Today I spent several hours fleshing out a rather long paragraph I had written on the ambling gait of horses way back in 2019. It’s sort of a longish sidebar or a companion piece to go with my Kiger Mustang blogpost. I posted it there because that was when the genesis of the essay began, but the bulk of the work was done today. And little of the original writing remains. What took so long? Every time I circled back to it, I never felt like I had the chops to flesh it out. Today was different. I was ready to tackle it. I realize that I have an audience of one.five people on this rather obscure topic. But that’s what floats me. Sometimes my thoughts are like a three-dimensional scaffolding built by synesthesia. I hear rasping sandpaper sounds as I uncover ideas, words take on notes and color. Writing soothes them, puts them on the bookshelf. Ever since I was a child, I was fascinated by obscure and ancient horse breeds. In contrast, I wrote my Connemara pony piece all in one long go—because I was irritated that an acquaintance, Phil Cousineau, who leads spiritual journeys to Ireland wrote that the Vikings brought the Connemara pony to Ireland. I went ballistic—nothing like cultural appropriation via Wiki and Google to get my knickers in a twist. So why do I write, and who do I write for? Myself, alone. And for you, Dear Reader. I don’t think the web crawlers can read.
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