Showing posts with label Kirk Whipple. Show all posts
Showing posts with label Kirk Whipple. Show all posts

Thursday, December 24, 2020

Cranberry Coast Covid Special (with Moi reading three poems set to music)


First musical interlude installment is due tonight, Dec 24, at 12AM, Miami time, Dec. 23, 10 PM CA time. Stay Tuned. I have poems set to music in later broadcasts. My poems were prerecorded, looking forward to seeing the collage. Ok, so it went up on YouTube on Dec. 26. Erm, 27th. There was a traffic jam, a technical delay. Installment no. 1, is 22 minutes long (it goes by fast). Take Five is lively.

https://www.facebook.com/whipplemorales/videos/10159287656274767/

Part two. Originally it was supposed to be one one-hour broadcast, but it proved to be an unwieldy octopus, that wouldn’t upload. Besides, everyone and their uncle was on the internet doing the virtual Christmas-sing thing. Get in line!

https://www.facebook.com/whipplemorales/videos/10159299000704767/ There’s photo of me performing for the Cranberry Coast Concert series in Wareham, MA, in 2014, my reading begins at 3:20 minutes in, Betrayals of the Mind, followed by Wrong Roads, at 4:50 minutes in. Most of those photos in the photo montage are mine.

Part three debutted heads with time on Little Christmas, thus ending the holiday season with cymbals galore. Well, maybe a kettledrum, or three. No flatulent partridges in pear trees.

https://www.facebook.com/whipplemorales/videos/10159325062334767/ My poem on Vincent van Gogh, Perhaps a Garden, begins 7:30 minutes in if you want to rush right in.

Or, if you prefer to avoid Facebook completely, you can go direct to the source and watch all three videos on Kirk & Mari’s YouTube channel.

Tuesday, December 1, 2020

UNCHARTED JOURNEY, 8 freewrites to music by Kirk Whipple and Marilyn Morales


1. Light

Perhaps the idea of light began with Morse code. 
An SOS from deep space. My mind wanders 
to the opening bars of Chief Inspector Morse. 
Who doesn’t love puzzling out a good mystery?
Yet the truth of the flute 
had other destinations in mind.
I am reminded that I am not in charge. 
The mind maps of music, 
each is unique. A signature.
A frenzied rhythm, the hummingbird of war.
The coda is another message, a cypher
and then the piano brings it all home with an arpeggio. 
A cascade of music ends with the one-note song 
of a car horn on distant streets, 
reminding me of old Havana, 
a place where I’ve never been, 
a place where I can never return to.
And I mourn for what was lost.
And for that was coming.

2. Morning Zephyr

The sea breeze is a sister to the wind chimes. 
Someone once told me the wind was sighing, 
or perhaps there were angels hidden in the eaves.
A sophisticated melody reminds me 
that the piano is a harp on its side 
and I think of the ancient Greeks 
leaving Aeolian harps on stone walls for the gods
so that the wind would have an accompanist,
so that it was not alone. Yet the music of the wind 
in the pines is as a primal roar akin to fire, 
and we combust as we listen to the wind 
playing the old notes that resonate deep within the psyche. 
And that flute. I envision a girl in an alpine meadow 
keeping company with the wind. There is no other lover 
other than time. An old woman sits 
beneath the casuarina trees 
dreaming of distant shores,
and other beachheads.

3. Quiet Thoughts

Starlit music, wavering lights from distant galaxies 
lifts us to the sky glittering with arpeggios of hope. 
It is as if the moon were slipping 
off her beaded flapper dress 
onto the silk cloak of the sea 
and look how she lies back, 
odalisque moon low on the horizon. 
She is the same moon reflecting 
in the mirrors of barway doors and brothel halls.
When we look up, for a moment we might forget 
the ordinary and the mundane, but her journey 
is effortless across the distant seas. 
The moon, a siren dancing in her own wake.

But fairytales always have a twist. 
No, not Disney versions all sanitized 
with the scary bits expunged. Real fairy tales
where fear is palpable, and devours us.
Water can’t find its way back to the sea 
on a level playing field. We can’t find our way.
We need the elevation to bring us down 
to the shore from such lofty heights 
to the sea, the sea, the shining sea 
fanning its lace fan on the shore 
waiting for the last dance.

4. Our Dance

The rhumba of morning flashes onto the sea, 
so still, after the eclipse. Your eyes take in 
the opalescent thunderclouds. Storm out to sea,
and yellow morning light bathes the city. 
A pulsing glow verging on tangerine 
fades into pale gracenotes. Coral atolls, 
the sophisticated dreams of tropical fish 
painting the water with their bodies. 
Small dancers of kinetic art. 
I am most at home when I am in the sea.
The clouds come down to drink from the horizon 
gathering up all that light. 
The distance of time, the tango, 
and the ticking of an old clock in another room, 
a relentless metronome. We are every age all at once,
we are both young and infirm. Art saves us.
The soft rain on the sea, the sweet tears of joy 
falling from nascent clouds.

5. The Blue Path

Snazzy snap and step of the dancer, 
the jazzy path and tickle of piano. 
Blue notes, late nightclubs of the soul 
loitering after hours, the sleaze of cigarette smoke,
a chorus of martini glasses, or is it mojitos at dawn? 
Breakfast of champions. Well, for Hemingway 
it was, of course. Poor man offed himself for no real reason. 
It was either writer’s block, or he was too drunk 
to stand at the typewriter. The sun also rises, 
the sun is a rose, old man, and the sea is opalescent, 
the meniscus beckons, old man. The sea. A boat.
The staccato of a drum solo, surely Africa is invoked.
I want to tell Ernest to wait it out, the best is yet to come. 
That sullen, relentless art. We’ve all been there. 
We dance across the darkness of the dance floor 
snapping our fingers, we are dancing 
like moths towards that burning light.

6. Little Glass Houses

Small birds in the eaves take flight 
and weave the air into a gossamer gown 
made of webs. Transparent thought. 
A hungry sun begins its journey 
and the birds sing a crescendo. 
They are at the center of it all. 
The windows of the soul and all that. 
I think of Cadiz, a place I’ve never been. 
Wind chimes dream another melody into being.
The birds dip and weave, collecting the last notes 
and feeding them to their young.
Their pinfeathers are almost all in. 
Soon they will be ready to fledge, 
taking strands of the melody with them 
wherever they go. They will pollinate the air 
with their relentless songs.

7. Joy

He is running through the forest on a dirt track, 
he knows the rhythm of the heart, 
the pounding of his feet on the pine loam, 
the vague order of vanilla underfoot. 
A place of solace, a retreat, annealed by fire. 
He is taking down to the bass notes, 
that of rock and loam and sky. 
The dreams of trees released in smoke 
with only the sky to witness their last will and testament. 
The uncharted journey of burned needles 
settling back down to earth, miles from home 
in the form of emberfire, 
a combustion of the soul, annealed by flame, 
and the final song of trees.

8. Tributaries

Water over stones, the song of boulders.
The journey to the sea begins in the mountains 
as snow and rain. Thunder, hail, 
and then the melody begins to emerge 
from the crevices of rocks, 
at first, so small, like the twinned breath of birds and wings. 
Then it deepens, it grows in timbre, circling 
each waterworn course with the finesse of a dancer, 
gaining momentum with each passing. 
The river is a gateway to the sea, and a chorus awaits, 
it seeks an audience with the wind 
and then the rocks are ground into pebbles, becoming sand 
while the waves play them against the shore.

Freewrites from Uncharted Journey, 1986
You can listen to Joy here.

Friday, March 7, 2014

Elemental Portraits Reading, Sebastopol Center for the Arts, Maureen Hurley, Kirk Whipple, Marilyn Morales 3/7/2014

Elemental Portraits Performance and Reading, Sebastopol Center for the Arts, and Unitarian Church, Santa Rosa, CA, Maureen Hurley reading her poems from Elemental Portraits, with Pianistas Duo, Kirk Whipple, Marilyn Morales 3/7/2014
 

Kirk Whipple, Marilyn Morales, with special guests Bob Afifi & Maureen Hurley perform Elemental Portraits at Sebastopol Center for the Arts






We had a blast performing Elemental Portraits: Nocturnes for Two Pianos at the Sebastopol Center for the Arts.
Kirk Whipple & Marilyn Morales Duo Pianists & Compsoers in Concert
Kirk Whipple Marilyn Morales, Duo Pianists Composers (Press Democrat)

Facebook Events

We also performed at the Glaser Center in Santa Rosa, but there were no programs, just a poster. I wasn't listed on it. It was also poorly advertised (other than on Facebook), so we had a small turnout. But it was there, where I got my groove back—after being so long away from those poems.
Hangtime: Whipple & Morales, Duo Pianists & Composers in Concert
Facebook: Whipple & Morales, Duo Pianists & Composers in Concert

In the mid 1990s, Kirk and I did a collaboration where I wrote poetry while he composed musical portraits of Sonoma County musicians. As he composed, I freewrote to the music, then I interviewed him (also his dream journal), then I interviewed the people the portraits were composed for. I put it all together.

The last time we performed Elemental Portraits was in in Onset, Ma., in 2008: 
Cranberry Coast Concerts Sun Chronicle. ArtsBoston

More on Cranberry Coast Concerts at MySpace
More on the poems at the Unconservatory website:
Elemental Portraits: Nocturnes for Two Pianos (the poetry)

Thursday, March 6, 2014

Whipple & Morales, Duo Pianists & Composers in Concert—with special guests Maureen Hurley


This Friday and Saturday evening, I will be reading several poems I wrote while Kirk Whipple was composing his "Elemental Portraits."

That's two chances to catch the piano concerts of the fab Pianistas duo Kirk Whipple and Marilyn Morales in Sonoma County this weekend—with special guests Maureen Hurley and Bob Afifi!
This Friday, March 7th at 7:30 PM at the Sebastopol Center for the Arts, 282 S. High St., Sebastopol, 95472

Saturday, March 8th at 7:30 PM at the Glaser Center, 547 Mendocino, Santa Rosa, 95401. Please come and join us.


Kirk Whipple & Marilyn Morales will perform a concert of their original works and arrangements for two pianos. The internationally touring husband and wife duo will perform a retrospective of works, spanning their career of over a quarter century.

The duo’s program will be selected from works available on several of their recordings: Elemental Portraits ~ Nocturnes for Two Pianos, Latin Lovers, The White Season, Danzas Para Dos Pianos (Dances for Two Pianos) and Celebrating Americans.

Special guest artists will join Whipple & Morales on stage. Maureen Hurley will read her original poems inspired by Elemental Portraits and Bob Afifi will be the featured flute soloist in selections from Danzas Para Dos Pianos.

To hear selections performed by Whipple & Morales, please visit:
www.Reverbnation.com/KWMM



Friday, March 7th at 7:30 PM at the Sebastopol Center for the Arts, 282 S. High St., Sebastopol, 95472  Tickets: $20 general, $15 for seniors and Youth (18-25), 17 and under free when accompanied by adult with paid admission. Child care is available with advance reservation.

Info: (707) 568-5381
www.glasercenter.com


ELEMENTAL PORTRAITS: NOCTURNES FOR TWO PIANOS 20 poems
 

Friday, August 8, 2008

Elemental Portraits Performance, Maureen Hurley, Kirk Whipple, Marilyn Morales, Cape Cod

Maureen will be performing with Unconservatory pianist duo Kirk Whipple and Marilyn Morales at the Cranberry Coast Concert series in Cape Cod, MA.  
We read at several venues, Onset Community Church, Onset Chapel, Wareham Bank, Wareham School, and the Wareham Library.



Performing Elemental Portraits: Nocturnes for Two Pianos (2 performances), Muddy Cove tabernacle, Onset, MA. Festival organizer and composer, Kirk Whipple and his wife, pianist duo Marilyn Morales.

 

 Festival organizer and composer, Kirk Whipple and his wife, pianist duo Marilyn Morales and Maureen Hurley.





 Second performance of my poems for Elemental Portraits: Nocturnes for Two Pianos, composed by Kirk Whipple, and played by festival organizers and piano duo, Kirk and his wife Marilyn Morales, Muddy Cove Tabernacke, Cranberry Coast Concerts, Onset MA, 2008.






Eastern Bank performance in Warham, MA. — with Neil O'Neill. We did several performances at the Cape Cod Cranberry Coast Music Festival this August. We performed in churches, tabernacles, banks, libraries and a school.



 Reading poems to kids at the Warham Library



 Neil O'Neill, Maureen Hurley, Kirk Whipple, Caterine and Marilyn Morales.


Elemental Portraits with Kirk Whipple and Marilyn Morales, Florida  May, 2004

Elemental Portraits Reading, Sebastopol Center for the Arts, and Santa Rosa, Maureen Hurley, Kirk Whipple, Marilyn Morales 3/7/2014  
Kirk Whipple, Marilyn Morales, with special guests...
ELEMENTAL PORTRAITS: NOCTURNES FOR TWO PIANOS 20 poems

added 4/24/2016

Wednesday, December 21, 2005

FIRST FREEWRITE TO KIRK WHIPPLE on 5s project A E F W & Q

FIRST FREEWRITE TO KIRK    ramblings that wouldn't separate themselves into orderly piles of air earth fire and water let alone, transcendence

In the beginning was verb
fire danced on water
myriad fireflies etched traces of fire and starlight

in the bayou    crossing the bog
where at water's edge
live coals
sang a reptilian siren call
it's an eat be eaten world
and on it goes

Monday, May 2, 2005

Steadfastness

I am uncertain of this new writing system I feel a little uneasy as I don’t like contemplative states—at least not for art or writing. But they're all big meditators. I have issues with most conceptual nouns. Image/comparisons: That’s my wicket. But the steadfastness of writing puts me on an even keel. That’s something I can do. My meditative world. But I can’t help but enter the visual world too. 

There’s a name for the roots of kelp, standfast. Stand/stead share the same etymological root. Or call it a holdfast. I am visualizing afternoon light in a kelp forest. Filtered green, suspended plankton and debris, small glistening bubbles escaping from below. And that snapping sound in the ears. I think it’s krill snapping their claws, or the waves retreating. 

I don’t care to name it, but, to experience it. I love that buoyancy as we hover, suspended between worlds: air and water—male and female. Once in the Galápagos, I was snorkeling in the cold water off Bartolomé Island and an equatorial penguin buzzed me, zipping up from under me, swimming upside down, so he could see me better. We stared at each other for a split second but in a flash, he flipped over and took off so fast, I could’ve imagined it all, except that I got so excited I screamed and my snorkel filled with sea water and I nearly drowned. Silvery bubbles like shooting stars trailing from her body.

OK that three-minute pause definitely intruded and interrupted my train of thought. the train has left the station. no one aboard. So now I can’t pick up the penguin line, or rather the feeling of awe. I was reliving the moment. Perhaps that’s the key to good writing is to relive the moment. 

Last Sunday as I read my poems with pianist Kirk Whipple and Marilyn Morales I read a piece I had never read before in public to the woman for whom the Nocturnes were written. Ilá, dressed in white, danced a fluid tai chi movement as I read my poem. 

The audience were strangers to poetry—which requires another kind of steadfastness, an anchor, in order to hear it. And so I filled the auditorium with my intention and my voice, wrapping it around the backs of chairs, and sending it to every corner. But I was chained to the microphone and I couldn’t pace. I was anchored to the floor as surely as the kelp and all I could do was to sway with the words. Believe in them again, truly a re:vision as I find tuned an updated version of the words to fit this millennium. I was the sea. the sea, thalatta, thalatta. The sea.

52/2/06 Writers' Group

Monday, October 18, 2004

Indiana Review Collaboration/Collage project Elemental Portraits

The Indiana Review
Collaboration/Collage 
Ballantine Hall 465
1020 E. Kirkwood Ave.
Bloomington, IN 47405-7103

THE COLLABORATION/COLLAGE PROCESS:

Poet Maureen Hurley and pianist-composer Kirk Whipple first met during a series of Soviet-American cultural exchange programs in the USSR and the USA. Whipple, who studied at the Berklee College of Music, Massachusetts, performed in the 1990 Tchaikovsky International Piano Competition, Moscow, U.S.S.R., while Hurley was giving poetry readings and facilitating poetry and art exchanges in Moscow, Leningrad, and Cherkassy, a city near Kiev.

Hurley and Whipple performed together for Sister City cultural events in Sonoma County, California. During a series of benefit concerts, Hurley wrote several poems based on Kirk Whipple’s performances which won several awards and fellowships. Whipple approached Hurley with the idea to collaborate from the ground floor: to create poems as he was developing and composing a series of nocturnes for two pianos, compositions inspired by Chopin’s set of nocturnes for solo piano. Whipple is executive director, and co-founder with wife, Marilyn Morales, of the Unconservatory, Inc. (1988). Each of the individual pieces from Elemental Portraits were inspired by people very close to the composer or who were affiliated with the Unconservatory.

Hurley and Whipple met during 1992-1996 to collaborate on the musical compositions. First, Whipple played a piece in progress and Hurley freewrote to it. She interviewed him where he shared his musical composition book of dreams, conversations, observations, songlines, and musical phrases… She then interviewed the people who inspired each of the eleven Nocturnes. When the pieces were completed, she wove together a collage of the three strands of storyline, observation and impression.

In 1995, Whipple, Morales and Hurley premiered five of the nocturnes. In 1996, during the debut of the complete set of the eleven nocturnes, Hurley was in a serious accident, and was unable to perform, so Whipple and Morales debuted the entire set without her, and later recorded the nocturnes in 1999 at the University of Miami. In 2002, the duo, Whipple, & Morales, released their first commercially available recording of Elemental Portraits. Between 2002 and 2004, the groundwork was laid for a premier performance of the collaboration which took place in Miami, Florida, during May of 2004. A live presentation featuring the spoken poetry and performances of the nocturnes which were performed at concert halls, universities, schools, and television studios throughout southwest Florida. We were featured artists on PBS/WLRN’s “ArtStreet” with Marilyn Porte, which aired in June, 2004.

To Whom it May Concern:
Enclosed please find:
Poems “Elemental Portraits”
by Maureen Hurley

First page of sheet music for each piece
by Kirk Whipple, composer
8035 SW 26th Street
Miami, FL 33155
pianistas2@aol.com
(305) 266-9673

CD Music recording
CD jacket & postcard flyer
of “Elemental Portraits:
Nocturnes for Two Pianos”
performed by Kirk Whipple
and Marilyn Morales, Duo Pianists

Friday, May 14, 2004

ELEMENTAL PORTRAITS: NOCTURNES FOR TWO PIANOS 20 poems

ELEMENTAL PORTRAITS: 
NOCTURNES FOR TWO PIANOS
Musical compositions by Kirk Whipple
Poems by Maureen Hurley

A collaboration of music & poetry

Maureen Hurley’s poems were inspired by the two-piano compositions by Kirk Whipple. They collaborated during the creation of the music. Poems & musical selections are copyrighted & may only be downloaded for personal use. They may not be sold, licensed or used without written consent of copyright holders. © The Unconservatory

§

Prelude: Undressing The Muse
Overture: Collage Nocturnes
Kozal Long: Sunset At Ilsanjo  
 (entire piece: mp3 format).
ilá: Deep Ocean Wave
Virginia: The Steady Flame
Uncle Al’s Cloudscape
For The Two Of Us
Michelle: A Patriot’s Dream
Helen: Tanzania Dresságe
Pablo: A Party Of One!
Katie: The Nightingale 
Randy: Neon Rain
Joe: Sunrise At Occidental
Coda: Elemental Portraits

ELEMENTAL PORTRAITS notes to recycle

ELEMENTAL lines to recycle 

Friday, February 20, 2004

Letter to Whitman McGowan, Math Rant Night Before the CBEST Test

Letter to Whitman McGowan: a Math Rant, Night Before the CBEST Test


Hey Blue Dawgge,

As ever I am amazed by your steadfastness....bravo on CD & all the gigs...

I really wish I could see youse all tonight at Cafe Amsterdam. I was also invited to see a play, Helen of Troy...but alas I have a CBEST test in the morning (math which I've already failed once; I aced the writing section...me, a dyslexic writer, I coulda passed the whole test on my writing ability alone but Noooo, I need to pass each section) the test which tests my anxiety over math, not my ability. 

It's not about logic. They're nuts asking stupid, illogical questions...splitting hairs or maybe atoms. They're the ones inventing the next wave of dumbass teachers and we wonder why our schools are so bad? If you pass the CBEST, congratulations, you're teacher material or maybe even George Bush material. And you know where that leads to. So I keep failing the practice test by a few points...

I even went to a tutor and made amazing inroads, I learned several years' worth of math literally in days, with a 95% accuracy rate—circumference, volume, equations, you name it...I even taught myself beginning algebra. My head hurts constantly: geometry hurts above the ears, algebra at the back of the head, and volume/area, the top of the head...I should be in a MRI scanner while doing math, my head is melting, no, exploding.

I have been doing math 6 hours a day for a week, I dream in mathematical symbols & equations. I even took the 12th grade math exit exam...& passed w/ flying colors (w/ exception of higher algebra which I got 100% wrong). It's all about decoding language. I haven't yet found the key, the Rosetta Stone.

I've studied dead languages. I can translate from the archaic Irish. I can tell you of the battles of Fergus and Cu Chullain, the Hound of Ulster and of Medbh's arrogant pride. Or of Pryderi's follies, the one who knew for naught, in medieval Welsh.

But I can't pass the fucking CBEST so I can't substitute teach in the schools...and artist in residency programs are up shytecreek, thanks to Bush & team. In other words, I'm broke, outa work for way too long (any leads?) first time in 20 years, and I'd really rather come hang with youse guys but am feeling positively homicidal (a side effect of doing math—why the fuck they want to test us with dumbass trick questions, they don't even want the answers...the most senseless hurdlejumping I have ever done, otherwise why would I be doing this to myself in the first place, worse than Soviet bureaucracy and I speak from personal experience there too...)

So I'm wondering what patron saints to invoke tomorrow morning, maybe you, maybe Helen of Troy, I mean I can't take this too seriously, right? You guys are the doctors of irreverence. And then I thought of my second cousin, Marie Walsh, the one who died of cancer, right? I mean, she qualifies.

I come from a family of geniuses. OK, so they're all whacked, eccentric. But brilliant. My mother's ghosts: her father taught himself algebra, read at the speed of sight. He left her with other genes more insidious, the random Foresight upsetting the linear logic of the present. I can even tell you the words for it in several dead Celtic languages.

And her cousin, Marie, the math genius, was whisked away out of high school, she had the highest math scores in the state of Nevada, my family didn't know where she was but she had all these weird addresses: Los Alamos, Alamagordo, White Sands, Oak RIdge. We never saw her, only occasional post cards. 

My grandmother said as a child she was like a little angel, always worried someone was going to blame her. Saying I'm a good girl. I'm a good girl. Really I am. Maybe it was the Foresight having its way with her. They say Julia, her eedjit cousin, still haunts the International Cafe in Austin. She makes coffee for the unexpected travelers from the other side.

Wooden horses aside, ask Helen about those names. Helen was my mother's middle name. That expains a lot. Ask her why my cousin lived so long in secret in the desert heart of New Mexico and we had to wait until her death to find out the code names. 

Say it: Manhattan Project. Say it: the Age of Light. Say it: fusion/fission. Say it. Fat Man, Little Boy. Big Bertha. Mea maxima culpea. 

She died for it, she died for it, the equations glowing in the dark like star patterns in the geometric vortex of the sky. The dark cancer growing in exponentials, growing toward the light. The white desert sands of Alamagordo melting into kryptonite at her feet. Emerald green like her lost homeland, her lost blessed isle of green. No Superman to save her. Just her fate. All the pure numbers and equations dancing in her head.

Just let me pass the fucking test!

maureen

PS Tell Gary I miss him...how long is he here for?

(And so I did).



Dear Hurley,

Yeow, I am way behind in some emails!  I'm sorry, you asked me at the bottom how long Gary was around and I didn't read that in time before he left for San Jose or something.

I hope things are turning better for you, I really do.  Have ye a paddle at least by now?  Are you clinging to a branch about to go over the falls?  I hope not.  C'mon you genius descended of geniuses, you will think of something.

I've got a buddhist name now so I can probably burn the candles of least three religions for you now: Christian, heathen or buddhist. First I was an alter boy, then a born again nutter, then I went in a couple of other directions. I was made an honorary Druid the day I met your Mom and now I am Trungpa Bumbleshe, according to my minister friend, as of yesterday!  Now all we need is a power outage.  I forgot to tell you I'm part Scottish?

You missed a rather poor showing by moi in Marin. Gary and Margery were good, but I am not a great team poet, and the group presentation has a different set of problems than a solo set.  I guess I wasn't as into it as I should have been and I didn't like being a part of a sideshow of a three ring circus.  The rest of the show was pretty good, a jazz band and a human beat box, not to mention a balloon lady, a magician and a poetry slam, which was kinda of cool, kind of lame.  But it took forever and the service sucked.

If I owned Cafe Amsterdam I would hire some extra help and sell a thousand drinks. Nobody came to our table for two hours. It was kind of stressful, not knowing why I was waiting to be told to cut our set short, playing the poetry fool, paying for my dinner and dying of thirst at the same time.Had a couple of real good session since then, so I'm over it now. But enuf about me!

Are you okay?  Are you dancing barefoot because you passed the test?  Are you cutting yourself because your cousin helped blow up some atoms?  Your mind, is it still full?  Your body, is it all systems go, in harmony with itself, healing you?  You were going a mile a minute when crammed full of info for the test; do you have a brain chock full to the brim with something tonight?

I think I may take a bubble bath now, and I suggest you do the same.

Whitnaked "T.B." McGod, Doctor of Irreverence





Dr. EyeReverence,

Well burning candles at both ends leads to a hot arse, but at three ends? What does that lead to, Trungpa Bumpershoot? T.B.rolly in the bath with bubbles? How does that affect the outcome of luck, good, or otherwise?

I already knew about the Scottish bits...probably one of the first things out of your mouth when I first met you... It was the blue woad thang.... I'm trying to remember when/were that was? Do you? Was it thru Gary at that place on Roblar Road in Cotati-Petaluma? I remember later, being surprised that you knew my ma. She moved in exquisite, if torturous circles.

I haven't much felt like performing ever since the car accident with fucking Verona Seiter nearly 7 years ago!!! I think I tried to perform too soon after, I remember gettting sick, throwing up, the shakes, my pain threshold overmaxed and absolutely no reserves. My candle at both ends was very nearly snuffed out, now it's only lit at one end these days...yo pienso que si pero...

I still get back spasm from stupid stuff, probably from sleeping wrong, spent Mon/ Tues (last fortnight) in amped pain module trying to break spasm with Flexeril. Genius? stupid as a fish comes to mind.

Cafe A'dam sounds like a 3-ring poetry-circus.  And a dry one at that.

May 9 I'm off to Miami to perform with world-class pianist duo Kirk Whipple & Marilyn Morales, from the Unconservatory. I wrote a suite of poems as Kirk was composing them: 12 nocturnes, Elemental Portraits of Sonoma Co. musicians. 

I used to lay under the piano and freewrite as he tried out riffs, read from his dreambook, etc, then wrote, and then I interviewed the people. Wove the story around them. We were going on the road when the accident happened, with a punctured lung, I literally had no breath by which to read.... 

They moved to Miami (bigfish/mudpuddle syndrome; Mari's family is Cuban--she missed them) and enroute, they got sorta famous. Played at the Kennedy Center. So, we're resurrecting the old show (vs saw?) for da SnowBirds and Republican JebBush supporters. Oughta be real interesting.

And yes, I passed the effing CBEST math test with 18 points to spare (55 out of a total of 80; 37 was passing) and no, I can't remember much of what I learned other than E=mc2 but I already knew that fission/fusion thang. We're having a rare Walsh clan gathering in Santa Rosa June 27. Home Ranch & Marie Walsh will be invoked at one point or another.

I got a few CPITS gigs in Fremont, Healdsburg, and a YABA gig in Clayton so I'm spread pretty thin, I'm working but earning diddlysquat and resenting the shit outa the govt thang, etc...fuck taxes, the irs, etc....

Other than that, all quiet on the western front. We're still on spring break. More like broken spring for me with the rental manager hanging me up for days on end while fixing the sink (it was literally falling thru the counter) and he took apart every faucet in the house, while painting the closets with sealer as the roof leaked, and ALL my clothes & things are mouldy. 

I won't mention the mondo moth attack. Well, I needed to downsize and get rid of sweaters (the past) anyway. I had to wash every stitch of clothing and the dryer isn't working right. Talk about being the Irish washerwoman! I've wet clothes everywhere.

And last week, the ONE day I left my silk painting manuscripts out of the portfolio, leaning against the piano bench--as I was scanning them--and I wanted to redo them--I went off to teach a class in Healdsburg and when I came back they were all wet!!! The ceiling had to leak in that one spot in the whole house. Luckily, they're covered with visquine but the mats got wet and I was afraid of migration...not one color shift. I must've used fixer in the dye with them, thank gawdess!! I had to spread them out all through the house to dry.

I'm borrowing a digital camera (from my aunt) and I'm having a blast taking pix of flowers, cats, etc. I was worried about not having the software, drivers, etc., for it, and of course, I couldn't find Toshiba drivers for it, but it showed up anyway on my elder Mac's (8.6) USB card, like a little itty-bitty hard drive. I was so thrilled! Now I can document my art work after all these years.

Neil returned home Friday from Scotland last night reeking of cigarette smoke, (his mum is a chimney) and I'm so allergic it's not funny, so now his clothes are all outside as well...what a time for the dryer to break!

About the Scots, to avoid Longshanks (Braveheart comment), Neil got inducted into the Caledonian Club...they put on the Highland Games, oldest in the nation I think...you gotta be Scots born AND male!!! we went to the Tartan Ball...I just don't DO that sort of thing...like put on a dress, nylons (hose) I refused at that...let the men do that, skirts, I mean, not hose unless they really want to.... Anyway, they were toasting this and that...And I about gargled when they toasted "our dear President Bush," the office, yes, but NOT the man. Needless to say, the mayor of Pleasanton (where the Games are held), my tablemate and  I abstained from toasting.

I thought I was in for a right torturous dour evening, until about the 10th toast, when they shed their wee dour selves and the party began!!! ... isn't there something, say, a nice medium between dour and stroppy/ lunatics? Anyway, it really did take them the entire evening to warm their cockles, the real party or should I say, ceildhe, began in someone's hotel room after midnight, with Neil on the guitar and all these drunken Scots caber-catching themselves in kilts...mine wasn't the only stray hand feeling the underside pleat job. And hotel security (Airport Hilton) coming in to join the fun or to shush us up...was it the snare drums or the pipes someone had the audacity to complain about???

Hmm, forget the bubblebath, the sun's out. I must flog my man around the lake (Merritt) if he's to shift his circadian clock from Scottish time...

Moski

PS I sent rhiannon your Colorado gigs, you may want to follow up.

4.21.04

Friday, June 27, 1997

Elemental Portraits


Here's a link to our debut performance in 1997. I was in a car accident on June 18th, so I never had my debut. A punctured lung precluded my participation at the events on June 28 and 29. We did perform a preview at the Friedman Center on Mother's Day. It was hotter than Hades. And it was a luncheon. Nothing like the clatter of silverware during a performance.

Sunday, June 15, 1997

A TRIO OF MUSICAL NOTES Piano bravo: Kirk Whipple and Marilyn Morales, Maureen Hurley, Press Democrat

June 15, 1997 | Press Democrat, The (Santa Rosa, CA)
Author: Dan Taylor Entertainment Editor | Page: Q27 | Section: ON Q| Column: Dan Taylor

Piano bravo: TV has been good to husband-and-wife piano duo Kirk Whipple and Marilyn Morales, too.

Last February, they appeared on Miami TV host Don Francisco's Spanish-language variety show, ``Sabado Gigante Internacional.''


``It's like the Spanish `Tonight' show,'' Whipple says.

The couple also played in December on Costa Rica's national telethon. Having connected with the Spanish-speaking market, Whipple and Morales (a native of Cuba) hope to tour South America and Spain.

In the meantime, the pianists plan two local concerts: 3-6 p.m. June 28 at Chateau Lanson, 1497 Hurlbut Lane, Sebastopol. The program includes ``Wedding Music for Two Pianos'' and the world premiere of ``Gourd Music for Solo Piano,'' both by W. A. Mathieu, ``Rumbada'' by Morales, and ``Esperando'' and selections from ``Elemental Portraits'' by Whipple. Poet Maureen Hurley will read original work based on ``Elemental Portraits.'' Admission: $15 per person; $25 per couple. Tickets: People's Music in Sebastopol.

Saturday, October 21, 1995

Touring with Elemental Portraits


Last evening, after teaching, I met with Kirk Whipple and Marilyn Morales to pursue grants for touring with Elemental Portraits—for all of us. Kirk gave me carte blanche to pursue self interest. He said, You don't have to be responsible for the larger picture, but if we get a large touring grant it will benefit all of us.

I will also get paid for my time if I write grants is the is the oblique message. It's on me, they're taking care of themselves first, and the amount of dollars to be raised to nourish their dream is enormous. Half a million. My needs are considerably less, but my dreams should remain big, I shouldn't be afraid to manifest those dreams—why not?

The other day I was telling someone about working with Kirk and Mari developing the Elemental Portraits, and they were clearly impressed. It was not my intent to do so, I was merely explaining something I was working on. And they saw me in a new light. 

I saw myself in a new light too. I was out there galavanting around with important musicians, just like in centuries past—when artists collaborated. I don't think my poems are particularly avant garde, but Kirk considers himself to be a late late late romantic composer, so I guess it's okay to have some tangible, concrete imagery. 

I still think I need to work on the Elemental Portraits more. I've got the human portraits down, but are they in essence, elemental? My framework is the scaffolding is air, earth, fire, and water—with a dash of classical references, seasoned with quantum physics. 

Maybe I need to see the Elemental Portraits in a new light, as multimedia events. Yes, I realize that I will be riding on Kirk and Mari's fabulous coattails, but I also will have earned the right as well. I did earn a fellowship for them. When will I quit thinking of myself as a fraud and begin to take myself seriously?