Tuesday, February 26, 1991
Monday, February 18, 1991
ON THE CONTRARY (HEIOKA)
ON THE CONTRARY (HEIOKA)
Nothing matters but baroque excuses
tangling the
mind during high tide.
Tell me what words make sense when the tenant is
that nothing—
and I mean the void—is what matters.
I stand before you tabulated and ordered,
the answering machine, a barometric enigma on
wheels.
The solemn survival of the moon is dependent
upon cryptic messages of oracular world order.
Tell me what resolution reveals
the root passion of
word order, of war?
This knowlege comes with a sense of urgency
but no
place to send it.
I believe we need a river of light—no, 10,000 pints
to stop this one.
I lost my moral imperative, my sanity journal of the
latest excuses.
What really matters is something surreal and
convincing
like voluntary plaid islands looking for granite
dreams
during the creosote freefall of slumber
where we fasten ideas to our sleeves in order not to
lose our way.
I can't make excuses or sense of the multiple
aspirations
for ancestral fetishes struck in the cathedral of
desire.
I felt this much while sipping cappucino
beneath the waterfall of resolutions.
Someone says make a pledge using some of these
words.
Turn the other cheek among those stumbling stones
tabulating horse's hooves and men's lives.
Cobblestones break tradition like fish from the stinging
river.
Pardon the madrone for she is a body stoked by
summer.
Overlook the flamboyant borealis seeking more
northerly routes.
Forgive the moon who knows no other way of survival.
Ignore the offer of world ascent and relinquish
surreal convictions to resolve excuses.
Summer ascent is always crepuscular in notion.
Perpendicular winter descends upon us all
at one point or another. Heioko.
Don't you know everything is backwards at times like
this?
2/18/91
Garden of Allah, MIll Valley
I think there was an earlier version Heoka
2/27/1989
Garden of Allah, MIll Valley
I think there was an earlier version Heoka
2/27/1989
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