the skin
two dragonflies the color of blood, knot the air, red, red.
The crow and raven clans have come to an understanding
they each stay on their side of the creek.

Maureen Hurley 9/9/2007 Warner Springs Ranch

UNTITLED SOUND POEM, I


UNTITLED SOUND POEM
-from Dan Levinson's workshop


knock, knock, anyone there?
In the alley, broken glass questions
the soles of my shoes
again and again
Willful destruction of a window
an eye of the wind
Someone lived here once
He sweeps the glass across the cement floor
with his shoe, cleaning up
centuries of sand and glass
I'm shattering the surface of what I know
skimming the depths of what I am
ascending to the teatime level of the noon whistle

Maureen Hurley 9/8/2007 
Warner Springs Ranch

UNTITLED SOUND POEM, II


UNTITLED SOUND POEM, II
-from Dan Levinson's workshop

bowl of sound
the tubes warming up
electronic buzz
a TV after hours
Frankenstein bellying up to the bar
for another shot of juice
birds twittering
or an old radio
can't pull in the station
Hello? tap the mike, blow on it
then inanely ask if you can hear me
too torturous to tell what the message is
morse code written by mice
I'm searching for an old SOS on the upright Royal
a gumshoe ganglion of words
staccato of bullets
an air raid of words
end of a song
an old 78 record hissing in the grass

Maureen Hurley 9/8/2007 
Warner Springs Ranch