Friday, July 22, 2022

Ants in my tea


 My morning tea had a little extra zing to it—with several stranded ants madly racing around the rim of the cup. A piquant acquired taste. Or should I say piqu-ant? Since the sugar bowl is locked down tight in a clicky-lid dish, it had to be from the sugar spoon. Formalic acid, like drinking sourdough yeast starter.

Wednesday, July 20, 2022

TOTAL ECLIPSE ON THE BIG ISLAND, JULY 11, 1991


On the Big Island, in the City of Refuge, 
how we all stood at attention, saluting the morning sun 
as the mist parted, and we watched the bright orb 
slipping into a nightgown of stars. 
How we gasped as the stars reasserted their raiments 
and the goddess was well pleased with her handiwork. 
The black flower of the sun blossomed 
in the wilderness of the sky as the moon covered her face, 
and the solar flares became petals, a corona of fire.
Oh how we were rendered speechless, 
uttered primal guttural phrases as Bailey’s Tears 
dripped stringed pearls of light into the darkness. 
During totality, you could see with the naked eye 
the silhouette of the mountains of the moon.
And time itself stood still. Even the raucous wind fell silent.
And when the fabled Diamond Ring appeared, 
the couple on the beach, draped in feathered cloaks,
exchanged vows and leis. It was either a good time 
or a very foolish time to get married. And why not?
The moon and the sun continued their odd love affair
and the confused birds all went back to sleep.
The waves stopped conversing, the wind and fell silent.
I sat in a tidepool where bright fish gathered,
cloaking me with their yellowed brilliance 
that faded into grey in the darkness, I held them 
in my arms as if I were the madonna of fishes, 
while sea turtles hovered like islands or planets.
I took the flower from my hair, a night blooming cereus, 
and let it go into the sea, waited for the light to return.

7/20. Write On! with Terri Glass

Cormac McCarthy’s Olivetti

       —Cormac McCarthy July 20,1933-June 13, 2023

I can almost hear William Faulkner sluicing a vein with all that O-negative blood resonating in Cormac McCarthy’s writing. A seething ghost informant. Both of us distantly related to the first Cormac McCarthy, having canted back to kiss the Blarney Stone. In love with conjunctions. And, and, and…. A man who couldn’t keep his day jobs, who carried a 100-watt bulb so he could write at night—no matter what fleabag hotel room he called home. And I love the fact that Cormac used an old Olivetti that cost $50 from a Knoxville pawnshop. And that hand-to-mouth living from grant to grant, a story I know well. A well that goes dry when you least expect it. Nothing but dust and bitter darkness aligned with distant stars. There is something poignant about Cormac auctioning off his 50-year-old Olivetti for a quarter million in order to fund his writing residency at the Santa Fe Institute. A haven of scientists, and of course, Cormac. And a friend found him a replacement Olivetti for $11 in a thrift store. Those Olivettis were the Italian race-car typewriters of writers, sleek, svelte, built low to the ground, and extremely transportable. He’d take the old Olivetti to the gas station for its yearly blow-out with the air hose. To think 5 million words poured forth like a river of regret from the paten of that old Olivetti. Talk about mileage. May he be granted 5 million more words. I learned to render my random scribblings into poetry on a enameled powder-blue Olivetti purloined from my mom’s paramour. That Olivetti was more like a moped than a race car. The matching zippered case was like a mod-squad mini dress. White go-go boots and all. All those bottles of whiteout. But when I couldn’t find new ribbons for it, I let it go. I had to let it go.

Tuesday, July 19, 2022

Fund the National Endowment for the Arts

I have worked a lifetime in the schools, as an artist in residence, 50 years to be exact, and without the National Endowment for the Arts, which also funds our state and local arts partnerships, I could not have reached so many students where traditional teaching methods have failed them. You see, I am dyslexic. Albeit undiagnosed. The arts are the only thing that saved my life. I am both a visual artist and a poet. Because of art I learned to read. Because of art, I became a writer, and have won numerous awards for my work. Art allowed me to access my intellect, and also to grasp critical thinking skills—and my life goal has been to share this process with young students where traditional educational practices have failed them. This was all was made possible through the auspices of the NEA, and the CAC. Please support the arts. Art literally saves lives.

Sunday, July 17, 2022

A weird spa day

When I saw the price of BioElements body cream on eBay I nearly fainted. $65 for 4 ounces? I got the bright idea to spruce up what was left of my old (read rancid) BioElements body cream with my equally old essential oils. 

What I thought was lavender oil was lemon oil that spilled al over the place—now I smell like a piano in a used furniture store. It seems like such a good idea at the time using up all that old oil. The little plastic lid that was supposed to control how much oil comes out of the essential oil bottle flew off—oil spilled everywhere. 

My Winix air purifier is going completely nuts, it’s in the red with all four fans going for all they’re worth. Soon it will achieve lift-off. Luckily because the lemon oil was so thick I was able to mop most of it up. But some was on my hands which I rubbed on my feet. I rubbed the excess oil on my feet and legs as I had nowhere else to wipe it….damage control. Put it this way, my toes think they are well lubed honkey-tonk piano keys at this point. 

I’m showing the grain all right. I was able to mop up quite a bit of the lemon oil and smear on some furniture. The furniture is happy, my air purifier is not. My little teak pullout desk board is now very shiny. Now I can’t go outside into the sun because lemon oil is phototropic.

What makes this entire story ludicrous is that I did it twice, first with Rosehip oil. The lid dolloper literally flew off. Rose hip oil all over the place. I did not expect to have two freak accidents today. It seems when I’m going to royally fuck up I do it in spades. 

Saturday, July 16, 2022

Ophiuchus the 13th constellation reinstated


On top of everything else, according to NASA, the 13th constellation is being reinstated, after being in Facebook Jail for some 2000 years, thus bumping the astrological signs as we know it out of whack. I am not willing to give up my star sign Sagittarius to become a Scorpio—even if I was born on the cusp—so Ophiuchus gets a prime time slot in the sky. I only just learned about it the other night, on Crimson Rivers, a gory French murder series from Walter Presents. I can’t even pronounce it, and the snake thing, well… sounds so Medusian. Not liking this moment of synchronicity at all. Serpens Caput indeed. Give me a centaur any day over a scorpion or a snake. Had to learn to like scorpions and snakes. I used to have nightmares about scorpions. It took a lot of willpower to overcome my fear and to appreciate them. Oh yeah, and today is National Celebrate a Snake Day. It’s all in the stars. Ssssssss.

Backside of the moon


My flabber is gasted and my mind blown daily by these NASA photos. The back ass of the moon. When’s the last time you saw that, if ever? You do know that the moon always keeps its face towards the earth. I think that earth image is Baja California. This photo may be from the space station. John Butcher said it might be a Photoshop overlay since the ISS is between the earth and moon, only  230 miles out. One theory down. Jeremy M Shaver said there’s another satellite beyond the ISS space station that could’ve recorded the photo. Edward Carl Hylin said it’s a genuine NASA photo of the far side of the moon, illuminated by the sun, taken by DSCOVR. Thanks, guys!

From NASA: “Behold the moment when the moon passed between Nasa's Deep Space Climate Observatory and the Earth, allowing the satellite to capture this rare image of the moon's far side in full sunlight. We don't see this side of the moon. 

This is because the moon is tidally locked to the earth and doesn't rotate. So we only see one face of the moon from the earth. Humans may likely land on the far side of the moon before the end of this Century. This is indeed beautiful shot.”

📸 NASA

Patrice Vecchione workshop: Write your life open, journal

Patrice Vecchione says to write with your heart, write with your eyes, and write with your life wide open.

What am I looking for within this writing life? To be open is to change, to not be static, to ask what if, and let’s see, maybe include curiosity and exploration, and especially trust. The closed fist and the open hand, the relief of trust and the infinite possibilities that we, as we sit at our work, will uncover truth. 

We are open, free, but not always able to speak about life as we feel it, but we mostly choose not to. So take my words, these words as strong as my mind. I would use my words to write near and far. In Galway the bird stands for all things and Saint Francis and the sea.

1. At the center of my life is my work, the calm within the urge to create. Everything revolves around it. It is how I define myself, how I see myself. I was one of those children who failed miserably at school, I learned late and I learned slow. As if in a fog. Reading outwitted me until the end of third grade. I can still remember the day I learned to read.

The overwhelming feeling I am left with at school was that I was hopelessly sad. But at the center of my life was the quest to explore distant vistas, discover secret valleys that led me up to the mountain passes where euphoria sleeps. John Denver called it Rocky Mountain high, but, for me, it was every mountain pass. 

Maybe it’s the exhaustion or a lack of oxygen, but where I feel most alive is when I am in the mountains. My knees know their relative age, so hiking is now problematic. There was a time when I hiked all the fireroads of West Marin road and the sky was the limit. 

And I feel that I am not writing what I should be writing about—par for the course. Sometimes writing is a shield and when I crow about my accomplishments, I feel guilty, I am so used to being slapped down. Is it a Catholic thing? Pride goeth before the fall? Or has it more to do with not tempting fate? Not tempting the devil to eke out his revenge on your success. Not tempting the furies to take it back a few more millennia.

Friday, July 15, 2022

Jumping Jupiter!


Jupiter as it has never been imagined before. The James Webbie infrared cam has outdone itself. I am gob-smacked. OK, so the image is computer enhanced, making the invisible visible! But beauty x beauty = beauty. It’s a real gas. Planet, that is. No land. But when my eyes land on this—no words. WOW. More images here:

Thursday, July 14, 2022

Approaching my 70th birthday


Approaching my 70th birthday, my journey having arrived at the home stretch and the question is, "how are you going to live out the rest of your days" arises. Yesterday‘s mail from Social Security arrived with dire warnings that time was running out, that I  needed to register before my 70th birthday, brought it all home, full circle. It’s suddenly all very real. This aging process. Time is running out. I didn't sign up for this. Yet here I am. I feel lucky having lived a life rich in creativity and adventure. All the travel I’ve done continues to inform my sullied art. I got the adventuring out of the way in my 30s and 40s while I still had knees that worked. I swam in the Galapagos, traversed the Andes, straddled the equator, went to the USSR bearing gifts, lived in St. Petersburg and Amsterdam. how I loved those cities of light. I loved fiercely and mourned when the relationships inevitably failed. But I was always running from the past. It’s frightening to see how so many people begin that cognitive slope of decline long before they reach this age, but I must be one of the lucky ones. My mind is busy putting together thoughts and rebuttals, always ready for the next argument, always ready to challenge the norm, as if life itself depended upon it. But sometimes the fear rises up like an unwelcome tide. When I was 20 I couldn’t imagine myself at 50. When I was 50 I couldn’t imagine myself at 70. And yet here I am inside this uncharted wilderness of age, the same landscape of my childhood. What I’ve gained is knowledge but that’s cumulative. Knowledge is not wisdom. Joseph Campbell talked of the hero’s journey, those rites of passage, not gathering statistics or fact. Like what Einstein said, creativity is more important than knowledge. My hero’s journey, having survived a childhood where I was shunted off from parent to grandparent, with aunts and uncles threatening to either adopt me, or to send me off to boarding school, left me shaken, with no sense of home—so the hills became my refuge. I was a feral child. And from that world of uncertainty, I retreated to the realm of my horse, she became my escape, my solace. As I rode the long ridges of West Marin, we were like needle and thread stitching together the carpet of a storied life as we traversed fire roads, into a map that I could navigate and find my way back home. How am I going to live out the rest of my days, as best as I can, savoring the odd moments of ordinary beauty, while climbing that steep slope of that last mountain pass with one foot in front of the other.

7/14 Mill Valley Library non-fiction workshop with Sarah Broderick

THUNDER MOON 3 haiku


In the sky’s pale arms
wind whispers secrets to the pines,
gibbous moon rising.

Thunder Moon spreading
a shimmering quilt of stars,
disturbs night’s dark song.

Buck Moon’s throbbing heart
sings a song of silvered light
& adamantine stars.


Wednesday, July 13, 2022

Moors are not Black

A Facebook poster from LA, in an epic sleight of hand, repurposed the story of Calafia (yes, it’s spelled that way) to fit his own modern socio-political needs, wrote, “The state of California was named after the mythical Black(Moorish) Queen Califia. (Khalifa).” Ok. The story of Calafia stems from a series of medieval stories translated into Spanish from the Portuguese. The term in Spanish and Portuguese, that means dark or black, but not white—is a case of what gets lost in translation. This idea that Amazon warrior queen Calafia was a Black African is a modern American binary interpretation.

Then the poster went on to say, “It is well documented that of the 44 people who founded the City of Los Angeles, 26 were of Afrikan (Moorish) descent. What is amazing and not taught in California schools is that the majority of the founders of San Francisco, San Jose and San Diego were of Afrikan (Moorish) descent, or that Orange County, Beverly Hills and Malibu were once owned by people of Afrikan (Moorish) descent. According to the story, California was an island where only Black (Moorish) women lived, gold was the only metal and pearls were as common as rocks. The women were the most powerful women in the world. When Cortez arrived in California, searching for this mythical queen, her influence on him was so severe, he paid tribute to this powerful Black (Moorish) Woman Queen Califia by naming California after her. California literally means, “the land where Black (Moorish) women live." History has been hidden for a long time.” 

Sigh. Of course he provided no references for that last bit of repurposed history. Whereas it is true that Hernán Córtez named the long peninsula Baja California Sur, thinking it was an island, after Calafia. But we seem to be mixing apples with oranges. Calafia was an Amazon from the Hyperborean north, beyond the realm civilized (Classical) Mediterranean world. She was other, therefore exotic. And the term negra could mean swarthy, or dark, but not African. And certainly not a Moor. This is like saying Cleopatra, a Ptolemaic Greek, was black.

Also the term, Moor is not synonymous with Black. If anything, it’s the opposite. A Moor can be anyone from Arabia to Iberia to North África—Egypt, Alexandria, Morocco Mauritania—which probably means homeland the Moors—regardless of skin color, and the Berbers of North Africa were all called Moors— because they converted to Islam, and spoke Arabic—and literally shoehorned their own culture into Arabic ideals in order to be considered part of the elite ruling classes.

The term Moorish refers more to religion and the Arabic language/culture rather than to skin color. Also, for centuries, the Arabs were the undisputed ruling class, so to self-identify as a Moor was to be part of the ruling elite, or not be a slave (Black). The matrilineal Berbers were in a fix and they had to wholesale invent patrilineal Semitic genealogies in order to fit into an Arabized world.

The Habesha Ethiopians, Eritreans (Abyssinians), and Tuareg—who self-identify as Berbers, though dark-skinned, do not consider themselves as Black, but Semitic, though some are also Christian. And for the record, sub-Saharan and Sahel Africans, the Arabized Maghreb Berbers, aka Moors, during the 15th c., are light-skinned.

Sadly when the Berbers began to identify with the ruling class Arabs they gave up their matrilineal society and had to construct a patrilineal Arabian lineage which create it all kinds of havoc—especially for the Berber women who lost most of their freedoms in a Moorish world.

Moorish means more than anything else—meant non-Christian, therefore, in European eyes, exotic. Shakespeare’s Othello was a Moor. You see where this leads to. Let’s just say, it’s complicated. And if you actually read the novella from which the name comes, Las Sergas de Esplandián (The Adventures of Esplandián) penned or collected by Garci Rodríguez de Montalvo in the late 15th c., Calafia is referred to as an Amazonian warrior woman who lived in the far north—beyond civilization.

So here we have a strong woman, with warrior superpowers, from a post-Moorish subjugated world, call it Iberia, where women collectively had few personal rights. Perhaps the model for Calafia was a Sub-Saharan Greek, or a Maghreb woman. 

Note the use of the terms Moor and Arabic in this quote, taken from references of 14th c. Arabic scholars….
“In contemporary Hassaniyya Arabic, the language spoken by the Moors (Arabs) of Mauritania and Northern Mali, the terms ‘Whites’/‘Blacks’ (b ̄ıda ̄ n/su ̄ da ̄ n) are used to distinguish between Moors who are, in status, freemen, and those who have a slave past. A different Arabic word for ‘Blacks’ (kwa ̄r) is used to identify non-Moorish Africans. In contemporary Tuareg discourse, colour-based terminology is used to distinguish internal social status and to denote those who are termed ‘Blacks’ (koualnin), whether people of servile origin within Tuareg society, or to refer to non-Tuareg ‘Blacks’…. In the pre-colonial Arabic literature of the area, the term ‘su ̄da ̄n’ is most often used to refer to ‘Blacks’ who are ethnically and linguistically distinct from the Moors…” THE JOURNAL OF NORTH AFRICAN STUDIES
But Las Sergas de Esplandián (The Adventures of Esplandián), a novela redacted by Garci Rodríguez de Montalvo in the early 15th century, is a sequel to a popular 14th c. chivalric romance novela, Amadís de Gaula. While the novela suffers from a lack of literary style, it achieved notability “in 1862, when Edward Everett Hale concluded that the novel was the origin of the name California.”

“Sabed que ala diestra mano de las Indias ouo una Isla llamada California mucho llegada ala parte del paraiso terrenal la qual sue poblada de mugeres negras sin que algun uaro entre ellas ouiesse: que casi como las amazonas …”

OK, not only do we have Amazons from somewhere beyond the Black Sea, but also a mythical knight from Gaul. A far cry from Africa. Here’s the thing, the Spanish term negra/o is also used to refer to any people with swarthy or dark-colored skin (both native and foreign). Including the Moors who were considered freemen vs. slaves. 

WAKING SLOW


I wanted to waken slow 
and write something holy and profound 
like finding a buried treasure trove 
on those gleyed trails deep in the forest. 
I wanted to be paid in birdsong and stellar light, 
reflecting off mirrored montane lakes 
deep in the mountains where carnivores
hunt on glaciers older than civilization. 
I wanted to waken with a cup of coffee in hand 
ready to render those fleeting moments 
into words, polished and sharpened 
with nuances of carborundum 
where the opinions of poets 
aren’t brushed off linen tablecloths 
by the baseless butler brooms of apathy. 
I wanted to mend the rents and tears in the fabric
of those missed moments in the past 
with a polished thread, where the darning needle
becomes a silvered road to stitch 
all those lost moments into a quilt,
those lost moments that have slipped 
irrevocably into a skein of untended fields. 
Those golden what if moments 
where only in hindsight, do you realize, that yes,
there were always other choices to be made,
but the bouncer at the trapdoor of the heart said no. 
What did he know of love?
I wish I had married the men I loved 
at least once, maybe even twice. 
I wanted to look back and say that I lived 
every moment fleshed in the round, 
that the prisoners were of my own choosing. 
I wanted to swing on the long arms of that clock,
stop time in the middle of the town square, 
dangle my legs into the air like a heron or a stork, 
say, that clock in Prague that charts constellations,
but my gut said no, and stupidly I listened. 
I wish I had traveled more. Just like that time 
I turned down a yes to the Great Barrier Reef, 
or to the Outer Hebrides dressed in indigo twilight.
I always thought there would be more time, 
but now as I stand at the lintel of that waiting room 
where age, and the erosion of memory is palpable.
I want to contemplate the sand left in the hourglass
as an end to a life well lived, as best as I was able,
considering the crossroads of familial inheritance
I was given—with no roadmap, or Michelin guide. 
InterestI squandered my days curating the detritus of the past.
All those portmanteaus of wrinkled what ifs
lost luggage circling all the carousels of the world
waiting for someone to take them home.
I wanted to inhabit a place of memory where love 
was the only viable stamp in my passport.
I wanted my heart to say yes yes yes.

7/13 Write On! with Terri Glass

Tuesday, July 12, 2022

First views from the James Webb Space Telescope


 “We are stardust, we are golden.” How can you not love this stuff? I’m all agog and a-drool here. Pure poetry to be able to see back in time into the heart of deep space star nurseries. 

The progeny of the 1990 Hubble, the colossal JWST, or Webb infrared telescope camera, was conceived in 1977. After many mishaps and missed dates (it was supposed to be built in 2002, and ready in 2005), it was finally launched Dec. 25, 2021. It took six months for Webbie-cam to reach its destination, and to send back these stellar photos. Wow, I am gobsmacked. This is the most extraordinary news in three years.

Hubble photos took weeks of constant exposure, Webbie-cam managed to see through all that cosmic dust and achieve absolute clarity and enlightenment in just 12 hours. But unlike Hubble and E.T., if something goes wrong, the golden-eyed Webbie cannot call home, nor can astronauts take a space jaunt to tweak it. Webbie has enough juice to last about 20 years. Then it’s lights out. Sayonara, so long and thanks for all the fish.

The gold-plated lens array, designed at Stanford, is 21.7 feet across, the size of a VW Bug, and looks like  bee’s dreampad, or a MI6 prop from GoldenEye. Because it is infrared, it has a special shield array, and orbits in the forever shadow of the moon and earth. “JWST operates in a halo orbit, circling around a point in space known as the Sun-Earth L2 Lagrange point…” In other words, direct exposure to light or heat would fry Webbie-cam san. It’s like totally chill, dude.

Webb is orbiting a million miles from Earth, and is geared to peer through impenetrable clouds of thick cosmic dust, into the secret hearts and wombs of the earliest galaxies and stars ever born. We are literally looking back billions of years in the space/time continuum with these images of ancient “high redshift” starlight. In this case, red stars are the oldsters. White stars are teenagers. OK, my mind is sufficiently blown, folded, stapled and mutilated.

One of my favorite nebulae along with the Horseshoe, or Omega Nebula, is the Eta Carinae Nebula, host to a hopping hot young star nursery, and home of the Mystic Mountain, the Homunculuse Nebula, and the Keyhole Nebula in the Carina-Sagittarius Arm of the Milky Way, at a mere 6,500 and 10,000 light years from Earth. And who doesn’t love the gas ring of the Southern Ring Nebula? Aka the Eye of God. And for the record, I’m a Sagittarius. We don’t need no stinking badges.

Thursday, July 7, 2022

The bee-ginning of the end is nigh

I always get a kneejerk reaction to the Facebook honeybee memes. At least the circulating memes have been updated to include other (native) bees. Part of the premise of the so-called Einstein quote in conjunction with bees is that we will disappear from the earth in four years as well if the honeybees disappear. But most New World foods are not pollinated by bees—and certainly not by European honeybees. Not that I think extinction of any species is ever a good thing. 

Speaking of truth versus fiction, it’s interesting to note how many memes are but half-truths. They need a pithy quote, an authority figure (in this case Einstein) and an erroneous extrapolation to support the straw argument. It’s not a question of challenging one’s faith or belief, but a willingness to look at both sides of our quasi-scientific biases in order to see the larger picture. 

Folks from my California native plant groups, are focused on helping the environment, but in their misplaced alliance, they don’t see the irony in planting native plant gardens in order to feed non-native European honeybees, which are classified as livestock. Euro-bees certainly help agribusiness, but not necessarily the environment—as they compete with our native bee species. Besides, butterflies want equal rights and equal billing as super-pollinators when the next doomsday bug meme comes along.

Many native bee dining favorites happen to be toxic to European honeybees including buckeye, azalea, rhododendron, death camas, corn lily, mountain laurel, sheep laurel, and locoweeds. Do we next suggest getting rid of those native species because their nectar kills those euro-bees? Gardening articles actually suggest not planting these native species for a more “bee-friendly garden.”

We have 1600 species of native bees in California alone, including Yellow-faced bumble bee, Bombus vosnesenskii, Sweat bee, Halictus spp., Wool carder bee, Anthidium manicatum, Mining bees, Andrena spp., Long-horned bee, Melissodes spp.,  Leafcutter bee, Megachile spp. to name a few. They can drink the toxic nectar, ingest the pollen from these “toxic” plants because they co-evolved with them. 

Here’s the thing, honeybees certainly help the farmers but they don’t necessarily help the environment as they are non-native species—except in Europe and North Africa. If anything, they drive the native populations of insects away, and hog all the local food sources. Check out this National Geographic article. And this Scientific American article.

What’s really killing the honeybees? Pesticides, and varroa mites are a real problem. Monoculture is the real killer. And it is having an illicit affair with Round-up. As for our native bees—they too are threatened by pesticides, loss of habitat, and competition from those Euro-trash bees. 

We need to build more bee hotels and create habitats for our native species too. And maybe send those non-native honeybees to bee school. All is not woe. Italian x Carniolan hybrids, are supposed to be more resistant to the narcotic charms of the buckeye. Sounds like both the nectar and the pollen is toxic—like the hallucinogenic mad honey produced by rhododendron and azaleas. I wonder if honeybees hallucinate?

Wednesday, July 6, 2022

TODAY I AWOKE


1. Today I awoke wanting a divorce 
from my country of origin, and
I'm not even married, but I’ve had enough 
though we’ve been joined at the hip since birth. 
Somehow I always found a path forward 
even when ideologies clashed like cymbals 
on the bloody killing fields of Vietnam, 
of Iraq, or Afghanistan, or Aleppo.
And the glistening wounded words of my despair,
is the destruction of women’s rights, human rights.
We have spiraled into a second-world country status.
But the world itself has changed irrevocably, 
young men mow down fellow citizens with A15s
as if life were a weekly video war game. 
I don’t want to live in a country, 
trapped in this marriage of convenience,
where we routinely slaughter children in schools,
(two dozen massacres since Uvalde), I weep 
for the fallen in niteclubs, theatres, and parades,
where we strip the basic rights from people— 
where we legislate who to love, who to marry, 
who to give birth to, all regulated 
by repressive “Christian” ideologies. 
What happened to the separation of church and state?
I'm too depressed to even render this into a poem. 
I don’t want artifice. Like Dylan, I too want 
to rage against the dying of the light.
I’m too angry for my sullied art to emerge. 
I cannot think on those terms,  
because to do so, is to render and to codify it,
and codification, the heart of the problem
those SCrOTified codpieces of (in)justice 
sitting on the bench draped in robes of darkness,
where they truly believe women are unequal. 
I just want to stop this world and get off. 
America is a failed post traumatic experiment, 
and to think it all began with a tax on tea 
and we are daily taxed, both mentally 
and physically. The problem is I see no way out, 
no shining dawn to bring us new hope
in this country of origin and this is not a poem. 
It is the dark venous blood of broken treaties
seeking the formless tears of the sea.

Wednesday, June 29, 2022

Supreme Court folly


I was a love child. I have lived my life owned by no man, always my body, my terms. The men of my life knew better than that, and if they didn’t that that was the end. I was an accidental child, a mad scramble at sunset in the backseat of a Ford atop Bolinas Ridge overlooking the lagoon. The ocean is my mother, the bay, an artifact of the San Andreas Fault, the natal waters from which all life comes. The amniotic fluid of  byrazoan and seasponge, laminaría, coralina and copepod. I am not someone’s chattel. Perhaps this is why I never married, though I had offers enough.  And my body offered the fruits of its womb, a fecund harvest, before I said no three times, before my body listened. The genetic code is strong and the urgent blueprint to codify ourselves unto the next generation. I said no. I have never had to codify my choices. My body, myself. I was a child of the Roe vs. Wade era. I was also the product of an accident in the backseat of a car at sunset. My mother did not survive the onslaught of 50s that demanded broodmare wives. After the third baby by yet another man, a miscarriage of justice began during a time of coat hanger abortions. She said she wanted every one of her children, but her body was not able to collect rent when it was due. Then her mind. She aborted fetuses that could not survive the onslaught of the times.

6/29 Write On! with Sue Terence

Thursday, June 23, 2022

Alexander McCall Smith’s inlet, Argyle

Billy Collins often asks us to write about what we’re doing and to post it on his poetry broadcast thread. This morning, I woke up thinking I was in Oban, of all places, I haven’t been there in years! and so I did a quick sketch of Alexander McCall Smith’s inlet near Argyle from a video he had posted, with friends singing an alfresco Jubilate Deo in the gloaming. My good drawing pencils and watercolor set were in the car, far away, but I happened to have nearby, an odd jumble of prismacolor pencils in a baggie I was planning to give away. I was desperately trying to finish a complicated multi-year Cal Arts Council Artists in Schools grant due at midnight, my head was a slaughtered pumpkin, I was working off the arse-end of a four-day migraine, and was flummoxed by the Covid/community access questions, and this wee drawing was my one lone procrastination distraction that I allowed myself. I tucked in, and got the blasted grant in on time. An odd solstice gift. Sometimes you just have to find the time to waste a little time. And sometimes the best art supplies (or camera) are the ones you have on hand. And yes, I did post it on Sandy’s Facebook page. No comment was the loud reply.


Wednesday, June 22, 2022

Black Bart, a life of crime


Imagine a self-styled Robin Hood intent on leveling the playing field between bankers and everyman, by robbing stagecoaches from Wells Fargo. See, Wells Fargo did him wrong, they screwed him over a lame land deal, they robbed him blind, and no, he never forgave them. Whenever there was a shipment of gold, he arrived on foot, unannounced, wearing the dust coat of a clerk, and a flour sack over his head. He was a gentleman poet, he never relieved the passengers of their trinkets and keepsakes. Only Wells Fargo. He offered up a poem, a posy, and a white handkerchief which he left at the scene of each crime. But Wells Fargo never surrendered. For years he harassed and robbed the stages, always on foot, having walked across California more times than he could count—to carry out his revenge. He was undone by a laundry mark on a handkerchief. No use crying over spilt milk. He was done with his life of crime, and poetry as well.

6/22/22

WHAT IF THE DEAD


What if the dead, 
not just family and friends, 
could visit us? 

What if we’re their mouthpieces, 
reliving interrupted dreams, 
imagining them as our own? 

What if those we admire 
have unfinished business, 
and stories to tell, and so 

they steer us closer to the heart,
so that we, the living, 
can bring closure to the dead? 

Picture Harriet Tubman, 
her head in a vise, dreaming 
of the open road, dreaming 

of following the stars north 
towards the heart of winter, 
the adamantine stars weeping. 

And what if we sing coded songs, 
having forgotten what they stood for, 
the drinking gourd corked with a star. 

Sometimes I imagine the dead 
slumbering beside me, 
with such stories to tell, 

that I wake up, forgetting all the words,
each fragment crenulating itself 
into fanciful constellations 

and when I wake up, all I remember 
is a scrabbled handful of stars 
thrown against the horizon of sleep.

6/22 Write On! Susie Terence

Monday, June 20, 2022

Greengrocer

Mr. Bagley returned home with a truckload of unsold vegetables. He drove a dusty-blue pickup the color of a humid sky, kitted up with produce bins and green doors that propped up to make a canopy. He must’ve had a greengrocer route similar to the Lucas Valley milk route in central Marin, over the hill, because we never saw him set up anywhere in the San Geronimo Valley. He was fairly new to the area, his large family took up two pews in the Lagunitas church. I didn’t know anything about them or where they came from. It was an unlikely convergence of events that became a moment etched in time. I was playing with Rosemary and Danny Magnussen. Taciturn Mr. Bagley didn’t say much as he counted out the day’s profits, a mere bowl of change. But his wife took it all in stride and cooked up a massive pot of rice and leftover vegetables. I remember sitting at a makeshift table on a large bulldozed flat, two old wooden doors on sawhorses turned into a table. It never occurred to the Bagleys to send us home. We were all invited to the meager feast, grubby neighborhood kids, no one was excluded. After a hard afternoon of playing kick-the-can, and hide-and-seek, yelling out olly-olly-oxen-free, come out, come out wherever you are, we were scabby wains as ravenous as vultures. I remember a mob of kids sitting around that makeshift table, seated on long planks or on tree stumps, scarfing down mountains of rice and butter, with zucchini and ketchup, like it was the last supper. I never tasted anything so good before. There was something holy and profound in that moment. It could’ve been a Dorothea Lang photograph straight out of a migrant worker camp. Mr. Bagley, sunburned and worn out from a long day selling his vegetables, gazed at us with watery eyes, then cracked open a beer, took a long drought from the amber bottle, then leaned back to take it all in as he smoked his cigarette down to the nub. In retrospect, they were probably on welfare, like many of us, the 50-pound sack of rice, from a food bank. Sometime those who had the least were the most generous. They didn’t stay long in the valley, they moved on to other pastures. Hopefully they were greener ones. What I remember is the indigo sky and the watery stars. And then, the long walk back home in the dark.

This evolved from a Facebook comment.

Sunday, June 19, 2022

Buckeyes as famine food


Somebody in Trinity County insisted that native peoples routinely ate buckeyes. I countered and said that buckeyes were a famine food because the toxins were difficult to remove. What concerned me was that someone would read his comment as verbatim. And you can die from eating buckeyes. Sort of like eating oleander and there is no antidote.

He did not like my response and then proceeded to berate and harass me. When that happens, I copy my comments and then delete the thread from Facebook rather than feed his angst. Since he was responding to my comments, I deleted all his comments too. Score.

From a Facebook post. 

Buckeyes are a last-resort famine food, acorns are much easier to process, have more protein and are far less toxic. The only thing you need to leach out of acorns are the tannins—which is an acid, like in black tea. And they are highly nutritious. Hardest part is peeling them for leaching.

Double leaching won’t remove all the buckeye toxins. All parts of the buckeye are highly toxic, they contain the glycoside aesculin, a blood thinner, a saponin aescin, and more alkaloids. Not a mere case of getting rid of tannins. The glucoside aesculin is a toxic compound similar to glucocides in rat poisons. Most cases of aesculin poisoning occur when people roast and eat the nuts.

Aesculin poisoning symptoms include dilated pupils, vomiting, diarrhea, muscle weakness, paralysis, stupor and causes death to ruminants like cattle, sheep, horses, deer and humans. Only squirrels can survive eating them. Buckeye nectar is so toxic it kills non-native honeybees, “buckeyed bees” are deformed larvae. Luckily the nectar does not kill native pollinators. I don’t know if the pollen too is toxic, my guess is probably yes.

According to the Pomo elders I knew, buckeye required a lot of processiing to get rid of the toxins and was only used as a last resort if the acorns failed. And they’re also way less nutritious because you have to leech them so many times (up to ten baths). It could be that freezing and leaching removes some of the toxins but buckeyes raw are not good for any mammals. Sometimes a little knowledge is a dangerous thing.

edited for clarity

Thursday, June 16, 2022

On lynx and bobcats

Native lynx are being re-introduced to Ireland, to control a burgeoning non-native deer population that is hybridizing with native deer and stripping the forest. According to the Irish tTimes, people completely lost their minds. You’d think someone was suggesting that they were planning to let loose African lions to hunt in the suburbs of Dublin at night. We had a similar hysterical reaction in North America when wolves were reintroduced to Yellowstone.

So these are some of my comments culled from a Facebook thread

Most of the fear-based comments in this thread are absurd. Lynx are not lions. And if they became extinct around 1,300 years ago, then humans were the culprit. The medieval era was all about hunting and killing everything off. 

According to Irish mythology, there were indeed larger native cats. The Voyage of Maelduin. Place names: Owenynagat. There was the cait sith, Cairbe Cinn-Chait, Old Cathead, the usurper. In Scotland, Cloch taghairm nan Cat, the myriad Clach a'Chath stones (probably from cath vs. cat); then there’s Clan Chattan. The wildcats were later associated with witchcraft, or against Christianity—and that ultimately led to their demise.

We have a type of lynx in rural California, the bobcat, a descendent of the Eurasian lynx, and though they occasionally get lucky and make off with a chicken, we rarely, if ever, see them. They don’t make off with lambs or calves, or attack children. They are shy, solitary nocturnal creatures, they don’t hunt in packs like wolves. We never see them. And they don’t seem to tangle with foxes who are much more destructive when it comes to livestock.

In fact, I see more foxes than bobcats who rarely leave the protection of the forest. Their range is the entire North American continent. No one loses livestock or children to rufous lynx, or to its cousin, the mountain, or Canada lynx. Lynx are not very large, about double the size of a housecat. Or a little larger than the Scottish wildcat. They weigh 40-60 lbs, and stand under two feet tall, they’re the size of a small sheepdog. 

A Sitka deer may be too big for a lynx to bring down. They are literally twice the size of a lynx, and outweigh them as well. We had two species of non-native deer (fallow, and axis) that were eradicated by hunters in Point Reyes National Seashore. So it is possible to hunt them down. 

Some bad news, the Sitka deer have hybridized with native red deer in the Scottish Highlands, a death sentence to the red deer gene pool. Sterilization/birth control will quell, but not eradicate the Sitka deer. Sometimes it is difficult but necessary to restore the balance of mother nature. Or all will be lost.

Marie Walsh


My grandmother‘s niece, Marie Walsh, who grew up at Home Ranch, in the Reese River Valley, a block fault valley near Austin, Nevada, was a math whiz. But she disappeared right out of high school. Whenever my grandmother talked about her, she grew sad, Marie had disappeared. She said Marie was like so like an angel with her golden hair about her, my grandmother explained, task-tisking. My grandmother, who was also her godmother, was distraught by the lack of contact. Eventually postcards with 4-cent stamps began to trickle in from exotic places like Chicago, New Mexico, with no return address. Sometimes there were words cut out of the text going right through the postcards like little windows to the soul, but we couldn't see our way in or out. In this way we kept track of Marie, never knowing the backstory, or where she was. This much we knew, she was gifted in math. It had something to do with crunching numbers. Most of our family never got the math gene but we made up for it with boisterous singing at family parties, and in the gift of the gab. It was during the late 50s or mid 60s that we got the obituary, a small column scalloped by a fingernail scissors. My grandmother kept all Marie's cards and letters in an old cigar box, on the top dresser drawer that doubled as a linen closet. The article said that she had died of cancer and there was a hint of the life she had lead, hidden in the lines. I memorized the names of places, Alamogordo, White Sands, Los Alamos. In this way I learned the reason why we practiced those bomb drills, hiding under our desks, waiting for the big one to drop. During recess we all filed out onto the blacktop to see the white flash in the east, followed by the percussion and the sound as they detonated bombs at Jackass Flats. A neighbor, Roger Kent said the Manhattan Project was one of the best kept secrets during the Cold Was, as even his brother Buffalo, who was in the CIA, didn’t even know about it.

6/16 Mill Valley Library Non-fiction class with Sarah Broderick

Wednesday, June 15, 2022

IN THE COUNTRY OF POETS


In the country of poets, there’s a potter’s field 
limed with the corpses of dead poets, 
but the trains run on time. There are trees laden with fruit 
and horses prancing in a fancy parade, 
while a president is perpetually shaking hands. 
But in all those green pastures, the republic of poetry lies fallow, 
because in reality, no one ever adopts the poets. 
The unaknowledged legistators of the world have fled 
to safer climes as they are often first on the hitlist 
with a one-way ticket to that undiscovered country. 
This is an elegy for the dead poets of Chile, Nicaragua, Iraq. 
Now, Ukraine. The idea of a republic is an old notion 
bandied about until it slithers back into the black hole 
of despotic dictatorship. Again. You’d think 
we would’ve learned history’s harsh lesson by now.

From the toga republic of ancient Rome 
to the fascista black shirt of Il Duce, 
to the jumpsuited Orange One, the fight continues. 
I think of Ukraine holding fast to its identity 
as the new & improved USSR 
tries to swallow it like a despotic python. 
Mother Russia was always insatiable, 
unable to assuage her Stalinesque bloodlust, 
absorbing and stripping cultures 
at the speed of invading tanks, and missiles,
or cossacks rumbling across the tundra. 
How can I write about what was lost? 

And to think of our own republic of senators, 
in clandestine backroom deals, war profiteers 
selling out to the highest bidder. There goes democracy.
We, the people, are the ones that suffer, and so it goes. 
I admit I only watched the first day of the Jan 6 hearings. 
I can’t bear to witness any more, opting for synopsis, 
if only for a momentary peace of mind. 
Does that make me any less unpatriotic? 

I know this isn’t a poem, it will never be a poem. 
Yet I write because there is no hope of resurrection, 
nor will those plump images come to my bidding. 
It is nothing but imitation, after all. 
The labyrinth of music holding onto the past, 
is choosing you, whether or not you are ready for it. 
And hidden in the folds of the lair of dreams,
are things left undone that cannot be fixed, 
nightmares that resurrect at life’s end. 
In the trap of memory, what is in force, 
is not what I imagined, yet here we are. 

In the republic of the artists, the keepers of truth, 
we wouldn’t censor ourselves in order to beg for money, 
or tighten our proverbial belts, thus girding our loins, 
and not go down for the count. 
The realm of the heart is a labyrinth, 
with a policeman on patrol, searching for truants. 
And hope is a name looking for its heartsong, 
to escape on the wings of a bird. 
This is the first dead bird among many, 
feathered fragments of silence 
resurrected in the bookstore of dreams. 
That candle guttering in the library 
is a dangerous weapon of mass distraction.

6/15 Write On! Susie Terence workshop

IN THE KINGDOM OF WILDFLOWERS

IN THE KINGDOM OF WILDFLOWERS 

In the kingdom of wildflowers, clarkia and lupine,
iridescent dragonflies hitch onto stems like airships. 
I admired the way that blue dragonfly held onto the grass 
like a docking station in deep space 
and I suppose it could have been a she 
laying a constellation of eggs so far from water. 
Obviously she has hope for the future.
Her goal was the headlands of Walker Creek 
or the other fork, another dammed tributary 
in that nemesis of a watershed, where
that bend where the road nearly killed me. 
The bumblebees whirl and spin on the teasel,
each one circling a small white rosette of blossoms 
providing nectar and succor. The bumblebees nap.
In the garden I find a pipevine but not the pupae, 
shrouds of black swallowtails driven to near extinction.
Soon the sky will be filled with iridescent shadows 
and ghost thoughts in the air.

6/15/22

In one man’s republic


In one man’s country there is a potter’s field littered with poets, and the trains run on time. There are trees laden with fruit and horses prancing in a parade, while a president is perpetually shaking hands. But all those green pastures, the republic of poetry lies fallow, because in reality, no one ever adopts the poets. The unaknowledged legistators of the world, the keepers of truth, flee to safer borders. They are often first on the hitlist to that undiscovered country. The poets of Chile, of Iraq. Now, Ukraine. The idea of a republic is an old notion bandied about until it slithers back into the black hole of dictatorship. From the toga republic of ancient Rome to the black shirt of Il Duce, to the jumpsuit of the Orange One, the journey continues. I think of Ukraine holding fast to its identity as the new and improved USSR tries to swallow it like a despotic python. Mother Russia was always insatiable, unable to assuage its blood lust, absorbing and stripping cultures at the speed of tanks, or cossacks rumbling across the tundra. How can I write about what was lost? And to think of our own republic of senators, in clandestine backroom deals, war profiteers selling out to the highest bidder. There goes democracy. We, the people, are the ones that suffer, and so it goes. I admit I only watched the first day of the Jan 6 hearings. I can’t bear to witness any more, opting for synopsis, if only for peace of mind. Does that make me unpatriotic? I know this isn’t a poem, it will never be a poem. Yet I write because there is no hope of resurrection, nor will those plump images and juicy verbs come to my bidding. It is nothing but imitation. The labyrinth of music holding onto the past, is choosing you whether or not you are ready for it. And hidden in the folds of the lair of dreams, are things left undone that cannot be fixed, nightmares that resurrect at life’s end. In the trap of memory, what is in force, is not what I imagined, yet here we are. In the republic of the artist, we wouldn’t have to beg for money, or tighten our proverbial belts, thus girding our loins, and not go down for the count. The republic of the heart is a labyrinth, with a policeman on patrol, searching for truants. And hope is a name looking for its heartsong, to escape on the wings of a bird. This is the first dead bird among many, feathered fragments of silence resurrected in the bookstore of dreams. That candle guttering in the library is a dangerous weapon of mass distraction.

6/15 Write On! Susie Terence workshop

PIPEVINE SWALLOWTAIL


In the garden I find the elusive pipevine 
but not the pupae of the black swallowtail butterflies.
Soon the sky will be filled with iridescent shadows 
and ghost thoughts will drift unmoored in the air.
This is how we measure the beginning of extinction.

fragment 

Thursday, June 9, 2022

Endless summer


End of the school year. We were all sitting in the garage clubhouse on Railroad Avenue in Woodacre.  Someone was rolling doobies, an album cover served as a desk. Jimmy Bowman lit one up, inhaled deeply, errant seeds popping like firecrackers. He passed it around, and I remember looking at my friends, as if I was in suspended animation, present, but not fully present. You know that moment when you step outsite of your dailiness and take a fresh look. And everything looks strange and new at the same time. 

Judy Soga was mad for Jimmy and he was aloof which only spurred her on. We were a ragged tangle of odds and ends. Though I was a grade older, we were all roughly the same age as I began school early. There wasn’t anyone in the group I was romantically interested in except for maybe John but he was a summer blow-in, not a permanent resident. Besides, he was from LA which was hard to take. But he was my first kiss. I remember I didn’t like it. 

I wasn’t ready to grow up but I wanted to just get on with it. Rites of passags. Everyone else was paired up—even the twins, Jack and John McBride. John was seeing Janet who look like Yoko Ono. They crashed in Bill‘s white van on Dead Man’s curve. 

Bill, the drummer for the Sons of Champlin was our main man. We bought dope in little baggies laden with seeds for $15 a pop, pooling our resources. I contributed spare change when I could, but I wasn’t really into the dope scene. Seeds rolled off of the album onto the carpet as we rolled another one. Teach your children well was blaring on the dinky stereo, if you could call it that. 

There was something endless about that summer. The sheer depth of those blue skies and golden hills. The shadow green of oaks. We were all on the cusp of something—we knew not what, but something was stirring, and soon our tightknit group would disperse with the winds in the fall. We were growing up, and growing away from each other. I didn’t know to savor any of this. 

I was sitting at the piano bench with Jack showing me a chord progression. And in that moment, I realized that this happenstance friendship of proximity was every bit as valuable as the throes of first love. I thought of The Turtles singing, Happy together, and that was the last summer we were all truely happy together, before the winds came.

6/9 Mill Valley Library non-fiction workshop with Sarah Broderick

Wednesday, June 8, 2022

ODE TO A SPIRAL NOTEBOOK


Nestled in the Dollar Store bins, like broody hens, 
with cheery Easter egg covers, slender spiral notebooks 
that came all the way from China, begged for words in any language.
I was far from home, having forsaken notebook for computer long ago. 

I forgot how much I loved the tactile sound of felt pen against paper, 
purple ink carving out a highway of forgiveness on the pristine page. 
My first strokes were hesitant, wobbly as a child on their first bicycle.
It’s been decades since I kept a journal. I, who was almost religious—

aside from an occasional skirmish with random scraps in classrooms, 
or in the car while driving down the highway, small blank refuges
when nothing else would do. Those pages were broken wings,
orphaned thoughts hiding out in the most unlikely of piles. 

They were buried in that precarious horizontal storage system 
that threatens to engulf us all. But imagine my surprise 
as I culled old teaching files to find nascent poems hidden deep 
in manila folders, beneath old class lists and shards of student poems. 

It was like finding buried treasure off a sunken reef of the past
with an impossibly blue sky guarding it with blankets of golden sunset. 
Then, a night sky—was that the Southern Cross reflected on its surface?
Words waiting to combust off the pages into another life, unimagined.

6/9 Write On! with Terri Glass

Tuesday, June 7, 2022

What did you do today, Billy asks


What did you do today, Billy asks. He is collecting fragments of dailyness from each of us. We are juxtaposed list poems in the making. I tell him I compiled my end of year student evaluations—second through fifth grade—for a grant, if there is a next year.  I ate stale vegetable chips because there was nothing else left in the house. I am in desperate need of coffee, and now it’s too late in the afternoon. It’s hot and muggy after our freak summer rainstorm, we might as well be in Florida. The rooster is complaining. We never get rain in June. I take that back. We sometimes do get rain in June, it’s unusual and when it comes with lightning, then we have wildfires. Not to mention humidity with a threat of arsonists. This last storm did not disappoint. Last night, an eucalyptus grove in San Rafael caught fire. They are like blow torches when they ignite. And the homeless freelance arsonist was finally caught on camera so the Russian River watershed did not go up in smoke—though he tried 11 times. People got mad and decided to do something about it. They mounted wildlife cameras on all the redwoods throughout the Russian River gorge, from Monte Rio to Rio Nido—and they finally caught him on tape. Or rather, digital. He was clever, changing his clothes, so he wouldn’t be recognized at the scene of the crime. The camera caught him removing his orange shirt as he rode off on his bicycle.  Earlier in the month, another homeless arsonist set fire to the inside of the largest redwood in the North Bay, it fell during a windstorm. Why do they want to bring these giants down? Redwoods already hanging onto the brink of extinction. These days I find myself weeping for the trees. A venerable age of trees is lost.

Wednesday, June 1, 2022

DYING REDWOODS ON THE REDWOOD HIGHWAY


It was after the Tubbs fire that I first noticed it, 
the redwoods were dying – not just where the flames 
had leapt the highway to devour Kmart and TJ‘s. 
Those spindly blackened sticks 
re-sprouted greenery from their trunks. 
Regeneration after the fire was possible. 
After all, they were redwoods. 
So odd to see the furry green poles 
with blackened arms reaching for the sky.
The branches dead in the fire’s path.
But life returned, the cambian layer 
pumped precious sap skyward.
It reminded me of the lizards 
regrowing their tails from the heart. 
But not so for all the other trees 
lining the Redwood Highway. 
Sure, many trees were planted a half century ago or longer, 
but the water table has drastically dropped all over California. 
Some 30 feet in the central valley. 
We are losing elevation, we are losing height 
every time we pump water from the ground. 
In some places, sea level has been breached. 
In the Alexander Valley it began with the grapes. 
A neighbor’s well went saline. 
Remnants of ancient sea beds resurrected.
We trucked in water, used groundwater for dishes and laundry. 
Our own private odor of sulfur, radiolarian and Satan‘s breath.
Our skin was so slick and smooth, we were sleek seals 
cavorting in tubs. But now it extends throughout the county 
not just one county but the entire north coast.
The redwoods are dying, they are dying. 
They are dying. everywhere.
And we cannot turn the tide.

Thursday, May 26, 2022

Uvalde, TX child massacre

On Facebook there is a list posted of school massacres that begins in May 1998 with Thurston High School in Oregon (attributed to Ken Bateman). I lost track after counting more than 300 schools. I tried four times to count how many gun assaults on our nation’s children. And not just our children, we are at the epicenter of an epidemic of gun violence with more casualties than several of our recent wars combined. I despaired and could not go back and begin again. 

And now we must add Uvalde’s Robb Elementary School not only to the list, but to the list of the four worst assault atrocities in America including the mass child massacres of Columbine and Sandy Hook. I weep for those nineteen 4th graders and two teachers, on the cusp of summer vacation, gunned down by weapons of war. What has this nation come to that we mow down our children with war-grade weaponry like this? 

The girl who survived the massacre by smearing blood on herself, who draped herself over the body of a classmate, said she felt it when her friend quit breathing. Miah Cerrillo is eleven years old, she is scarred by the wounds of gun violence, and she will never get to be a child again. Ever. She was the one who dialed 911 and said, “Please come….we’re in trouble,” and then wondered why the police never came inside to rescue them. She said the gunman played loud music at the end of the carnage.

The gunman, 18-year-old Salvador Ramos, a former student at Uvalde High School, bought two semi-automatic  AR-15 assault rifles (with a street value of $800 - $2500 each) and 375 rounds of ammunition for his birthday. No background check, nada. Not even a driver’s license. Or a red flag warning. Ramos wasn’t evenold enough to buy cigarettes or a six-pack of beer, but congress has deemed that Ramos was old enough to buy weapons of mass destruction. For what it’s worth, the median age of these gunmen is 18 years of age, without exception, nearly all are white—except Ramos who was of hispanic heritage.

There were warning signs. He posted on social media that he planned to first kill his grandmother, and then visit a school with premeditated murderous intent. Eight days later, he shot his grandmother in the face, who was first on his hitlist, then slaughtered a classroom of 19 students and two teachers at Robb Elementary School. She survived and was able to call 911 but it was too late for the 21 victims of his misplaced rage.

According to WA Po, Ramos had a history of being bullied for his speech impediment, and attire—and he was failing, and so, dropped out of school. He had nothing left to lose. This was his payback. Surely he must have known that he would also die that day. Suicide by mass destruction. Why take out an entire 4th grade class? Why that school? What was the tipping point? How long had he been harboring that grudge, nursing it into revenge? Were there no warning signs at all?

Uvalde, hometown of actor Matthew McConaughey, whose mother was a teacher there, is a small community in the Texas hill country near San Antonio, some 50 miles from the Texas-Mexico border. About 90% of Robb ES students are Hispanic, and most come from impoverished families. The Uvalde massacre was the worst school shooting since Sandy Hook, nearly 10 years ago. 

So, where were the Uvalde police in all of this? It comes to light that they did not act immediately, rather, they prevented parents from reaching their trapped children by tackling and tasering frustrated parents, handcuffing and macing them. Despite the fact that in 2018, that the Uvalde police force were trained and fully kitted up in tactical armor, they did not do their job. They sat on their haunches and waited. 

One brave mother, Angeli Rose Gomez, was handcuffed for attempting to enter the school, was eventually released, she then breached the fence, ran to the school, and rescued her two boys, unarmed. Unarmed. Now that was a foolhardy, but brave thing to do. It took real courage. What did the Uvalde police force do? Nothing. 

Now Texas Governor Abbot obfuscates about “hardening the schools.” What does hardening actually mean? Locking people in? Locking people out? A penitentiary school is not the solution. Beto O’Rourke was a brave man when he stood up and challenged the governor for his gross inaction. Thoughts and prayers will not bring back those children. I don’t even know why we continue to iterate that phatic phrase as it does nothing to bring solace to anyone. Meanwhile, the NRA is holding their annual convention. Big business as usual.

Since Columbine, some 310,000 kids have been exposed close to a thousand incidents of gun violence on campus, from kindergarten to college level. So far, this year, there have been over 200 mass shootings in the United States — and it’s only May. Seven more months to go. In just 13 of the largest mass shootings of school children, 148 have died, 182 wounded. I can’t do the math for the 400+ schools on the list. In Desert Sheld, Desert Storm and the Iraqi wars combined, we lost 7158 soldiers.

We are the only country with more guns than people—with an estimated 4 hundred million guns. An unequal equation. Since most of us don’t even own guns, that means a small minority are stockpiling guns, for what purpose? It’s not about the Second Amendment. It’s much deeper than that.  Not protecting the vulnerable members of our society—especially young children—against gun violence is a crime against humanity. The Uvalde children were pulverized, only DNA analysis will ID them. Let that carnage sink in.  Some parents are opting for open casket funerals so that the world can see the atrocity firsthand. Memorial Day Weekend is not long enough to contain all this grief.

How is this carnage OK? “Thoughts and prayers” is empty lip service. This is domestic terrorism. We need policy change and action now. If not now, when? We need background checks AND a bipartisan ban on all assault rifles NOW, NRA & GOP. Name and ban the weapons of mass destruction, the Uzi, the AK-47,  AR-15 and its cousin, the M-16. We cannot normalize this wholesale slaughter of our fellow Americans within our borders. Ever.

Those 60 congressmen who refuse to vote for gun control legislation have a lot of blood on their hands. This “guns don’t kill people” argument is utter nonsense. Of course guns kill people. That’s what assault rifles are meant to do. They are weapons of war, not deer rifles. I think we all want to live in a country that cherishes its children more than its guns. Never forget. As Beto O’Rourke just said, “The time for us to stop another Uvalde, is now…. The lives of our kids are literally on the ballot… Action is the antidote to despair. Are you willing to act?”

This is a call to abrazoz.

Wednesday, May 25, 2022

CATALYST


I always imagined him hunkered down in his enclave 
between appearances, exploring remote trails,
weaving his way through deep New England woods,
observing the splendor of light among granite boulders, 
in boreal gardens of calipso orchid and ladyfern,
where wilderness and the throat of summer were untamed. 
Where intricate clouds of mayflies gathered 
over a glassine pond reflecting the sky,
broken by lucky salmon leaping skyward, 
and the concentric rings merged like Celtic knots,
an old rowboat riding low in the water,
with its tendrils of moss and pond scum
trailing like a threefold beard of wisdom,
and thunderclouds roiling on the horizon, 
promising a storm, that other ink-stained darkness, 
and something infinitely unnamable at the edges. 

Starry-eyed I admired him from afar through his poetry, 
through distances, and in workshops, something spoke 
of a kindred language we shared that went beyond the page.
Perhaps it was our Irish blood recognizing long lost kin.
Each in the other, and all in one. Cromlech and dolmen.
Out of the blue, I invited him to do a poetry reading.
I remember how he arrived on the bus on Railroad Square,
how his books and his eyeglasses headed northward
in a satchel on the Seattle-bound Greyhound, sans tickets. 
I wondered what someone would make of his poems
at the end of the line, would they toss out the books, 
try on his glasses? See the world through the poet’s lens?

As I gathered up my copies of his books for the reading 
he borrowed my car for the afternoon to visit the vineyards,
he was all elbows and knees in my old blue Bug,
that famous forelock of hair over a glacial blue eye,
He taught me to trust the veracity of Anglo-Saxon words,
that were uncomfortable in polite poetry schools, 
that poetry itself was a dangerous traverse over  “bauchy ice.” 
He said to me, Listen to the awkward music of the generations.
You can’t quit writing, ever. The becoming and the dying 
of life cycles is poetry, and the music of the poem is the poem.

I remember how he held me when I returned from the coast, 
a friend, off his medication, had plucked out his own eye.
I stumbled blind in grief, fell over a stone wall, 
how his hands held me up, and he offered solace 
and animal comfort during a time when I could not see.
That night, in the dark, we were all thumbs and elbows.
The braille light of our hands bespoke an older story, 
we had moved beyond the realm of mentor and student 
into something akin to family harboring dark secrets. 
When he returned home, his wife had enough—
a lifetime of wandering eyes, the last straw among many.
Did he return to the deep solace of the woods, 
to measure dappled light splayed among the trees?
I heard he died alone in a hospital bed in a living room,
watching the slow progression of shadows cross the ceiling,
but his mind had wandered onto other wordless shores.

5/25 Write On! Terri Glass workshop

Saturday, May 21, 2022

At the bat bar


The only problem is that the lights attract bugs. So it’s like a bug smorgasburg out there. I think it’s hysterical that she’s playing classical music to the bats. They don’t seem to mind the mood music, which  was Shostakovich and Tchaikovsky. Classical music was used to thwart teen vandals at shopping malls. It might just work against the teenage bats. It could be worse, it could be rap. Bottom line is the bats will win in the end. She’s trying to discourage them because they poop all over the front porch. She needs to build dedicated bat houses. And carpenter bee hotels as well. Perhaps she should play Die Fledermaus?

Friday, May 13, 2022

CPITS teaching journal, AVS

Friday the 13th. Today I taught five classes, itself, exhausting, and I read their poems, and typed some of them up. I usually type up about 10 poems per class, or a page’s worth, double column. But there were so many fantastic poems, I probably typed up 75 to 100 poems. It took me until 5:30 PM to get through all their journals, but I did it so that I could have a long break. Otherwise it’s harder to get through them all if I wait until later. Probably my personal best in terms of getting through a sheer amount of work. Usually I tank after reading two classes. TG the classes are small. But it’s still a marathon. 

I’ve sped up the entire reading/commenting/publishing process considerably by dictating kid poems to my iPad, and then emailing them to my MacBook. And the iPad dictation process to Notes really speeds things up, but makes the strangest mistakes, so extra proofreading diligence is necessary at the other end. The Apple speech to text platform is much more accurate than Facebook. But, still it’s a huge time investment. Some really strong poets, but I’ve been working with these kids since kindergarten. Such fantastic writers they are. This year’s poetry book will be extraordinary. 

The work is sometimes grueling, but so rewarding. A crazy job, who knew it would become my life’s calling, but I absolutely love doing what I do. It’s like being in the epicenter of magic. A symbiosis of creativity. I absolutely love what I do, but the prospect of financial insecurity is always looming.

I think the quality of their writing is related to how I pair and mix up the model poems. Currently I am using Dorianne Laux’ Heart poem paired with Jimmy Santiago Baca’s Ofrenda poem, the recalcitrant heart and unexpected gifts—and the synthesis produces amazingly insightful poems from 3-5th graders—in both urban and rural populations. One girl wrote a poem to her dead rabbit, and she burst into tears because she felt guilty for not being there, and I said, No, you are not to blame. Getting real. Obviously it was preying on her mind, but she had no outlet. She achieved some degree of resolution by the catharsis of writing.

I am always looking for ways to teach students to find their own authentic voices vs. parroting back the model poems. Of course, I also like to use Emily Dickinson’s Hope is the Thing with Feathers too. My current teaching trifecta. There’s a lot of improv too. For example, I threw in Elizabeth Bishop’s The Fish because 3rd graders were raising steelhead trout to release into the river.

We’ve had a lot of Covid talk lately, the isolation, etc. What I’ve discovered across the board is that they’ve had no real platform to express their feelings around the isolation, and quarantine. So it arises. We keep it real. We share our stories and render it into poetry. The personal experience into the universal. At Berkeley, the next wave of Covid is rolling through the school, taking out students and teachers alike in droves. Sometimes just finding the through line becomes the lifeline. Sometimes we even find love along the way.

5/12/22 Alexander Valley School 

Thursday, May 12, 2022

HEART SPEAKS ITS MIND


Heart speaks its mind, silent as snow, 
falling from cornices. 
Heart wants an eclipse in all its pocketses. 
Heart wants a dragon moon with you 
looking up at the sky,
Orion‘s Belt cinching you up to the stars, 
Betelguese sends signals to the Andromeda Galaxy 
where Jackie Gleason reruns are tumbling 
like polished stones among the stars. 
Heart wants a warm bed with flannel sheets in winter. 
Heart wants a cat curled up by the fire. 
Some say the heart is just like a wheel, or so the song goes, 
but heart is studded with rose thorns 
and weeds on the ground. Heart cries, lacrimosa,
red tears of justice measuring out the length of our days 
to the end of our death. In this we all dream 
of other places where the ties that bind us 
are made of spiderwebs and hope.

5/12

Saturday, May 7, 2022

Rich Strike wins the 148th Kentucky Derby with 80 to 1 odds


Whenever I drive to Berkeley to teach kids poetry, I always drive the back way past Golden Gate Fields, just so I can see the jockeys breezing, or exercising their horses. That brief moment seeing them through the slatted fence makes for a good start to my day. At a memorial service for a friend, Maria Perrin, who died of an unexpected heart attack, the Marin Rod and Gun Club bar, was the last place I expected to encounter a glimpse of horses. We caught the tail-end broadcast of an amazing Kentucky Derby win for a last minute scratch entry horse with a longshot 80 to 1 odds to win—2nd longest odds in Derby history. And win, he did, with a deft series of maneuvers, as Rich Strike, a horse with a big heart, went from dead last out the starting gate, trailing at the tail end of the pack, to the middle of the melee where he was caught in a dangerous bottleneck traffic jam which  sometimes results in massive pile-ups. The jockey, Sonny Leon, threaded the needle when a tiny hole opened in the pack, and he deftly wove right through the tangle, and then he went on the OUTSIDE to pass on a curve, when most jockeys would’ve hugged the rail for maximum advantage. Outside means you lose valuable seconds off your racing time. Inside curve on the rail always has the winner’s advantage. Then, Rich Strike hit an extra high gear no one knew he even had, and rode for the win on the rail. Wow! Great horse, great riding, great jockey, indeed. This overhead drone shot really shows it all. And to think he was a $30,000 quick claim maiden race horse from Camulet Farms up against multimillion dollar horses. I bet they’re sorry for selling him off.  First claimed horse ever to win the Kentucky Derby! The historic Run for the Roses only allows 20 horses to compete on the field, Rich Strike was the 21st entry, rotten luck, but at the very last minute another horse dropped out—or was scratched—just as they were getting ready to leave. Quick change of plans. Time to don the racing silks. Kind of like the cinderfella stories with California Chrome, Seabiscuit, and Secretariat. The underdog won. But that’s horseracing for you. The owner definitely struck it rich with Rich Strike. Rich Strike is a fairytale horse sired by Keen Ice out of Smart Strike, whose bloodlines go back to Native Dancer (whose ggg-grandsire was Man o' War!) on both sides—aka the Gray Ghost, one of the most accomplished Thoroughbreds in racing history.  Up next, the Preakness, and maybe even the Triple Crown. However you want to say it, he’s got a big heart, and he’s in the money.

Wednesday, May 4, 2022

IMAGINARY LETTERS


Every time I slide behind the wheel, 
I find myself writing imaginary letters 
to the past, what might have been

as if the re-structuring of backroads 
and memory could change the past, 
eradicate it, enhance it, or make it so. 

Every time I slide behind the wheel, 
I am ranting, like my grandmother 
cursing Cromwell in empty rooms.

And then I wonder why we get stuck 
in this loop—call it a Möbius strip of desire 
endlessly repeating itself ad infinitem.

Call it eternity, or call it infinity 
if you want to involve math. 
But math was never my strong suit. 

When you add it all up, we are binary stars 
searching the galaxy of the past for our other halves 
embedded in the iridium dust of memory.

Paste a Forever stamp on the envelope.
The address is forthcoming. 
Return to sender.

5/4 Write On! Susie Terence 

Sunday, May 1, 2022

RIP Naomi Judd

Note bene: I never know where my next writing idea will come from, where it will go, or what spawns an idea, usually it’s because of a Facebook post that serves as a trigger, I write a comment which leads to another comment, and so on. I never expected to be floored by the death of Naomi Judd, someone I didn’t even know. But there you have it. It seems Facebook style Wakes are becoming a thing. This is a developing piece based on a lot of hear-say (stet) as I only knew her on on the periphery. Call it 1° of separation if you must. So bear with me as I uncover a West Marin story.

A new Facebook friend, activist Sandra Birnhak, who grew up with Diane/Naomi in Kentucky, said she went by the name Naomi back in the late 1950s, early 1960s, so maybe she changed her name back to her given name, Diane when she was in LA, with her then husband, Michael Ciminella, before moving to Lagunitas. She was only 17 or 18  when she had her first daughter, Christine, in 1964. 

Sounds like Hollywood wasn’t kind to her—in her autobiography, River of Time, she mentions about being molested by an uncle, she abandoned by her husband, then, at 22, she was raped by an ex-con heroin addict. I don’t know how she wound up in the San Geronimo Valley, but it was a haven of single mothers. Since I only knew of her peripherally, I’m still piecing together the stories… 

Backstory: The Judds once lived in Speck McAuliff’s apartments above the post office in Lagunitas (where I once lived as a young child before my parents split up). Then they moved up the road to north a cottage on Tamal Road next to the House of Richard (a hippie store), and they also lived on Resaca Avenue as well.