Showing posts with label Unconservatory. Show all posts
Showing posts with label Unconservatory. Show all posts

Thursday, December 24, 2020

Cranberry Coast Covid Special (with Moi reading three poems set to music)


First musical interlude installment is due tonight, Dec 24, at 12AM, Miami time, Dec. 23, 10 PM CA time. Stay Tuned. I have poems set to music in later broadcasts. My poems were prerecorded, looking forward to seeing the collage. Ok, so it went up on YouTube on Dec. 26. Erm, 27th. There was a traffic jam, a technical delay. Installment no. 1, is 22 minutes long (it goes by fast). Take Five is lively.

https://www.facebook.com/whipplemorales/videos/10159287656274767/

Part two. Originally it was supposed to be one one-hour broadcast, but it proved to be an unwieldy octopus, that wouldn’t upload. Besides, everyone and their uncle was on the internet doing the virtual Christmas-sing thing. Get in line!

https://www.facebook.com/whipplemorales/videos/10159299000704767/ There’s photo of me performing for the Cranberry Coast Concert series in Wareham, MA, in 2014, my reading begins at 3:20 minutes in, Betrayals of the Mind, followed by Wrong Roads, at 4:50 minutes in. Most of those photos in the photo montage are mine.

Part three debutted heads with time on Little Christmas, thus ending the holiday season with cymbals galore. Well, maybe a kettledrum, or three. No flatulent partridges in pear trees.

https://www.facebook.com/whipplemorales/videos/10159325062334767/ My poem on Vincent van Gogh, Perhaps a Garden, begins 7:30 minutes in if you want to rush right in.

Or, if you prefer to avoid Facebook completely, you can go direct to the source and watch all three videos on Kirk & Mari’s YouTube channel.

Tuesday, December 1, 2020

UNCHARTED JOURNEY, 8 freewrites to music by Kirk Whipple and Marilyn Morales


1. Light

Perhaps the idea of light began with Morse code. 
An SOS from deep space. My mind wanders 
to the opening bars of Chief Inspector Morse. 
Who doesn’t love puzzling out a good mystery?
Yet the truth of the flute 
had other destinations in mind.
I am reminded that I am not in charge. 
The mind maps of music, 
each is unique. A signature.
A frenzied rhythm, the hummingbird of war.
The coda is another message, a cypher
and then the piano brings it all home with an arpeggio. 
A cascade of music ends with the one-note song 
of a car horn on distant streets, 
reminding me of old Havana, 
a place where I’ve never been, 
a place where I can never return to.
And I mourn for what was lost.
And for that was coming.

2. Morning Zephyr

The sea breeze is a sister to the wind chimes. 
Someone once told me the wind was sighing, 
or perhaps there were angels hidden in the eaves.
A sophisticated melody reminds me 
that the piano is a harp on its side 
and I think of the ancient Greeks 
leaving Aeolian harps on stone walls for the gods
so that the wind would have an accompanist,
so that it was not alone. Yet the music of the wind 
in the pines is as a primal roar akin to fire, 
and we combust as we listen to the wind 
playing the old notes that resonate deep within the psyche. 
And that flute. I envision a girl in an alpine meadow 
keeping company with the wind. There is no other lover 
other than time. An old woman sits 
beneath the casuarina trees 
dreaming of distant shores,
and other beachheads.

3. Quiet Thoughts

Starlit music, wavering lights from distant galaxies 
lifts us to the sky glittering with arpeggios of hope. 
It is as if the moon were slipping 
off her beaded flapper dress 
onto the silk cloak of the sea 
and look how she lies back, 
odalisque moon low on the horizon. 
She is the same moon reflecting 
in the mirrors of barway doors and brothel halls.
When we look up, for a moment we might forget 
the ordinary and the mundane, but her journey 
is effortless across the distant seas. 
The moon, a siren dancing in her own wake.

But fairytales always have a twist. 
No, not Disney versions all sanitized 
with the scary bits expunged. Real fairy tales
where fear is palpable, and devours us.
Water can’t find its way back to the sea 
on a level playing field. We can’t find our way.
We need the elevation to bring us down 
to the shore from such lofty heights 
to the sea, the sea, the shining sea 
fanning its lace fan on the shore 
waiting for the last dance.

4. Our Dance

The rhumba of morning flashes onto the sea, 
so still, after the eclipse. Your eyes take in 
the opalescent thunderclouds. Storm out to sea,
and yellow morning light bathes the city. 
A pulsing glow verging on tangerine 
fades into pale gracenotes. Coral atolls, 
the sophisticated dreams of tropical fish 
painting the water with their bodies. 
Small dancers of kinetic art. 
I am most at home when I am in the sea.
The clouds come down to drink from the horizon 
gathering up all that light. 
The distance of time, the tango, 
and the ticking of an old clock in another room, 
a relentless metronome. We are every age all at once,
we are both young and infirm. Art saves us.
The soft rain on the sea, the sweet tears of joy 
falling from nascent clouds.

5. The Blue Path

Snazzy snap and step of the dancer, 
the jazzy path and tickle of piano. 
Blue notes, late nightclubs of the soul 
loitering after hours, the sleaze of cigarette smoke,
a chorus of martini glasses, or is it mojitos at dawn? 
Breakfast of champions. Well, for Hemingway 
it was, of course. Poor man offed himself for no real reason. 
It was either writer’s block, or he was too drunk 
to stand at the typewriter. The sun also rises, 
the sun is a rose, old man, and the sea is opalescent, 
the meniscus beckons, old man. The sea. A boat.
The staccato of a drum solo, surely Africa is invoked.
I want to tell Ernest to wait it out, the best is yet to come. 
That sullen, relentless art. We’ve all been there. 
We dance across the darkness of the dance floor 
snapping our fingers, we are dancing 
like moths towards that burning light.

6. Little Glass Houses

Small birds in the eaves take flight 
and weave the air into a gossamer gown 
made of webs. Transparent thought. 
A hungry sun begins its journey 
and the birds sing a crescendo. 
They are at the center of it all. 
The windows of the soul and all that. 
I think of Cadiz, a place I’ve never been. 
Wind chimes dream another melody into being.
The birds dip and weave, collecting the last notes 
and feeding them to their young.
Their pinfeathers are almost all in. 
Soon they will be ready to fledge, 
taking strands of the melody with them 
wherever they go. They will pollinate the air 
with their relentless songs.

7. Joy

He is running through the forest on a dirt track, 
he knows the rhythm of the heart, 
the pounding of his feet on the pine loam, 
the vague order of vanilla underfoot. 
A place of solace, a retreat, annealed by fire. 
He is taking down to the bass notes, 
that of rock and loam and sky. 
The dreams of trees released in smoke 
with only the sky to witness their last will and testament. 
The uncharted journey of burned needles 
settling back down to earth, miles from home 
in the form of emberfire, 
a combustion of the soul, annealed by flame, 
and the final song of trees.

8. Tributaries

Water over stones, the song of boulders.
The journey to the sea begins in the mountains 
as snow and rain. Thunder, hail, 
and then the melody begins to emerge 
from the crevices of rocks, 
at first, so small, like the twinned breath of birds and wings. 
Then it deepens, it grows in timbre, circling 
each waterworn course with the finesse of a dancer, 
gaining momentum with each passing. 
The river is a gateway to the sea, and a chorus awaits, 
it seeks an audience with the wind 
and then the rocks are ground into pebbles, becoming sand 
while the waves play them against the shore.

Freewrites from Uncharted Journey, 1986
You can listen to Joy here.

Wednesday, December 21, 2005

FIRST FREEWRITE TO KIRK WHIPPLE on 5s project A E F W & Q

FIRST FREEWRITE TO KIRK    ramblings that wouldn't separate themselves into orderly piles of air earth fire and water let alone, transcendence

In the beginning was verb
fire danced on water
myriad fireflies etched traces of fire and starlight

in the bayou    crossing the bog
where at water's edge
live coals
sang a reptilian siren call
it's an eat be eaten world
and on it goes

Friday, February 20, 2004

Letter to Whitman McGowan, Math Rant Night Before the CBEST Test

Letter to Whitman McGowan: a Math Rant, Night Before the CBEST Test


Hey Blue Dawgge,

As ever I am amazed by your steadfastness....bravo on CD & all the gigs...

I really wish I could see youse all tonight at Cafe Amsterdam. I was also invited to see a play, Helen of Troy...but alas I have a CBEST test in the morning (math which I've already failed once; I aced the writing section...me, a dyslexic writer, I coulda passed the whole test on my writing ability alone but Noooo, I need to pass each section) the test which tests my anxiety over math, not my ability. 

It's not about logic. They're nuts asking stupid, illogical questions...splitting hairs or maybe atoms. They're the ones inventing the next wave of dumbass teachers and we wonder why our schools are so bad? If you pass the CBEST, congratulations, you're teacher material or maybe even George Bush material. And you know where that leads to. So I keep failing the practice test by a few points...

I even went to a tutor and made amazing inroads, I learned several years' worth of math literally in days, with a 95% accuracy rate—circumference, volume, equations, you name it...I even taught myself beginning algebra. My head hurts constantly: geometry hurts above the ears, algebra at the back of the head, and volume/area, the top of the head...I should be in a MRI scanner while doing math, my head is melting, no, exploding.

I have been doing math 6 hours a day for a week, I dream in mathematical symbols & equations. I even took the 12th grade math exit exam...& passed w/ flying colors (w/ exception of higher algebra which I got 100% wrong). It's all about decoding language. I haven't yet found the key, the Rosetta Stone.

I've studied dead languages. I can translate from the archaic Irish. I can tell you of the battles of Fergus and Cu Chullain, the Hound of Ulster and of Medbh's arrogant pride. Or of Pryderi's follies, the one who knew for naught, in medieval Welsh.

But I can't pass the fucking CBEST so I can't substitute teach in the schools...and artist in residency programs are up shytecreek, thanks to Bush & team. In other words, I'm broke, outa work for way too long (any leads?) first time in 20 years, and I'd really rather come hang with youse guys but am feeling positively homicidal (a side effect of doing math—why the fuck they want to test us with dumbass trick questions, they don't even want the answers...the most senseless hurdlejumping I have ever done, otherwise why would I be doing this to myself in the first place, worse than Soviet bureaucracy and I speak from personal experience there too...)

So I'm wondering what patron saints to invoke tomorrow morning, maybe you, maybe Helen of Troy, I mean I can't take this too seriously, right? You guys are the doctors of irreverence. And then I thought of my second cousin, Marie Walsh, the one who died of cancer, right? I mean, she qualifies.

I come from a family of geniuses. OK, so they're all whacked, eccentric. But brilliant. My mother's ghosts: her father taught himself algebra, read at the speed of sight. He left her with other genes more insidious, the random Foresight upsetting the linear logic of the present. I can even tell you the words for it in several dead Celtic languages.

And her cousin, Marie, the math genius, was whisked away out of high school, she had the highest math scores in the state of Nevada, my family didn't know where she was but she had all these weird addresses: Los Alamos, Alamagordo, White Sands, Oak RIdge. We never saw her, only occasional post cards. 

My grandmother said as a child she was like a little angel, always worried someone was going to blame her. Saying I'm a good girl. I'm a good girl. Really I am. Maybe it was the Foresight having its way with her. They say Julia, her eedjit cousin, still haunts the International Cafe in Austin. She makes coffee for the unexpected travelers from the other side.

Wooden horses aside, ask Helen about those names. Helen was my mother's middle name. That expains a lot. Ask her why my cousin lived so long in secret in the desert heart of New Mexico and we had to wait until her death to find out the code names. 

Say it: Manhattan Project. Say it: the Age of Light. Say it: fusion/fission. Say it. Fat Man, Little Boy. Big Bertha. Mea maxima culpea. 

She died for it, she died for it, the equations glowing in the dark like star patterns in the geometric vortex of the sky. The dark cancer growing in exponentials, growing toward the light. The white desert sands of Alamagordo melting into kryptonite at her feet. Emerald green like her lost homeland, her lost blessed isle of green. No Superman to save her. Just her fate. All the pure numbers and equations dancing in her head.

Just let me pass the fucking test!

maureen

PS Tell Gary I miss him...how long is he here for?

(And so I did).



Dear Hurley,

Yeow, I am way behind in some emails!  I'm sorry, you asked me at the bottom how long Gary was around and I didn't read that in time before he left for San Jose or something.

I hope things are turning better for you, I really do.  Have ye a paddle at least by now?  Are you clinging to a branch about to go over the falls?  I hope not.  C'mon you genius descended of geniuses, you will think of something.

I've got a buddhist name now so I can probably burn the candles of least three religions for you now: Christian, heathen or buddhist. First I was an alter boy, then a born again nutter, then I went in a couple of other directions. I was made an honorary Druid the day I met your Mom and now I am Trungpa Bumbleshe, according to my minister friend, as of yesterday!  Now all we need is a power outage.  I forgot to tell you I'm part Scottish?

You missed a rather poor showing by moi in Marin. Gary and Margery were good, but I am not a great team poet, and the group presentation has a different set of problems than a solo set.  I guess I wasn't as into it as I should have been and I didn't like being a part of a sideshow of a three ring circus.  The rest of the show was pretty good, a jazz band and a human beat box, not to mention a balloon lady, a magician and a poetry slam, which was kinda of cool, kind of lame.  But it took forever and the service sucked.

If I owned Cafe Amsterdam I would hire some extra help and sell a thousand drinks. Nobody came to our table for two hours. It was kind of stressful, not knowing why I was waiting to be told to cut our set short, playing the poetry fool, paying for my dinner and dying of thirst at the same time.Had a couple of real good session since then, so I'm over it now. But enuf about me!

Are you okay?  Are you dancing barefoot because you passed the test?  Are you cutting yourself because your cousin helped blow up some atoms?  Your mind, is it still full?  Your body, is it all systems go, in harmony with itself, healing you?  You were going a mile a minute when crammed full of info for the test; do you have a brain chock full to the brim with something tonight?

I think I may take a bubble bath now, and I suggest you do the same.

Whitnaked "T.B." McGod, Doctor of Irreverence





Dr. EyeReverence,

Well burning candles at both ends leads to a hot arse, but at three ends? What does that lead to, Trungpa Bumpershoot? T.B.rolly in the bath with bubbles? How does that affect the outcome of luck, good, or otherwise?

I already knew about the Scottish bits...probably one of the first things out of your mouth when I first met you... It was the blue woad thang.... I'm trying to remember when/were that was? Do you? Was it thru Gary at that place on Roblar Road in Cotati-Petaluma? I remember later, being surprised that you knew my ma. She moved in exquisite, if torturous circles.

I haven't much felt like performing ever since the car accident with fucking Verona Seiter nearly 7 years ago!!! I think I tried to perform too soon after, I remember gettting sick, throwing up, the shakes, my pain threshold overmaxed and absolutely no reserves. My candle at both ends was very nearly snuffed out, now it's only lit at one end these days...yo pienso que si pero...

I still get back spasm from stupid stuff, probably from sleeping wrong, spent Mon/ Tues (last fortnight) in amped pain module trying to break spasm with Flexeril. Genius? stupid as a fish comes to mind.

Cafe A'dam sounds like a 3-ring poetry-circus.  And a dry one at that.

May 9 I'm off to Miami to perform with world-class pianist duo Kirk Whipple & Marilyn Morales, from the Unconservatory. I wrote a suite of poems as Kirk was composing them: 12 nocturnes, Elemental Portraits of Sonoma Co. musicians. 

I used to lay under the piano and freewrite as he tried out riffs, read from his dreambook, etc, then wrote, and then I interviewed the people. Wove the story around them. We were going on the road when the accident happened, with a punctured lung, I literally had no breath by which to read.... 

They moved to Miami (bigfish/mudpuddle syndrome; Mari's family is Cuban--she missed them) and enroute, they got sorta famous. Played at the Kennedy Center. So, we're resurrecting the old show (vs saw?) for da SnowBirds and Republican JebBush supporters. Oughta be real interesting.

And yes, I passed the effing CBEST math test with 18 points to spare (55 out of a total of 80; 37 was passing) and no, I can't remember much of what I learned other than E=mc2 but I already knew that fission/fusion thang. We're having a rare Walsh clan gathering in Santa Rosa June 27. Home Ranch & Marie Walsh will be invoked at one point or another.

I got a few CPITS gigs in Fremont, Healdsburg, and a YABA gig in Clayton so I'm spread pretty thin, I'm working but earning diddlysquat and resenting the shit outa the govt thang, etc...fuck taxes, the irs, etc....

Other than that, all quiet on the western front. We're still on spring break. More like broken spring for me with the rental manager hanging me up for days on end while fixing the sink (it was literally falling thru the counter) and he took apart every faucet in the house, while painting the closets with sealer as the roof leaked, and ALL my clothes & things are mouldy. 

I won't mention the mondo moth attack. Well, I needed to downsize and get rid of sweaters (the past) anyway. I had to wash every stitch of clothing and the dryer isn't working right. Talk about being the Irish washerwoman! I've wet clothes everywhere.

And last week, the ONE day I left my silk painting manuscripts out of the portfolio, leaning against the piano bench--as I was scanning them--and I wanted to redo them--I went off to teach a class in Healdsburg and when I came back they were all wet!!! The ceiling had to leak in that one spot in the whole house. Luckily, they're covered with visquine but the mats got wet and I was afraid of migration...not one color shift. I must've used fixer in the dye with them, thank gawdess!! I had to spread them out all through the house to dry.

I'm borrowing a digital camera (from my aunt) and I'm having a blast taking pix of flowers, cats, etc. I was worried about not having the software, drivers, etc., for it, and of course, I couldn't find Toshiba drivers for it, but it showed up anyway on my elder Mac's (8.6) USB card, like a little itty-bitty hard drive. I was so thrilled! Now I can document my art work after all these years.

Neil returned home Friday from Scotland last night reeking of cigarette smoke, (his mum is a chimney) and I'm so allergic it's not funny, so now his clothes are all outside as well...what a time for the dryer to break!

About the Scots, to avoid Longshanks (Braveheart comment), Neil got inducted into the Caledonian Club...they put on the Highland Games, oldest in the nation I think...you gotta be Scots born AND male!!! we went to the Tartan Ball...I just don't DO that sort of thing...like put on a dress, nylons (hose) I refused at that...let the men do that, skirts, I mean, not hose unless they really want to.... Anyway, they were toasting this and that...And I about gargled when they toasted "our dear President Bush," the office, yes, but NOT the man. Needless to say, the mayor of Pleasanton (where the Games are held), my tablemate and  I abstained from toasting.

I thought I was in for a right torturous dour evening, until about the 10th toast, when they shed their wee dour selves and the party began!!! ... isn't there something, say, a nice medium between dour and stroppy/ lunatics? Anyway, it really did take them the entire evening to warm their cockles, the real party or should I say, ceildhe, began in someone's hotel room after midnight, with Neil on the guitar and all these drunken Scots caber-catching themselves in kilts...mine wasn't the only stray hand feeling the underside pleat job. And hotel security (Airport Hilton) coming in to join the fun or to shush us up...was it the snare drums or the pipes someone had the audacity to complain about???

Hmm, forget the bubblebath, the sun's out. I must flog my man around the lake (Merritt) if he's to shift his circadian clock from Scottish time...

Moski

PS I sent rhiannon your Colorado gigs, you may want to follow up.

4.21.04

Sunday, June 15, 1997

A TRIO OF MUSICAL NOTES Piano bravo: Kirk Whipple and Marilyn Morales, Maureen Hurley, Press Democrat

June 15, 1997 | Press Democrat, The (Santa Rosa, CA)
Author: Dan Taylor Entertainment Editor | Page: Q27 | Section: ON Q| Column: Dan Taylor

Piano bravo: TV has been good to husband-and-wife piano duo Kirk Whipple and Marilyn Morales, too.

Last February, they appeared on Miami TV host Don Francisco's Spanish-language variety show, ``Sabado Gigante Internacional.''


``It's like the Spanish `Tonight' show,'' Whipple says.

The couple also played in December on Costa Rica's national telethon. Having connected with the Spanish-speaking market, Whipple and Morales (a native of Cuba) hope to tour South America and Spain.

In the meantime, the pianists plan two local concerts: 3-6 p.m. June 28 at Chateau Lanson, 1497 Hurlbut Lane, Sebastopol. The program includes ``Wedding Music for Two Pianos'' and the world premiere of ``Gourd Music for Solo Piano,'' both by W. A. Mathieu, ``Rumbada'' by Morales, and ``Esperando'' and selections from ``Elemental Portraits'' by Whipple. Poet Maureen Hurley will read original work based on ``Elemental Portraits.'' Admission: $15 per person; $25 per couple. Tickets: People's Music in Sebastopol.