Sunday, April 12, 1987

4/12/87 journal 4/27

4/12 continued...

For months, weeks, I felt nothing, no processing was done, this journal is what follows.
I never write in my journal anymore. It's a stranger to me. I want to save the  pristine
pages for something important, like pure poetry, and for travel. 

It seems now that neither is on the agenda these days. Muchas tristes, I am very sad afar reading the social equivalent of 8000 kid poems for my residency, there is not much left of me. I am wrung out.

We struggle to find ways to either continue, or to part. Either way, the bases are loaded. Or the reasons for, and against, are equally weighted. We teach each other something of our habits and motives. And get nowhere.

He said, Oh God, you were right. Here I am acting differently when my daughter is is around.

I don't feel so crazy now, my intuition tells me what to say, but there's no reassurance that what I'm saying is right. I see so many sides at once, the dialogue gets crossed coming and going.

I hate that dark spinning place, I go into when we really fight. Last Saturday night we broke up three times and made up four times. (Sounds like a bad country song.) How angry I am.

Out of the blue, John decided we break up, so we held our vacation plans in abeyance. He decided that going off into the desert with his daughter and Jan was more important. He's already committed. I'm enraged, but that won't be of much use. Jilted is more like it. Thanks for telling me.

John gives me an assignment. Every writing assignment he suggests, I find reasons not to write about it, but tonight my heart wants to burst, to weep all this sorrow into a saline river. I refrain from screaming on the long solitary drive home from Fort Mason, but the sorrow keeps bubbling up. So I distract myself with Spanish-language tapes. It reminds me of being in Cabo with John. We would've been there yesterday, Ayer, entonces. 

Last night I went to him, crawled into his bed, and we were as close as skin. Somehow we both came through it. And it was so easily shattered this afternoon. He couldn't take the tension between his daughter and I. I'm not so sure there was ever any tangible problem between his daughter and I, but his incessant obsession has had certain deleterious effects on both of us.

Last Saturday John told me she didn't like me because I was rude to a waitress. His daughter was rude to John. John was rude to her. But she doesn't remember any of that, she is an angst-ridden teenager. And I'm yet another unwanted "mother" figure in the wings. I can't tell her that I don't want that role. Her judgement of me became a weapon in his hands. Something to be used against me. And excuse for an out.

He came up to Forestville the other day expecting to break it off, then it wouldn't matter that he was going to the desert with his daughter. But we stayed together. He goes to the desert knowing a price is to be paid between us. I keep score. I keep score.

I become a statistician as well. I think, well, 15 misses is a very bad batting average. I don't want to become #16. He will probably fall in love with #17, the next woman, at the drop of her pants, given his past track record, this instills such confidence.

We fight over the real issues in archaic couched terms... Ambiguity. Are we willing to commit to each other, no matter what? I think not. And therein lies the rub. The intangible thoughts of the neocortex had to go and ruin our mammalian bonding.

The issue of child, or no child aside, this is the real agenda. But, I think of the future 30 years down the road, no family, no one to be there for me when I am old, frightens me. I tell him I want to be taken care of in my old-age. I don't want to be a bag lady.
John is saying if she and I can't bridge the breach, he can't deal with it. I get that. I say, it won't last, it will resolve itself. She;s a teenager. Give her space. He doesn't believe me. She's looking for an excuse to dislike me, so she doesn't have to relate to me. Typical teenage angst. Like I said, I get it. So many girlfriends in the revolving door of John's relationships. She's amazingly strong, considering. I would've been in a permanent rage if I were her.
\
I could go on with this obsessing, John says he's written pages and pages, obsessing over our relationship. He is a sea cucumber, that he is.

Tonight when I returned home there was no call on my answering machine from him. I was crushed. He leaves early tomorrow, that is, today because it's 2 AM. Some solace. In the mail, with thanks to Voltaire, a poem from John, calligraphed with a spring of pressed sage to keep the ghosts in line.

 

And another thing, I'm still waiting for my kitchen cabinets to be installed. I'm living out of cardboard boxes and it is driving me nuts. The thought of moving; of major changes, frightens me.
Crablike, or should I say ghost shrimplike, I want to burrow in, safely away from all of these threats. I noticed I've been drawing up a likely list of candidates should John and I break up. But it's only a halfhearted interest, it seems to confirm my desire to stay with John, when I tell him why we fight, because I want to make sure. I have a lot to lose. He says maybe it's not worth it. Regretfully, no. But, thanks.
The dual nature of love makes me mistrustful. Duel nature? Perhaps he'll call in the morning. Besides, I stole his favorite pen. Touché!



 4/13, next morning Monday

Oh, this crack in the world. John does not call to say goodbye and I am heavy inside this grief. I reread my February 18 journal entry, when this all began, and so much as happened since then. I thought that was an emotional upheaval. We've gone much farther into it. So many other issues have arisen.

I am profoundly tired and I understand the middle body of depression. The endlessness. The waves of grief. And my morning, the end before it's even begun?

In February, when I went on about the past, my animal self rising, there was hope. Now, so many issues have come up and clouded those observations. Or is it all connected and I'm in the middle of it? John says, in hindsight, we shouldn't have seen each other so much during January to May when his daughter was with him. Somehow a lot revolves around her.

I begin to resent the way he's so generous with her, thinking that I won't have a child. I resent the timing. I keep waiting for the right man to have babies with and they're all willing to help raise another man's child, but not one of them wants to have his own.

In John's case—he said kids are used to having exclusive attention. He doesn't want to do that again. He's already done it. When he said to his daughter that I wanted a baby, she was alerted, so the negativity must've started then. Is this an issue of his daughter's, or is it just my generic urge of wanting another child that's triggered these responses?

I want to stop this obsessing. I keep thinking of the issue of child, is it masking or is it triggering these events? Do I really want a child or is it my biological clock ticking?

I feel guilty when I trace back the origin of my frustration and anger to something John did. It's good for me to say you did this, and I reacted this way. What amazes me is that my observations deeply tucked inside this emotional morass, seem to be so accurate. Certain patterns of his trigger responses in me. And at least he owns up to them. And I begin to understand something of myself in this process, but it's too stormy. What I feel guilty about is that I can say, you did this and I reacted like this.

I'm feeling I feel I'm putting all the responsibilities of blame on him. I can zero in and understand something of my own behavior if I can specifically point out something he did. Do we just react and overreact to each other's reactions? During nuclear meltdown there are no winners.

He acts differently toward me when his daughter is around. I feel a little bit foolish, a little superfluous. He's often affectionate, but only in two-minute intervals. I feel like I'm a fix, and sometimes I feel rejected by this. Open the door, let me in, shove me out again. Like the cat.

I have a fondness for semi semicolons; I like Philip Whalen's lists. He said he was mean to Gary Snyder when they were young; but now Gary's become a teacher. And Phil became a monk because of Gary.

I don't want to be a hermit. I like sex too much. There are too many variables in our sex life. I don't come very often. There's too much sameness. One leg akimbo, John at my left breast, me underneath, tweaking his left nipple, my right thumb hurts from all of this. He isn't always there for me. He removes himself from intimacy.

We rarely kiss I mean deep kiss, while making love. Where are the fat slugs spinning clear ropes of saliva? He wants to be taken, I want to be taken, neither of us is completely satisfied with the other's quirks and idiosyncrasies. And yet when we are mindful, and paying attention, it's very good.

I keep telling myself, there are sacrifices in every relationship. Sexuality is part of the sacrifice; it's not all or nothing. We speak two different languages, sexually speaking. Sometimes, something gets lost in the translation. It took me a long time to adjust to him and to accept his kinks because of his needs to be held down, or tied up, and taken. I want said he wasn't making use of my sexuality. He said, likewise.

Statistically, we feel it averages out and we're both content most of the time, and we can work with it. I've never had to work at sex before. It's like memorizing and conjugating endless rows of verbs in Spanish; work. Just when I give up hope, everything changes and we work in tune with each other once again. It can work after all. The surprises.

A friend wisely said sex can change for the better with time. If she judged her husband's performance when they first met, she would've left him. We are adaptable and can change.

So many things on my list for an acceptable mate. Like minds. Intelligence. Not just high IQ, but how it's processed. Intuitiveness, I get irate if someone is pedantic. Physical attraction, corporeal body. Over time I find John more and more attractive.

I remember looking, once at a CPITS meeting in 1979, at Mary Norbert Körte's place, Sanctuary Station on the Noyo River, saying to myself, No way, he's just not right for me. His eyes are too odd, that white green color they become as if he were only looking inward, or looking outward with a blind man's clabberd eyes. Reasonably attractive, yes, but not my type. I'm not attracted to him.

Not with the same moth-like intensity I had with Lee, whom I was seeing at the time, or Jim Byrd. How easily I become burned, attracted to the light. That light which burned so brightly. Sex and mind, all parts of it. I find few men who have this burning quality that I seek.

Sex with Jim wasn't all that great either. It had something more to do with the mind I think. But I am fire too. I've seen men go up in smoke when they touch me.

Sex with Lee was always good. But there was also pain. I wonder how much the continual pain of a non-relationship and sexuality had to do with the intense eroticism that we shared. But I came out of that relationship tougher.

A lesson too long in the learning. The years of anguish. Why did I choose to suffer so? Why was my faith in love so unshakable? White knights with real armor. Armor and amor, oh for the loss of an R, goes my heart.

Lee says we fall in love nine times during our lives. John must be going for double, or nothing. Bases are loaded and we're switchhitting for the season of glove.

Imagine my surprise when John and I did finally connect. I had dismissed him so many years ago. Once, as he was leaving the statewide position at CPITS, we did a skit. Apparently I played Alta, his first wife. Little did I know I'd become part of his bizarre harem. An unkind hand of fate dealt to me that day.

Alta was rude to me for the first year of our relationship, a part of her always wanted John back. Well it's fitting, somehow that her daughter now dislikes me. Like mother, like daughter. Yet her older daughter and I get along famously. And the irony is Alta and John's daughter are not speaking to each other. It's a complicated business.

And then there's a wife number two, Jan whom I didn't know, but whom I very much like as we're both Sagittariuses. John says I'm like a very much younger version of her. She got her tubes tied, and his daughter became her daughter. John said in February that he wanted to get his tubes tied. That's when we started fighting. I said, if you get a vasectomy, a door closes. Who else would I trust John to go off into the desert with. His ex-wife. I trust them implicitly.

Lee once said that John needed the stable wife, Jan, and the outrageous woman, Alta. Shameless hussy. I believed him, I thought he was wrong, but there's something to it. I'm a little of both, so is he. But it's more complicated than that. Domesticity and Bohemian outrageousness.

I feel like we're reenacting the Diego Rivera / Frida Kahlo love story. I like John better when he's in Mexico. He's more humble; willing to please. I get so irritated sometimes by his obsession with Spanish. I had no real interest, but that was a hidden surprise. Now, this obsession is a part of my world too, my eye too. I understand quite a bit of step Spanish, though I still can't speak.

We test each other… as it turned out one of John's tests for me was could I even learn Spanish, could we travel well together, spend part of our lives in Mexico, could I survive his Mexico world. Could I accept his need to travel alone in Mexico? And to the desert? Ironic, he surrounded by three women going to Hanaupah Canyon. He won't take me there, but it's okay for his daughter to take a friend there.

.

Then there was Oliva, his love in Mexico. He asked me to accept his relationship with her when we first met. But she was in Mexico. And they haven't slept together in ages. It wasn't easy sharing him via the post office, but she wasn't a real threat being that far away. I sensed it was long over between them even before he did.

And I'm grateful to her. She taught him faithfulness and steadfastness. Though he wasn't faithful to her, he is amazed by his faithfulness to me. We've both been very faithful. I secretly want a fling but I am afraid of what might happen.

He blames the open relationship he had with Jan for its failure. He was mostly unfaithful. Faith is important to him. It comes to me a bit more easily, I think. this low-level urge to have a fling surprises me a bit because it's so natural for me to be monogamous. I suspect it's part of my backdoor escape plan.

Could I accept his extended family? Not a problem unless you count the friction with his daughter. Oddly his stepdaughter and I get along just fine. I can't stand how everything is so open. There are no secrets. John's the biggest sea cucumber alive. When they are frightened, they spill their guts, literally.

Our affairs of the heart are communal property. We might as well sick sell tickets to the world. I share John with two ex-wives, a daughter, a stepdaughter, and his mother, whom I dearly love. This man is surrounded by women. Like some flawed God. Well, I like Jan, Lorelei, and Frances. One blood relation, and two by proxy. Alta is in the proxy category, but I don't have to like her.

Could I get along with his daughter? A biggie on his list. Well, I've covered enough journal time over her. He said that initially she liked me. As if he needed official sanction from his daughter. Maybe that's why we're fighting, because I resent that. I think I'm fairly well accepted and even liked by most of its family. It's like a big ex-lovers club.

At first I felt so estranged. But if I am to be his mate, he has to be willing to place me first, not last, in the pecking order. There are times when family comes first, but he can only place family in front of me, pushing me to the end of the line, then there is something wrong. I don't foresee this as a major problem. I think it will work out in time.

I'm sure there's more to be said, but I am fatigued by all this list making. I've been so preoccupied with all this this morning that I poured half of the milk into my tea. And made a note to buy more milk, and then proceeded to pour a bowl of cereal with only a thimbleful of milk.

The other night after leaving the reading in Sebastopol with Leonard Cirino, I drove the wrong way down Main Street to the local saloon. Automatic pilot. So many years doing the same thing after readings. I slipped back into automatic pilot when the road was still a two way street. Luckily I turned the car around and park the right direction before the cop came by.

Yesterday I sloppily tapped the car while parking, luckily it was just a bumper. I wasn't paying attention. I'm distracted by all of this. And I'm tired of writing about it. I keep counting the pages, this page makes page 10 and I'm still haven't written a poem. My head cold has me worn out. Time for a relapse.



4/14 Yesterday, I called my therapist. She's on vacation for a week. The receptionist said, unless it's a crisis, wait. How did you define crisis? I sobbed after I hung up. No escaping this one. It takes everything I have just to go see her, I am no fan of therapy. So the mere fact of my calling her is crisis.

Walking to get the mail, Richard Salzman sees it in my face, and pulls me in. My lame excuse of a cold melts before the words escape my mouth and I am sobbing again. The well of grief. I am uncomfortable in sharing this grief and I'm soon distancing myself.

Alastair Ingram asks questions about John, and feels like he's put his foot in his mouth but it's okay we're all old friends, having helped each other through this before.

Richard's friends, his amigos Mexicanos arrive fashionably late. We barbecue in the new fire pit and we drink. They get mas boracho on tequila. I abstain, and I go home. Richard follows me also drunk, he holds me, and I stay distant for a long time, old memories, things we shared, we laughed over, and he doesn't let me go. He doesn't let me escape. Not sure of wanting to escape, I begin to soften.

All those forgotten things lovers do, come back, and we never really forget. It's been a couple of years. I figure we have an annual affair each July, and we missed last July. He tells me it's been five months since he slept with anyone, and though we never worked as a couple, the deep friendship remained intact.

There is a safety factor making love with ex-lovers. Not like starting a new affair or a fling with all its complications. I wanted to sleep with someone else for quite sometime now, and I felt guilty, but I knew I'd have to do it as part of my testing of John because our sex is merely adequate but not a dance.

How lovely it is when a man can dance the slow pleasures of the bed. Richard is an especially sensuous lover and takes his time getting there.

If John and I work this thing out, I'll have to put him into training. How easily he slips into the functionality of sex. No wonder I don't always come. But he can't help the physicalness. I like a lot of heavy meat grinding, hard fucking, which he only does before he comes, I need that grind to turn me on, otherwise he's too passive. I quickly bail out, and lose interest. But when we're on, it's silken, even the touch of skin has that wavering electrical charge to it. When the skin too, is in love, that's magic.

Richard, technically better, and my equal in bed, doesn't have that quality. That's the intangible part of true lovers. I cried as Richard and I made love, the grief bubbled up. And then I laughed at my tears. He said, It's okay, let it come up. He made it so easy for me. No future, no expectations, no complications. Just the present moment. We laughed, and babbled in Spanish, that was comforting.

I talked a lot about John too. I got the feeling Richard thought we'd come around, the bond is so strong. He should know, his relationship with his ex, another woman named Jan, 10 years back-and-forth, never quite committed.

And Richard understands that ambiguity too. He and John are somewhat alike, never able to fully commit themselves to a relationship. I suspect John's asking to marry me is his desire to submit, to surrender. It's been a rough three months since January, that fight in Mexico, funny as it was, was at least something concrete. Yes John and I are well matched in most ways. The question is, can we work through this current crisis?

Richard says there's so many choices, it's too easy to say goodbye if it isn't working out. It's so true. These problems are all part of the cycle. Is it necessary to change the face of one's lover each time a crisis arises? A long commitment is still more appealing and more realistic. I'm tired of wandering the earth in search of the new mate.

Shishkabob

Finding herself well skewered
on the end of a long Jewish cock
the goy girl, afraid of injury,
calls herself a shiksa-bob.


As far as John's being faithful to me, and me breaking that bond, being faithful to someone isn't an issue with me. I know I can do it. It's easy enough because I'm monogamously inclined. John has never had the experience. I don't think I can tell him about this interlude. It would encourage him to break his faith with himself. He marvels at how long he's been monogamous. I feel that's a major part of our commitment to each other, not just the fear of AIDS. We don't need the classic complications.

If the relationship doesn't work, there won't be others between us to be used as weapons. I admire his ability to see and act upon this. I feel sad and that I had to go to my limits, like I was testing, or attempting to break those delicate ties, but I always knew I would have to test the bonds for myself.

I also feel he drove me to it, not deliberately, but because of the problems we are facing. I am entirely responsible for my actions. I made deliberate choices, but they're based on what's been happening with John. Is it right, is it wrong? It's not an issue. It's done, now.

We do things for different reasons. For me, it was a major step. I took the first safe opportunity and went for it. I knew I would. Should I have waited? Held that faith longer? No, our relationship should not be dependent upon that. If it's to survive, it's because of its strengths, not weaknesses.

I am glad John has finally learned monogamy. I am 180 degrees opposite. If it's appropriate, I might do it again. So much depends upon how it is when we see each other again. If we see each other again. I'm also suspecting that in the desert, John will decide that it's over, first one out of the out of the chute saves face?

He said last night, under the pre-numbral eclipse of the full moon, he came to a decision; the moment I had broken the bonds of faithfulness. Faith, of another sort, will arise. We are still faithful in the sense that neither of us has taken on new partners. Yes, something has ended. A chapter. But a new one is about to begin. The question is, will it include a new chapter for us as a couple, or do we bail because that's the tried-and-true method of the 1980s?

I think I've always been terrified of John's going off to Hanaupah Canyon because it represents a cyclic change for him. With his ex-wife and his daughter, his older roots will call out. There's a safety factor involved. He has a choice to make. Several paths will lead him to the same place, but only one of those paths is with me.

He goes off to the desert to decide to break up. What do I do? How do I decide? What if each of us decides the opposite thing? If he decides no, do I go along with it, letting fate take its course, do I say no, we have more business, even if the answer is still the same a year, or six months from now?

Are we done with each other? Can we make the choice to stay together longer? What is the end shaped like, how will we know? Are there many choices, none of them incorrect? All appropriate? Has our time together ended, are we prolonging the inevitable? Or are there other possibilities we have not explored. Should we decide to continue? The paths yield no clues. It's either yes or no, and seems appropriate, a crack in the world.

=========

Finally, I am able to take the time to begin processing my relationship with John. It took a last misunderstanding, and his leaving on an uncertain note, by not calling to say goodbye, to loosen the bonds sufficiently for me to explore my own conflicting emotions.

It is an odd thing that to be willing to break up, is what keeps our relationship strong. We are here by choice, not by necessity. Are we testing the  adage: If you truly love someone you must be able to let them go?

When John lost the blue lapis heart that I gave him, I was crushed. He took it as an evil omen. He couldn't find the heart anywhere. He bought me a huge See's heart candy box filled with truffles for Valentine's Day. We began to fight that evening. We were with the girls, no privacy, no time to be lovers.

The next few weeks brought more of the same. He quit wearing the woven wristband that I gave him, he discarded the symbol of our being a couple. The first act was an accident, the second act was deliberate. How quickly he cuts himself from me, how much practice he's already had in ending relationships. He is a consummate master.

He came up last Saturday night planning to end it all with me, and made plans to go to the desert with his daughter since we weren't going to Cabo after all.

I was feeling better, wanting to continue and go to Cabo thinking that week together would be the best thing for us, a week together we sorely needed.

So we fought a lot and cried, broke up a lot, made up a lot, broke up again, and again,. Achieved some tranquility, some peace. We broke up again. We made up. Made up again and made love, and made more tentative promises. Broke up again. Made up again....

I dreamed we were on our way to a meeting in the city. We were going with several others. I was late and John was in a group ahead of us. The directions weren't clear. I got off at the wrong BART station. It was getting late, and when I tried to board the train, it went the wrong direction. And I had no money. I was crying, frantically trying to explain my predicament to strangers, in the hopes they they would help me out. No way to call John enroute. I was left to my own wits and devices.

Before this dream, I also dreamed were together side-by-side planting, working in the garden, it went on for hours, turning the rich loam to make a satisfying garden.

When I gave John the blue lapis heart, he took it as a deeper symbol than what was offered. It was a spontaneous gesture on my part. A blue heart given to me by the Meier family ten years ago. I never used it, but kept it anyway. It seemed appropriate. I glued in a clasp knowing it would loosen someday.

And I gave it to John who wore it over his own heart for more than a year. Blue being his color, somehow. It went through the wash unscathed. The glue held. Sometimes he wore it pinned inside the shirt pocket so as not to lose it. And I kept thinking the glue wouldn't hold, it wouldn't hold. Then one day it disappeared.

He looked everywhere, not even the pin or clasp was to be found. I think the glue held, but the pins that anchored it didn't, or in his carelessness, he placed it in jeopardy, lost it, and doesn't have a clue as to how it happened.

About the same time poet Veronica Cunningham gave me a red heart on a pin. The spirit in which it was given was similar, she liked me. It was an impromptu and appropriate gift, though I have no urge to love women. I like and care for her. This circle of hearts given in friendship.

The first button was missing on my shirt. And I use the heart to hold it closed. One day I accidentally tugged on the heart, and it came away from the pin, and I couldn't get the clasp to go back in. A tiny plastic heart loosened from its moorings. I lost the clasp but not the heart. Effectively broken, just the same.

I transferred the symbol of that heart from Veronica to John. And thought how strangely synchronistic the world is, if we let it be. At the same time he sent me a poem about the loss of his blue heart. Everything moves in cycles. Especially hearts.

The loss of the wristband was a deliberate symbol. I gave it to him at Christmas. One day it came off. He took it as a symbol. I tied it back onto his wrist. Later, as we fought, it became a reminder that he took it off. That act hurt me. He said he put it on the little gourd cup and then he broke the cup that María Engracia gave me. How sad he was when he stepped on it that night.

We fought throwing dirty laundry at each other, being careful not to hit each other. Brutal anger. We didn't make up that night. I was going to break up with him then. And I wanted my air ticket back and my passport.

We envisioned taking separate taxis to the airport but negotiating the flight home was beyond my travel capabilities and I knew it. I was so scared. I was relieved when we made up, as we were truly shaken by this fight, our first real raging knock down fight.

And it was all so silly, we were overtired and cross, and utterly exhausted. I accused him of throwing away the ropes we needed to finish packing our luggage. I saw that as a symbol of his callousness. We had a bit of falling off at Los Arricifes, nothing major. A profound talk about our sexuality, how I felt used and how it seemed so mechanical vs. passionate.

When these crises come up, I assume there is no way to fix them. The issue of sex seemed insurmountable, but we did talk about it, and it made a real difference. He was there for me. Something I didn't think he had any control over. It was a welcome surprise. And when we made love it was special.

We were uneasy, Rebecca being pregnant and seeking a second abortion in two years, and John saying why don't they just go for it. They both want kids. I suspect a lot started coming home for us too. It was after Tulúm, in February. John told me of his decision to go ahead with the vasectomy, and the quibbling began. I knew that Rebbe's predicament would stir up a hornet's nest.



The chain of events that triggered off this catastrophe began in Mexico. The Yucatán. Tulúm unfolded us. We became sensitize and reactive in a predictable manner. But all events aside, we chose to read the symbols, and act upon them as if they were truth. In fact, they were just yarn and rock. We needed to something to point the way in any direction.

The rest is logical when you think about it. So, we were being tested, testing ourselves and testing each other. We call each other to task. Be here now. Live fully in the present. Don't withhold yourself.

I told John last Saturday if we're destined to break up, then let's live what time we have together fully. We should live it a hundred percent. No withholding. I think he withholds more than I do. He's more prone to black-and-white decisions. And I'm more ambiguous, knowing these things have their own rhythm and cannot be forced. Like Whalen, I'm more of a Taoist in these matters, I think.

Last April John tried to break up with me too, only, he forgot to tell me about it. So I challenged his reasoning. We made it through. I remember I came down because it was his birthday. And he was withdrawn. I said the reason why I am here is because it's your birthday, not because I'm clinging to you, or am afraid to break up. He opened like a flower. His insecurities backed him into a corner and he couldn't get out.

A few times when he was in Forestville, these moments struck and he was awful. I said, if you want to leave so badly, just go. Get out of here. I won't be party to this. And he always stayed. I think he was expecting me to cry or cling to him, If I had, he said he would have left. But because I clearly wasn't going to do that, telling him he was a free agent, his fears of being smothered, claustrophobia vanished, and then he realized he wanted to be with me. Each time it's come up, I've said the same thing.

He's afraid of being stuck in the trap: if I love you am I trapped forever? I don't let him use this ploy. I'm probably the first woman who refused to be sucked into this no-win game of his. It's a cyclical pattern, the opposite of his urge to marry me. I've always mistrusted his reasons for asking me, and have refused on those grounds. Also, the issue of sex and the child, ironically linked, would have to be resolved.

He said he would get a vasectomy if we got married. A little insurance to keep me from saying yes, I suspect. There were times when he wanted me to say yes. There were times when I wanted to say yes, but how could I, knowing it was a set up, though the question was genuine. He is a past master of setting up the double-blind. Ambiguity, of course, is the predictable result.

This all started when he dared me to have an affair with him, mind you, a casual affair. And I took him on. Having refused his offers in the past, the challenge was on. I don't know who was more surprised.

We were at the Calistoga spa. And he was so unsure, standing there looking uncertain, I made the first move, saying to myself, okay Simon you want to score with me so bad, I'll give you something to remember! Calling his bluff, so I think that's a strong component of our relationship. We don't let each other pull too much wool.

He took up the challenge saying, it's a short-term affair. There is Olivia in Mexico, whom I'm still seeing. He thought he'd see me every so often, a long distance affair to remember. I had already broken up with Duane BigEagle, not that we were ever exclusive, that same weekend, and half out of spite I went with John, but also, because it was time to end it with Duane after two years of casual sex. I never once looked back. I wanted a lot more out of the relationship and Duane was always in it for himself. When he snubbed me at the CPITS conference that was the end if it for me.

John envisioned a similar casual relationship I think, but after the first night together, he began revising his plans. First it was once in a while, then every other week when we were supposed to see each other. But it was a rare week that passed that we didn't see each other. One of our first dates was backpacking at Sonora Pass in October. That was the first test. What was I like in the wilderness? My poem, Falling to Sea Level, comes from that experience. I passed with flying colors.

Then irony made itself felt. This was a temporary relationship because even then, those first nights, he was very clear about not wanting kids. Suddenly I was being challenged too. Incredible depression, mood swings, break up. Finally I made peace by saying no more obsessing until the next September.

Remember that song We'll sing in the Sunshine? And when our year has ended, I'll be on my way… Unbelievably that work. He was able to relax. There were times when he softened, saying, Yes well perhaps it's possible. We'll have kids. A couple of times, making love, he said if a baby comes of this then it will be okay. A thin ray of hope crept in. There was a chance I could have it all. But it volleyed back-and-forth, all, or nothing.

Somewhere, along the way, he became clear about his relationship with Olivia. She was his backdoor, his way out of the relationship. His addiction. It was both a source of grief and relief for me. When he broke up with her, I felt only mildly elated, it came as no surprise. It was so obvious as I was taking up all his available time.

Sure, it had it hurt when the letters arrive from Mexico. Ironically, he chose to break it off just as she was coming around. She, having pushed him aside. When he went to Mexico last February, I was so jealous, thinking he changed his mind, but he didn't.

We, meanwhile, having only been separated Christmas and February, when he was in Mexico, we were getting into it much deeper. Some casual affair it was. The first time we went to Baja was in November. Hung over, after Sean and Nancy's wedding, on my birthday, he gave me a gorgeous massive turquoise necklace.

We crossed into Mexico in a downpour. In La Páz, I distanced myself from him. He was too open for me. I was afraid, I had recoiled from him. Part of it was because of our sexual differences. I'm pretty straightforward sexually. It's hard for me to be comprehend his need to be held down, and to be tied up. Or the connection between cock and nipple. Tweaking his nipple for an erection, for him to come. We eventually worked out a system where we were both comfortable.


4/15/1987

Taxes are due today. I spent the morning painting and obsessing about John instead of doing my taxes.

I'm in the it's over mode, rather than the positive mode. I'm so certain he's given me up. The irony is we will each decide the opposite, whether it's to stay together, or to break up. We seem to be diametrically opposed. And I keep telling myself he'll be coming up to see me in two weeks. A lot can happen in two weeks. I'm thinking no, partially because I suspect he is going to say yes, and if I focus on the negative things, I get so mad, I want to break up.

Richard came over to help me put the doors on my new kitchen cabinets. I spent the rest of yesterday putting together the cabinet. By the time I got to the hinges, my dyslexia went into overdrive and I couldn't make out how they worked. It turns out there right and left hinges, not easy to fathom. I wound up calling Richard.

 John and I must both be easily addicted to ambivalence, because I wanted to sleep with Richard again, but felt it would be a dangerous thing to do. That it would open up yet another can of worms, I think. Besides having been rejected enough times in the past, it's mostly lust. That's how I got into this predicament to begin with.

I must admit a small part of me wants to go back to those free and easy days when I was always obsessing about sex and relationships and doing nothing about it. But I've been there. And I've fully explored its possibilities and there's nothing there for me new there for me. It's safe. Nonthreatening.

It's hard being with John, but I feel like I'm making progress, that is what I'm supposed to be doing right now, not hiding out. In my development as a human being I need to do certain things. A relationship has been deeply satisfying. The need to send roots deep into the soil. That part feels right.

I always keep thinking that if I want to have a few flings before I decide to settle down with the relationship, now is the time. But I keep thinking that it will only confuse me further.
Donna says I should not sleep with any men during this time. Shit, out on a date? I suppose if I cast my net about there'd be a few stragglers in the net.

I'm ready for the dailiness of a relationship, but I also don't want to give up my cabin, even if I move away. It's so lovely being here, outside in spring. I've been spending my days outside writing, snoozing, reading, painting. I've been busy every minute. I've been doing what I want, when I want to. A break from the real world. No kids, no phone, no one to invade my space. A time to be creative.

The cats are very loving. The highway is far too noisy. It's so rare that I have the time to stay here, uninterrupted by schedule. I want someone to roll in the grass with, and make love in the afternoon. Afternoon delight. Time to be sensuous in the spring. Working on a suntan.

Slept until 10 this morning. Noticed how I'm not quite so driven to write about John. I suspect this is a good sign, but the bad news is that I'm about as horny as the cats.

My head cold went right into my lungs. And I haven't an excuse at least to keep quiet. I'm tempted to go to the beach, call up Dwayne and roll in the sand. It's okay to fantasize. I feel a little unfaithful, pulling up the cocks of all my ex-lover is like this.

I need to go into the darkroom tonight, pack up for the next six days. I'll be on the road. Poetry week and the California Arts Council. Bring Ken all those photos. Darkroom tonight.


4/16

The chemicals from the darkroom have hyped me up unbelievably. I couldn't sleep at first and and then I was the guide and sleepy. I always feel hung over after a long night in the darkroom. I don't know how much of it is being up late at night and the intense activity, or if it's the chemicals. It takes me least an hour to come down afterwards. I left the darkroom at 12:30 AM and it was 1:30 AM before I was calm enough to think about sleep. Funny photos of Gary Snyder and Philip Whalen. One of Robert Bly as an old hag. Very appropriate. His fans won't like it as it captures a side of him that the majority of the world does not see.

=========

4/27 (I took some of this out of Politicking Arts Day, NPW journal as it was not appropriate)

John called me many times when he got back from the desert. It was all he expected it would be, father and daughter, and Jan, the ex-wife, and I'm glad it was a good experience for him. It was hell for me. I came home Tuesday night from Arts Day feeling quite agitated. My gut said, come home!

I had convinced myself that it was truly over. While I was working it was okay, but when I had a chance to reflect upon it, the depression cloud descended. All his calls, his birthday, etc. I finally called him back on Wednesday evening, but I barely wanted to talk with him.

He was feeling positive albeit tentative, and I was feeling quite the opposite. We've been doing this dance for a while. Anyway, after two long marathon talks, even when I said: if you don't think it will work, let's end it now, we manage to agree to see each other on Saturday. I was still not convinced.

When he called Thursday morning sobbing crying, saying he was willing to give it his all, and not withhold from me, My immediate reaction was loving. Something I hadn't felt in weeks. He came up on Saturday afternoon and we were tentative and shy. A bit awkward like young colts in the field.

And when I'm evasive, I get sleepy. Also, I was hung over from my neighbor George's birthday party. So, I wasn't in the best of shape physically.

We went to dinner at Chez Jano's. I couldn't eat, was I still hung over? But we didn't make a birthday fuss, and I did feel better. When we were lying on the bed reading, I didn't want his weight on me, his arm in the middle of my back, etc. The hugging was fine. The other was the other had something more to do with shared space. I'm much less giving this time around.

Being held by him is wonderful but the lovemaking become somewhat sterile or was it because of the great distance we have traveled away from each other? It was better in the morning. I keep thinking how he withholds sexually, or is it because he's never been properly taught?

Snyder, Whelan, Waldman at National Poetry Week


It's come to this: after an emotionally draining day, I leave John's house to photograph poets at National Poetry Week in Fort Mason. Gary Snyder is good, Will is smutty. I cringe when he reads his raven love poem. Phew, I'm off the hook. Another lover recorded in blank verse. Not me.

Will introduces me to Philip who smiles at me knowingly as I chew Will out for smoking a cigarette. Gary Snyder doesn't remember me. Again. But Phil does. And hugs me. I'm assuming Gary's just being cold. Later, he puts it all together, and says, You're Maureen Hurley who took that photo? I said, I feel stupid reintroducing myself every two years. He said, I didn't recognize you. Grief does that to you.


I recounted, Yeah last time I saw you, you cut off all your hair, and mine was long. Now yours is longer than mine was, and I've cut off all mine. Remember sitting zazen at the zendo? Gary gives my hand a warm squeeze, and says, Yes. And we talk about the nesting habits of peregrine falcons in cities and the plumpness of pigeons.

I hand Gary our chapbook, Falling to Sea Level (John Oliver Simon). David Bromige testily commented, with a bit of an edge: Yeah, I heard you two had connected up. Awkward pause. Makes me sound like a hitching post. Or a fishing rod. He didn't think I was capable of pulling one in, and landing him too? He's always ready with his subtle English digs. Doesn't want me to swim in the big poets' pond?

I was so distracted this morning, I nearly hit a parked car leaving John's house. It was difficult to arouse myself. Sleep, sweet oblivion. How desperate he was, saying, Please please please. We fought in whispers as the girls are in his daughter's room. Quarrels over relationships, and his daughter. How desperate we've both become. We cry, kiss, and cry again. Lunch sticks in my throat. I'm determined to fight it out. His daughter stays central to our conversation. It's all Oedipus and divided loyalties. We both bleed the same time each month. Tonight the full moon pulls it out of me, a few days early.

Ann Waldman knocks me over when she reads a poem called Cracks in the World. I am reeling, stunned after her reading. Imagine Snyder and Whalen and Waldman on one bill! I am already tortured. I feel shaky, in need of a friend. And I seek out my friend Will, who is busy sniffing out poontang, and he slinks off like a coyote in low profile. Duane BigEagle, too is less warm. Why do I expect lasting faithful devotion, or friendship from ex-lovers?

The other photographer at National Poetry Week turns his brown spaniel eyes on me. I want to tell him, I'm not the one. And he is smitten in less than 24 hours. Whereas I'm facing borderline mania. The bubble of grief boils over as Ann Waldman reads. I am in tears at the end of her reading. The other photographer tries to offer solace.

Herman Berlandt gives me a copy of his anthology. It's come to this: I count how many ex-lovers are included in the poetry books before I read them. It reads like a shopping list of ex-lovers. I scrutinize dates, and compare notes. I look for some grain of myself in all that male ego. Of course, John's poem is about Here, a woman, and there, a woman. What was I expecting? That his womanizing past would change?

How we remain faithful to each other is by not using a third-party option as a way out. It's not just fear of AIDS, he says, monogamy is a new leaf for me. I guess I should be honored for reforming John. He is the Bill James Encyclopedia of broken hearts. Ever the statistician, John adds up the various scores. An almost wife, I rank in at #16 in the Here a woman, there a woman, category. A dubious distinction, at best.

Thursday, April 9, 1987

WARLORD: after Kurosawa's RAN

WARLORD
            —after Kurosawa's RAN

Praise to the external Western Paradise.
Time to come alone,
time to come to the garden, in exile,
to go back and apologize.
To withdraw within and to wail outside.
Enough is enough, he said.
Only the birds and the beasts
live in solitude.

Lift an umbrella over the stupa.
Now I understand it was a trap.
We really are in hell.

The sun grows redder with each visit.
A warrior holds up his severed arm and laughs.
At the ridge, a rain of arrows.
The carnivorous ground irrigated with blood
is a silent harvest meat and bone.

He who wears the sun on his back
dies but once a day.
When the father can find no other way
to surrender his castle, he dies.

The yellow and red armies part like a sea before him.
He who can no longer turn back
is no longer a son; no longer a father.

The inland sea of grasses offers
a kinder harvest to the deposed king.
The jester says, In a mad world
only the mad are sane.

Not one day do I forget, not one night do I sleep.
The past comes back in twos and threes
to haunt us—like the melody of a flute, token gifts.

When the widow walks, the noise
of her garments is like the hunger of young birds.

The deposed king wears a helmet of grass and lilies
for plumes, a white fox with nine tails.
The bird who hatched to serpent's egg, died.
We are in the hell, when we've cried enough, we die.

The Azuza Plain is littered with the dead.
The mad old man in the garden thought he was king,
and he asks the trees, why am I here?
The ghosts come back to haunt him are alive.
The jester was found crying on the Azuza Plain.
The gathering dead caught the mad king
and the midst of all the carnage, he asks if he is in paradise.

He had three sons who died on the Azuza Plain.
He had no words to excuse himself,
or to forget the bad dream. He asks, is this justice?

Do not call back his spirit. He has suffered enough.
Are there no gods? Buddha?
They see us killing each other over and over again
and cannot help us to stop this carnage.
The clothing of the dead are flowers in the grass.

The blind prince on the castle ramparts
was the only witness to the setting sun.

 4/9/1987
added 9/17

Sunday, April 5, 1987

A Poetic Explosion, National Poetry Week, CPITS event, San Francisco Chronicle

April 5, 1987 | San Francisco Chronicle (CA)
Page: 2 | Section: SUNDAY REVIEW | Column: BETWEEN THE LINES 

Hop on down to the glitzy doings at Fort Mason to view an astonishing 42 events conducted by poets and performers brought together by National Poetry Week chair Herman Berlandt. If you love poetry or if you never heard a poem in your life, this action-packed, multi-media celebration is for you.
Every possible interest has been considered: Panels include "The Woman's Voice in American Poetry," "Afro-American Poetry," "The Latino Poetry Scene," "Native American Poets," "Asian American Poetry," "Gay-Lesbian Poetry," "Creative Elderly Poets," "Prison Poetry," "Poetry in Film," "Lyrics in Pop Music," "Poetry and Jazz," "Poetry in Theater," "Poetry in Dance," "Young Poets Speak Out," "Poetry for the Peace Movement," "Poetry as a Healing Art," "Poetry of Prophecy and Vision," "The Shaping of Modern American Poetry" and others.

Launching National Poetry Week this Saturday, California Poets in the Schools will present "The Sky Is NOT the Limit!" from noon to 3 p.m. at the San Francisco Marina, where hundreds of helium balloons with poems written by California students will be sent off to the world. Afterward, the best bet is a conference on "Poets in the Schools" conducted by Deborah Major and Toby Lurie. If you've never experienced the magical ways these born-to-be-teacher/poets lure children into the joys a nd participation of poetry, this meeting is sure to an eye-opener.

Berlandt has also spiced up the schedule with other special programs - tributes to Bob Kaufman and Kenneth Rexroth, a marathon open poetry reading, a "Poetry Wall" (Fort Mason's huge retaining wall hung with excerpts and portraits), National Poetry Competition Awards ceremony and performances by the Blake Street Hawkeyes, Noh Orotorio Society, Traveling Jewish Theater, Poetic Dance Theatre, Motion Arts and Contraband Performance Group.

And what poets will give voice to these events! Among them, Carolyn Kizer, Robert Bly, Stan Rice, Diane Di Prima, Gary Snyder, Philip Whalen, Anne Waldman, Simon Ortiz, Michael McClure, Eugene McCarthy, Tomas Transtromer, Paula Gunn Allen, Jack Hirschman, Leslie Scalapino, Janice Mirikitani, Julia Vinograd, Neeli Cherkovski, Ivan Arguelles, Etal Adnan, Jack Hirschman, Eugene Ruggles, Etheridge Knight, Philip Lamantia, Howard Hart and many, many more. Call 621-3073 for details

Saturday, April 4, 1987

While Reading Essays by Robert Hass

Dear Ones: This old post from 1987 languished for years, literally unread—and suddenly I have an audience, I don't know why, but thank you for stopping by. A little Blogger stats sleuthing uncovered Ron Siliman's blog as a redirect. I am thrilled that Ron mentioned it. Over the moon. But puzzled as there is no mention or link anywhere on his most excellent blog. Or why this particular blog piece—as it's merely an old journal entry, not literary criticism. Ah. the vagaries of the internet. Dear Reader, thank you for stopping by. Feel free to drop me a note via comments. I won't publish them if you don't want them published. I'm dyin' to know how you arrived here in this remote corner of cyberspace—Maureen Hurley 4/29/12
One April Fool's Day, circa 1985, I was reading a book of new essays, "Twentieth Century Pleasures: Prose on Poetry," by Robert Hass (Ecco Press—a well-respected independent New York press, now an imprint of HarperCollins), but his riverine metaphors contained so many geographic errors, I completely forgot what the poetic point of the essays was. What kind of joke was this?

No typo, the 140-mile-long Truckee River was suddenly emptying out at the headwaters of Lake Tahoe and switching directions mid-stream by running down along I-80 into the Pacific Ocean instead of dying in the alkali sump of Nevada's Pyramid Lake—remnant of prehistoric Lake Lahontan? And my natal West Marin watershed, Lagunitas Creek, was apparently running uphill into the Nicasio Valley instead of by Camp Taylor to Tomales Bay.

At least my grandfather's summer neighbor, Kenneth Rexroth, who had a cabin near China House in Lagunitas, knew which way the creek ran:
Under the second moon the Salmon come,   up Tomales Bay, by Papermill Creek,   up the narrow gorges to their spawning beds in Devil’s Gulch.
I was far too shy to to say anything to Bob at the time, but poet Sharon Doubiago said, You must write what you know to be true—even if it's hard, or rubs against the grain. It is the poet's job to get the facts right. Besides, it was the fragile beauty of the West Marin landscape that led me to the art of poetry.

So, afraid of the commitment to prose, I scribbled a few dyslexic notes I didn't know what to do with, typed it up, transferred it to my old Apple IIc, and forgot about it— until now, some 20 years later, when prose no longer frightens me off with its insistent tyranny of syntax and logic, and an injured knee is keeping me flattened and couchbound.

A friend gave me a pile of old software with a translator tool that allowed me to (sort of) access the archived floppy disks that imprisoned most of my early work by way of obsolescence, which made my enforced immobility more bearable.

Though I had many opportunities over the years to mention the error to Bob, I never did summon up the courage to tell him that both watersheds would have to defy gravity and run uphill—the Truckee River whould have to reroute itself and climb out of the Tahoe Basin over Donner Pass (even the Donner Party ran into some trouble at the pass), and my own Lagunitas or Papermill Creek would be forced to leap its bed from one valley, and defy gravity to traverse the next valley to Tomales Bay.

Now, Bob Hass grew up in San Rafael, so he should have known where Lagunitas Creek emptied, but then he didn't spend any time in Lagunitas Creek. Not like me.
***

It was a bit ironic, if not poetic justice, that Bob was instrumental in the creation of the eco-poetic Watershed Environmental Poetry Festival. The last time I read at Watershed, we began with a medicine wheel and a drumming circle at Strawberry Creek at the bottom of the UC Berkeley campus.

Someone (was it my ex, John Oliver Simon?) read some Lew Welch poems, then traced the route of the undeground creek to Martin Luther King Jr. Park in front of City Hall. With a clear view down to the bay, at least Bob couldn't get the creek direction wrong here.

We straddled the millennium with poetry readings, we daylighted Strawberry Creek. Kush of Cloudhouse, who was filming the event, dropped a mike down the manhole cover in the midde of the plaza and the miked creek was allowed to speak in silverine during the readings. Our students read their River of Words poems to the music of the creek.

It was a glorious day—even if Bob got my name wrong and announced to the world that I was Maureen Heaney. Ironic, one of my grandmothers was a Heaney, a fact which once caused Seamus Himself and I to declare ourselves cousins after a tot or two of uisce beatha in an elevator.

Ironic also that Bob now lives near the mouth of Lagunitas Creek, a few miles from White House Bend in Inverness. I wonder if anyone ever told him, or if he ever corrected the error when the book was republished by HarperCollins?
***

But back to my story: the name of Papermill creek changes according to history and whim and usage. We locals called it all Lagunitas Creek. I know where Lagunitas, or Papermill Creek empties. At one time or another, I've ridden, swum, and fished most of the entire 20-mile length of the creek from what we called its headwaters in Woodacre. (The topo maps differ from our collective knowledge, calling it San Geronimo Creek, with Lagunitas headwaters arising on the north slopes of Mt. Tam. My uncles called that creek out of Alpine Dam the Cataracts and the Great Carson, not Lagunitas. Outsiders are changing our collective oral history with printed maps.)

Whatever you want to call it, Papermill Creek, or Arroyo de San Geronimo, traverses to Olema and Point Reyes, to its final destination, Tomales Bay. I've traversed most of it, except for one last stretch at Tocaloma, to the Gravel Pits, to Point Reyes—a missed opportunity—but the new landowners are possessed by the idea of boundaries and fence lines. Not like the old days when we were left to our own aimless wanderings. As I thought about all the creek names, my memory took the long road home.
***

In deep summer, we rode our horses bareback down the tree-lined length of Lagunitas Creek, swimming them through dark pools. One hot summer afternoon, I rode the entire length of the creek bed from Forest Knolls to Tocaloma on an elderly white Arabian gelding named Namún. It was well over 100° and he was at least 100 in horse years.

And though we were lazily plodding along, cool and deliciously wet beneath a canope of alders and redwoods, on the way home, my horse broke out in heat welts and began to wheeze and cough. I thought, omigod, he is going to die right there in the creekbed.

How was I going to explain to his owners why their favorite old horse died in the creek? I splashed Namún's body with water, but it didn't do any good. I had to leave the old man cooling off in a deep, sheltered pool near Jewell. I stroked his neck, he nuzzled me, as if seeking comfort, then despondently hung his head dangerously low into the water, and began to buckle his legs, as if to lay down.

I felt I had inadvertently broken some rule, but, other than distance, what was it? Arabs, renown for their stamina, can go on forever. Namún, don't lay down and drown on me! I pleaded. He seemed to understand. Straightened and locked his legs. Hung his head dangerously low to the water.

I scrambled up the silted embankment to the highway and ran through the hamlet of Jewel, screaming for help—and got someone to call to Namún's owner, horse trainer, Edie Lehman. Jewell had about three houses. Luckily someone was home.

Edie arrived in no time, pulling the big horse trailer with its green Rafter L Ranches logo. They lived down the road from me in the old Berini place on Arroyo Road. I was a stable hand and exerciser for her horses.

She showed me how to inject Namún with the antihistamines and when his breathing stabilized, we led him up the embankment and loaded him into the trailer. I never rode in the creekbed again.
***
Papermill Creek changes its name depending upon which part of the valley one lives in. In the San Geronimo Valley it's called Creamery Creek, the Dollar Creamery is long gone, but the place name survives as a Creamery Road.

In Lagunitas it assumes the moniker, Lagunitas. At Shafter's, the pools are all named. The creek becomes the Inkwell, and China House Bend. At Camp Taylor, where the rag papermill was founded, it becomes Papermill Creek, where it winds around the dark side of Mt. Barnabe, named after Sam Taylor's white mule.

Then there are the Gravel Pits, my family's favorite swimming hole. Right before the creek reaches Tomales Bay, it becomes White House Pool—where Teddy Roosevelt was fond of fishing for coho and silver salmon.

No wonder Bob Hass had a hard time with the direction of his rivers. We had a handful of conflicting names for the same creek.


I grew up on the other side of Mt. Barnabe, on a southern slope in full sunlight. Barnabe's mule bones have long since slipped back into the earth. We used to loiter by the pools of Lagunitas Creek, Carson Creek, Devil’s Gulch, and Arroyo Creek when the salmon were running, we waited for that flash, coinage of silver, vermilion and green heralded the fall.

Though the Devil's Gulch route was the most direct route over the mountain, and was one of my grandfather's favorite hikes, it was such a long, hot and desolate ride over the summit of Mt. Barnabe to Camp Taylor, we kids avoided it.

Following the flat railroad bed from Lagunitas, or the creekbed to Tocaloma was the easiest route.

There was also a more northerly route over Mt. Barnabe that avoided the summit. It took us along the hogback ridges through abandoned apple and bitter pear orchards down to the deserted settlement of Devil's Gulch. I felt so far from home, thankful for the warm reassurance of my horse under me.

It was in Devil's Gulch where my mother stumbled into a wasp's nest as a child and was nearly stung to death. My grandmother cooled the poor child off in the creek and covered her stings with fine clay mud to draw out the poison. My grandmother said it was always a longer walk home. But when something went wrong, the road home doubled in distance.

Sometimes I made a circle up over Mt. Barnabe and down its steep slopes to Camp Taylor and then return home up the railroad bed to Lagunitas and Arroyo Road. At one point or another, I've ridden most of what's left of the railroad beds from Woodacre to Tocaloma.

Early mornings, we'd race our horses along the flat stretches of railroad bed to the park gate. I always pulled out ahead at the quarter mile, but a two-mile course fatigued my quarter horse, and the nags would always pull ahead. Even Brenda Bullock's Icelandic pony, Helgar, or little Susie Mattsson's plug could beat my mare on the two-mile run.

Soon after that, my mare pulled up lame, but I was 15, and addicted to racing, I avoided the warning signals. Riding her bareback at breakneck speed was an unmatched thrill. She was pure verve and muscle, it was like riding a barrel down Class Two rapids.

One time when Becky Dart ran away with me at Kent Lake, I sawed on the bit until flecks of blood and foam decorated us, her tongue nearly cut in two by the metal snaffle bit. But still she ran, a Three Bars mare at heart.

It was spring, my sorrel mare was out to grass, but foxtails carpeted her wound. Every day I had to tweezer the stickers and oats out of the raw flesh, which I cauterized with silver nitrate. Daily I was reminded of what I'd done to this animal by racing her, she came from a long line of champion race horses, it was in her blood to run.

Granddaugher of the fabled Three Bars, my mare had the thoroughbred lineage of kings in her blood. She was one degree removed from The Preakness, the Kentucky Derby, Sarasota Springs. When my aunt's friend Chuck traced her pedigree, at first, he thought it was forged, but he said, If this proves to be true, you've got quite a valuable mare there, she could beget champions even if her knees were bad.

It was like finding a secret treasure in the woods, or a Vermeer hidden under an artless painting. There wasn't another horse in the valley who could match her at the quarter mile, and no one would race me unless it was a long track.

It was precisely on those kinds of afternoons when you knew spring had arrived. We'd ride and ride for miles on the open road. Time took us on a curious echoing quality. I can still recall the poignancy of late afternoon rides and the dappled roads under tall trees. Bleeding hearts, checker lilies and false Solomon's seal nodding their heads. Trilliums spreading their tripartite wings.

Riding horseback was as natural as walking or breathing. My best friend Stephanie Stone and I rode everywhere. We grew up and lost touch. I hadn't head from her in years. Her brother Eric said she had a horse in Arizona to ride and that helped to keep her sane through a loveless marriage. But that's when the drinking began. She kept it to herself. Held it in until the cancer ate her marrow.

At seventeen, after my mare tragically died of colic, from eating too much new spring grass in the Bianchi's pasture, I worked for the Lehman's training stable. I showed their horses at gymkhanas, I collected armloads of blue and red ribbons, but I didn't want to own another horse, losing her was devastating. She was big and beautiful, there was so more of her to love.

At nineteen, my other interests, my art—demanded that I move into the larger area of the world. I was at odds. Two worlds colliding. I had a chance to travel, a work-study job in Switzerland. I was sorry to leave, I almost didn't go to Europe, but Edie said, Don't be silly! It's a chance of a lifetime. Go! Have fun!

There were plenty of other girls, like Donna Lopez—who once unscrupulously kicked my horse right when I was in front of the judge, costing me the blue ribbon—girls like her were only too happy to step into my coveted job. And so she did.

I felt a crippling loss, separated from the horses like that. There was nothing much left of my childhood landscape. And so I sometimes dream of horses, and wake up with an inconsolable sense of longing. Everyone else moved into bucolic Marin. They came from LA, and from back east, they bought up the valley, they quickclaimed it and put up plywood palaces, they put up electric fences, they dammed the creeks and gated the roads.

They brought their urban nightmares with them. Runaway horses on the precipice.

When the invaders came, we lost more than our right of way. We lost our way.

The wild creature within me has slowly become urbanized with time. But I still dream of following the horses on endless fire roads running along the horizon.

Twenty years later, laid up with a bad knee, I am remembering it all as if it were yesterday. No point, no point of view. Merely Bob Hass's rivers running uphill against memory and time.

© rev. 2007; April 1, 1987, Maureen Hurley

Saturday, March 21, 1987

RACIAL MEMORY


RACIAL MEMORY  
        —for Duane BigEagle

A lover seeking racial memory 
struggling with my blouse
prefers the old way of skins
Fox, rabbit, coyote, buffalo.
We hide too much from the elements
remembering other paths.
The feet never forget the scars 
they leave on the earth.  
He reaches for the breast in greeting,
concealing a weapon in his hand. 
The first kiss, even between old lovers
is cautious, not passionate. 
A hearthstone, the fire.
On this hillside, this grass, 
where are 
the men coming to terms with the earth  
spilling nothing more than seed?

Spring 1987
Petaluma

1990 Poetry USA
1988 Women's Voices



Wednesday, March 4, 1987

ANTARCTIC CLEANERS

ANTARCTIC CLEANERS

He nearly died of frostbite
when someone stole
 the shirt right off his back
as he was gambling
on the rocks.
It was the last time
the penguin took his tuxedo
to the cleaners.

3/4
minor changes, added 9/17
endangered animal poem


Pure metaphor poems

My hair, a great mass of seaweed...

My seaweed hair,
a hidden weight
beneath the keel
pulls me down into clay
My pillow becomes a deep sea
where the bow of my forehead
crests feathered waves
These eyes, beacons
along the shore of sanity
close in sleep, to dream
My hands on the flannel sheets
are small naked albatrosses
ready to take flight.

3/4
I don't know the date, exactly
use body parts as metaphor
added 9/17, minor revisions


Dictionary of the Imagination poems 2

Oak trees— sleeping druids in winter
Poppy—satin tongues on fire
Swan—white feathers dancing in a blue sky
Moon—a Viking ship in a midnight sea
Forest—earth carpet of wooden soldiers
Blanket—a sheep spread very thin over us at night
Pencil—a shadow line to the universe
Eagle—caged feathers  bearing sheaves of wheat and laurel branches

Across the sky, a Viking ship
sailed on a midnight sea

We wrote shadowed lines
across the universe
with caged feathers
bearing wheat and laurel
white dancers fell from the sky
and the fields bloomed
with satin tongues of fire.

Amidst the sleeping druids of winter
a carpet of wooden soldiers
rotted from old age.



Poems of colors: Blue is a billygoat


Blue is a billygoat
who ate the lineman's red shirt
used to flag down the train
Blue is the eyes of drowned sailors
Blue is the borrowed feathers
of peacocks when the quetzal
is no longer needed in the Mayan ruins
Green is the color of quetzal birds
Quetzalcoatl is a green-feathered
snake lost in the jungle of the past
The Navajos have only one word
for green and blue, for it is the color of life
not this cold blood rusted on narrow gauge
tracks leading deeper into the jungle.

3/4
aded 9/17
some editing


Dictionary of the Imagination poems


from a Luis Kong workshop,
using Jorge Lujan's Dictionary of the imagination

River—a mirror that runs and sings
Stars—holes in a dark tarp
Rainbow—a wet, iridescent trail of a comet used by prospectors searching for gold
River—a fish highway from the mountains to the stars
Does every river run to the sea?
indigo ink spilled
a blue trail for fish
to find the ocean
Moon—silver money sobbing in the pockets (Lorca)
a period  where the sky ends
Sea— blue river tongues licking at the feet of tropical islands
Cemetery—a plot where dead people live
Mountains—teeth piercing the clouds
hungry mouths feeding the sky
eating the weather
mouths voraciously feeding upon the clouds
Solar wind—huge bellows sucking and blowing on cosmic fires
Sun—the ouroboros eye of the dragon
a giant yellow ball lost in space
a feathered chariot pulling the eye of the dragon
ouroboros across the blue mantle of space
Rain—a cloud bursting into tears
blood from wounded clouds
Fish—small silver coins flashing in open sea banks
Snow—frozen white thoughts leaking from wounded clouds
Bluejay‚blue water flying in the wind
thief of catfood
Earth—a big blue ball in space
a bulging suitcase of extinct species

Use six definitions in a poem. It doesn't have to make sense. Don't use the original noun.


Huge bellows push the chariot
carrying the eye of the dragon
across the mantle of space.
frozen white thoughts
leak from wounded clouds
to fall into agape beaks 
feeding on the sky
a wet iridescent trail of a comet
used by prospectors in search of gold
and the small silver coins shining
open the sea banks to vaults in tropical islands.


take 2:
The feathered chariot 
that carries the eye of the dragon 
across the sky is blown off course 
by huge bellows held by giants 
hidden under the mantle of space 
but there are holes in the tarp
the frozen white thoughts of clouds 
leak into agape beaks feeding in the sky
it leaves a wet, iridescent trail 
used by comets and prospectors 
in search of gold and small silver coins 
hidden in sea banks where blue tongues 
lick at the feet of tropical islands.

Take 3:

Who is instructing the giants 
holding huge bellows 
that blow the feathered chariot 
carrying the eye of the dragon 
across the mantle of space?
but there are holes in the tarp
the frozen white thoughts of clouds
leap into agape mountain beaks
feeding on the sky
When we forget the names of the sun
it leaves a wet, iridescent trail
of flies and oranges under a full moon.

Wednesday, February 25, 1987

2/25 Journal


I need to write in longhand to soothe my brain before I get into revising my calendar, such a left-brained activity. All those dates to keep, it destroys my mood for writing.

Journal entry here, no problems today. Frost outside, frozen pipes. Small glass bones emerge from the hose and sing like wind chimes. I think of the old Celtic riddle of the bone the melts. The ancient Celts didn't have hoses, yet they saw the connection.

I spent yesterday in bed, flat out as my neck adjustment left me weak and sore, an unexpected holiday from reality. I've managed to work the computer from the prone position, not as much weight on my neck that way. It's magic to write on the computer, however I doubt I'll give up my hard copy. The act of cursive writing soothes my brain and steadies me.

The computer is better for revision. Something I've never been able to do much of, and my work suffers for it. So, this will be the year of revision. I actually want to stay home and to write and to revise.

It is difficult to write and to teach and to see John all at the same time, but I believe I've just begun a new pattern that feels a bit saner. Can I juggle all three at once? Of course, next year I will have no idea what I'll be doing. CPITS?

I know now that I don't want Devorah's job I don't want to be Statewide Coordinator. I can't even handle the stress of being an Area Coordinator right now. The thought of 60% time working on grants is a grim proposition.

So what's next in the wings? CPITS is like a small monarchy. Can I work with Duane BigEagle if I take Paula Gocker's assistant job? Do I even want to get involved on that level and what about the grant writing proposition with Lee? Is that even more stress? I ask is there anything I want to do that doesn't involve stress?

I'm sleeping late these days. As it is, I am hyperactive and then when the inner kid reemerges, I'm also excited about life. Somehow all the bustle makes me feel vitally alive. Wish there was a less stressful way to make it so. I have such a need to produce work, and to get my work out there in the world.

I also need to go do a good job on my current commitments. Photos to John for his project, document Gail Newman's project, a lot happening these days. I got my list of photos off to American Poetry Review for the top 100 poets. Then there's the lesser ones.

I need to follow up on that Napa Gallery offer, a part of me still says no, I don't want it. What to do when an opportunity strikes, or in this case, hits me over the head? Jump on it, or let it go willfully and without regret?

John said that Jennifer Jones of KPFA wants me to read on the air. The Storer TV reading is supposed to air on March 6. So much going on and all these contests are forcing me to revise my work on the fly. And I have so little time that I have to jump in without thinking Zen mind, make choices, and just stick to them. No time for indecision.

The IRS wants to arrest me for back taxes. Those years after the accident, where I was barely surviving, I have to reconstruct those records soon, and get them off my back. The fucking government squeezing blood from turnips. I don't believe in paying taxes. I don't even earn enough to pay taxes, but my CAC grants brought me out into the open and now they know about me.

Monday, February 23, 1987

ON WRITING


Experience in search of a form
becomes articulate
in the minutiae of detail.
How I use my creative potential
a small portion of the time,
and how I rarely write down
the long flowing inner dialogs,
because I'm waiting for a crystalline
moment to focus in on,
which never comes in that form.
So I wait in vain. Meanwhile,
the Muses capriciously pollute
their teachings with the droll facts
of dailiness until we capsize.
This is not new information—
but poetry is like that.

2/1987

Prior claim


A turmoil of images bombarded me when I got home. As I drove down Nicasio Road, I reached for pen and paper but instead grabbed a dull kitchen knife. Then I grabbed a pencil with no lead. Then I grabbed the gauge for the tires, all apt symbols.

My neck collar prevents me from seeing what I am writing. And I hold onto connected fragments that I'm not able to record. Only to lose them all. No placeholders.

I drive by RuccaRucca Ranch, and am flooded with memories. The first time I rode Frankie's horse around Nicasio Reservoir, she was so sure it was alive, she was shivering, and it was all I could do to get her to walk along the fire road. We sat around in the kitchen drinking strong coffee and smoking dope while Jerry and Micky jammed in the living room.

I think of the Grateful Dead and the obscene amount of money they used to buy that land. I loved their music, and can recite all the names of the rock stars in the Valley, the Grateful Dead Jefferson Starship, Santana. But when their records sold, they suddenly had lots of money, and they bought up chunks of the land. And our taxes went up.

We smoked dope and danced at RuccaRucca Ranch but underneath it all I never allowed myself to be seduced by it all. Perhaps this is why I refused to buy their records in the first place. I was a conscientious objector.

Last night, Jane was raging on about communism, while we were there protecting them, they were taking our freedom. I ask, what has to do with Nicaragua? I am apolitical. Absolute power corrupts absolutely. Byron. We are all suspect. I believe my friends in Nicaragua are telling the truth, and the truth has many faces.

I had forgotten how loudly the pine trees roar when the north wind circles the valley. Or how the stars look more correct framed by this particular fold of hills, or how difficult it is to write left-handed.

Over Pt. Reyes Road, while writing this down, a finite shifting of gears, wordplay and interplay make both writing and driving barely possible. I have a hard time going home it's even harder to leave west with the night. Beryl Markham wrote: if you have to leave home, do it swiftly, go as far as you can, and never come back.

I am even more enraged when my rage toward my mother softens. She reaches over me to dip her hands into the sunlight from the south window. I think my hatred is so thick sometimes it clots the air. She says she gets depressed when she can't go outside.

The wind howls, and catches itself on the corners of the house and in the hexagonal sieves of the chickenwire fence outside. I am a spy here. Taking notation. This disengages me from some of the rage.

All of the new owners of this land, part of which I hold a shared trust in, on a piece of paper for unbuildable allotment of land that I want to return to, and can never seem to leave behind.

So many strangers have grown into their justified rights of ownership. There's a new no trespassing sign on the corral gate. Is it  meant for us we who actually own the land, by our very years here, have prior claim, or do the newcomers?

These newcomers have been here a while now, these strangers who can never fathom the memories I hold. Horse Hill, the old hitchingpost, now someone's faux castle. On the path by Arroyo Creek where I rode by my horse in summer, now has three new houses—three white elephants rising huge in Bianchi's field. I feel physically ill by their presence. This progress we measure by planting massive houses over the green fields of the past.


Thursday, February 19, 1987

The Paper Letters to the Editor, SR Sewage Ocean Outfall/Moratorium, Feb 19, 1987

My letter to Dan Hauser in regards to Ocean outfall, an asinine proposal to dump Santa Rosa sewage on the Sonoma coast, specifically Salmon Creek.

Wednesday, February 18, 1987

Last Run


I felt betrayed when John took me down that last slope knowing I was so tired. It was the last run of the day, and I had a bad knee. I said I didn't want to go down that slope several times. It fell on deaf ears.

When I asked him which slope he wanted to go down, I wanted to relinquish control, and offer him the choice as a token offering of our last run. When he chose that particular run, I felt I had to go through with it, though my commonsense said no way!

If I looked at it from his perspective it was possible to get down the hill. It would really please him if I said yes. I was doubtful, which affected my skiing ability.

When I took a nasty spill near the top, I should've said no, but I felt once committed, I had to follow through. And I was too tired to ski the run.

It was a nightmare getting down the hill. I couldn't turn to the right because the muscles in my left knee were fatigued. Snow conditions were terrible. Wet snow, an ungroomed slope, and lots of potholes and bushes. But I had to get down that slope.

I was more angry than scared. Angry with myself for going along with John's suggestion, angry that my knee wouldn't work, angry that my skills weren't good, etc.

When I got to the bottom of the hill, I hated John for getting me into this mess in the first place. Or for getting myself into the mess.

Yes, I could've exercise free will and said no, pushed John into a safer run, but I didn't want to do that – all because of my wanting to please him. So I got angry. I had worked myself into a situation I couldn't back out of for fear of losing face. And now I had a sore knee to babysit.

VALENTINE TO JOHN

VALENTINE TO JOHN

You, my valentine, never received this card
after a weekend on the slopes of Mt. Shasta
We skied on a form of pure light.
In the darkness of the car trunk,
the Lemurians kept it from you.
While we ate white chocolate
the pomegranate seeds within me
pulled toward the darkness
wanting their due.
This is what comes of childhood,
old broken paths, losing our way
but we can go on from here
because each path is always new.

2/18/1987

Journal 2/18

2/18

Afraid of this vast expanse of white, I do nothing. It is fitting that I can't write about the darkness that descends upon me, thus tainting the light. Jim Byrd says to write about it nonstop for five minutes without editorializing, and all I can think of is how to render it into poetic imagery, thus diluting the raw anguish and anger. Funny to hear my own lessons coming back to me from my poetry protégé.

I write this journal entry well after the fact. The untamable beast rose up within me and I lashed out at John all weekend long. Trouble is, I really don't know what set it off, or what it was even about. The worse it became, the more I hated myself, and the more I hated myself the more angry I got.

I saw John as incompetent, and I railed at him. I saw him as flaky and uncaring and so I withdrew from him. I had dishonorable thoughts of wanting to sleep with other men. I was wishing Geoff Davis wasn't an alcoholic and that it would have worked out with him. I did love him fiercely. I was wishing to change the past and to relive it, instead of living in the present.

Here I have in front of me a perfectly good man who meets most of my expectations and requirements, and still I am unhappy. I am lifting layers of clouded emotion from my armor; I decide the problem isn't just with John, whether we will resolve the issue of having or not having a baby, but it's something that goes deeper into my past – namely my way of defining a relationship, and dealing with my own fears.

I slipped back into childhood and discovered some of the joys, and I forgot the raging aggression that that also had lived there too long. It bloomed fully forth from a deep hell within me to taint the sky and the world.

None of us are free from guilt. There are things he does, that I question why he does them and I arrive at my own cosmology. I need to examine also, my own emotional scaffolding.

The list of grievances that I make pointing to some significant act on his part. How accurate are they? Or is it a figment of my imagination and my fears leading the way? A part of me thinks that if I'm very bad, he'll get tired of me and break off the relationship. This of course saddens me. But it is also something I secretly desire. I'm feeling smothered.

Then the bubble of tears wells up and the aching heart threatens to choke me. I want to relinquish my right to choose this relationship, and to step into the role of victim. But I'm not a very good victim.

If we break up because I'm bad, then I'll be able to say I Told You So and pass the blame. This is where the threads connect. I need to have someone to blame it all on when the going gets rough. And I can't seem to allow myself to accept blame. Every one else is wrong; I'm right. Black-and-white. Divided fences but the issues aren't that simple.

My paranoia assumes that he is out to get me. Not in the physical sense, but by his indifference. I will cease to exist. But I can very effectively anger him. I do exist for him, but his short attention span upsets me. I feel threatened. He doesn't love me, except during the two-minute intervals of sexual congress. What daisy petals do I need to pluck? Even or odd numbers?

To survive in this world, we need to add a certain amount of time for each necessary activity. I need to do this too. Yet, I feel threatened when he does it. I don't want someone hanging all over me either. I'm not comfortable in either camp.

What is so bad about his ways that irritates me so? I don't trust him. Why? Because I feel like I'm a possession, not a person. Why a possession? Are you being possessed? Not in the alchemical sense. I don't trust the way he's able to disengage himself from me so easily when he has to do things. I wish I could do the same.

I feel all his other priorities, writing, his career, his daughter, Spanish, all come before me. I am low (wo)man on the totem pole and it's true I'm not at the top (if it's really an apt analogy), I don't think it's quite that linear, but do I really want to be at the top? Do I want that kind of placement in someone else's life?

How do we effectively manage our lives together without one or the other feeling threatened, or subsumed by the relationship? An I drowning in floodwaters?

Is this really the issue? Is this why I drove home last night sobbing? Do I have to assume that if there are housekeeping problems, that we have to break up, so that I can sort out my feelings?

The thing is, I'm not too sure what my feelings are.

We woke up in the middle of the night making love. I know that some part of me is heavily sedated by the black hole raging within me. It is more pure and loving, and with this newer self, I do love him. I need to tame my inner beasts, but this other self has little power. It is a battle within me as well as my response to some of his own ambiguities coming forth.

We are both so noncommittal. I think this ambiguous state has led to my deep turmoil. I don't want to marry him now, that's not the issue, but commitment to another human being, knowing the risks, and knowing the possibility of failure, is a frightening proposition.

Suppose we do go for it, and then freak out up and break up in a few years? I will have irrevocably given a part of my life to him that I won't be able to recall, my childbearing years. I'm not interested in having a baby right now, I get cross around them, and I don't want to give up my free time. I'm selfish I feel guilty about it.

How much of this is a biological urge? If I don't have children, who will be with me, who will be my family when I am old? Is this fear of the future a real truth I have to grapple with; or is it merely fear? Which path to take?

I remember seeing a copy of Vincent van Gogh's Crows Over a Cornfield in a high school painting class, and I was immediately struck by the metaphor of three paths leading off into three blind choices.

Later, in college, when I saw the original painting, there were no paths; I had imagined them being there. But the metaphor still remains with me. I feel close to understanding van Gogh's madness and the choices he made.

Destiny. I choose to do certain things. They have a way of becoming a reality. I wanted a photo in American Poetry Review; a reading in Sacramento; a review of our chapbook; my artwork selling well at the Valentine art show, a gallery in Napa interested in my work. I forgot to name these wishes becoming reality, all of which, I might add, became true within the course of a week.

So where's the elation, the recognition that should come with the reaching and the striving for these goals? I was elated at the valentine art show and my color piece went for so much money, a piece that I thought was nothing. My better piece, the handmade paper one, sold for much less money, and I was hurt because it wasn't framed, and it wasn't at eye level. And I felt betrayed because someone else didn't treat my other piece with the same respect.

It boils down to my perceptions of my work being different than that of others. This relates to my discomfort with my black beasts, and to John. I'm afraid that we don't share the same values on commitment and love. Maybe we do, AIDS is certainly keeping everyone monogamous these days. On the straight and narrow. A good thing, but it is an artificial restraint like marriage vows.

Are we truly committed to each other in spite of those constraints? If it wasn't for those constraints, what others would we place upon ourselves? Are we evolving naturally into this relationship or what are the constraints placed on an artificial hold and artificial direction upon us?

Free will. To be a free agent, one must first recognize that one must take control and exercise free will. Not wait until it's taken away through a lack of choice; or be ambiguous and take an ambiguous stance. How much of this am I bringing upon myself and how much of it is externally related, or is it something I do have control over?

Control has always been an issue in my life. Is this upwelling of rage a form of control? I want to control John and when he doesn't do something right, I berate him, and myself. Then I feel guilty and I berate myself some more, thus feeding the vicious cycle. It is a perverse form of self-control.

Betrayal, our fight in Mexico City is over the same issues. I assumed he threw away our packing ropes and blamed him, deriding him. He got angry and said he had nothing to do with it.

It no longer mattered who forgot the ropes but the issue of betrayal arose. I felt he had left the ropes because he know longer saw any value in them and discarded them. I used that as an analogy for our relationship. He will do the same with me, or I, with him. Discarding me when I'm no longer useful what I have to go by is his past track record with women.

How can I assume this will be any different, am I introducing the seeds of destruction, making my own fears into reality? Am I seeing an apt analogy in his everyday actions, judge by my own perverse standards, or is there something wrong with my methods of reviewing the situation?

Every time this feeling of betrayal arises, I feel some threads break in our bond. I think of those fine filaments of muscle that hold up my neck. None are strong in and of themselves, but when enough of them are fatigued the result is a massive muscle spasm. I can literally no longer hold up my head.

Is this why my neck hurts so bad right now? How much of my anger is related to the constant and inexorable pain in my neck and back right now? How irrational am I because of this constant pain? And why did this pain flare up again in the first place?

Chicken and egg syndrome, the stress is eating away at me. One cannot strip away a layer without discovering another layer, and beneath that layer is yet another layer, and so on, ad infinitem.

Saturday, February 14, 1987

Red Pepper


The red pepper I sprinkled on my brother's tongue glowed like rare earth and the tears rolled down his cheeks. I thought it was funny, how much water he drank to quench the fire. I traded him my pennies and nickels for his small thin dimes with wings explaining the nickels and pennies were bigger and fatter than his old dimes. Silver winged Mercury caught my greedy eye and I extolled the virtues of copper Lincolns, Buffaloes, and Indians. We traded wooden nickels from the general store.

Living on the edge of nostalgia !living in a house with wood heat, and the copper tub with its veridian streaks simmering on the stove for dishes laundry and our baths. Sometimes Grandma would lug steaming tubs to the real bathtub on the back porch with claw feet. One hot summer day we filled it with cold water from the spring but my cousin Bill pooped in it. We all jumped out screaming and he just sat in the cool white water not knowing what the fuss was all about.

The kerosine stove glug-gluging from the amber-pink wine jug with a biting odor, as I lay between the green enamel stove legs shaped in that classic turn-of-the-century harp curve. And the new yolk sunshine plastic bowl melted from the heat of the burner but the buckwheat pancakes my grandmother made filled the need in my stomach more solid than stone. I had no idea it wasn't to last, that I'd spend most nights awake, wondering where she'd gone to and the beginnings of invisible threads tugging at me during these countable rotations of the earth.

Hot Vienna Bread every Sunday, the bacon and eggs that always made me sick, but I ate them anyway—and reading the Funnies, rituals of childhood. After years of not buying the paper, I buy it each Sunday because there is a mortal comfort in that small insignificant action. I eat bacon and eggs that still make me feel sick and at the end of the week, the piles of newspapers, starters for the morning fire to keep us warm throughout the winter.

The first time I saw snow falling on these coastal hills—a white blanket transformed the known world into a place almost familiar, like visiting home in dreams where things aren't quite as you remember them. That’s how you tell the difference between the real and the unseen. My red robe bled against all that white !and, cold gnawing at my bare feet giving them a taste, a forerunner of the deaths to come.

And those winged dimes what happened to them? Did we spend them on candy or raccoon tails at the general store, or did their thin silver trails slip into cracks only to be rendered visible under the light of the moon that appears so infrequently in dreams?

I have no idea when this was written early 1980s. Sometime during the dot-matrix days. That makes it as late as 1989.

Saturday, February 7, 1987

FROM THE EGYPTIAN



FROM THE EGYPTIAN

Like young chicks without feathers, 
the wet birds skim under the moon
three nights later
a hawk measures the sky 
with invisible ropes
and in this deep pool
where the young calf dances
people come to drink
A heron raking the water with his legs
drags a stream of tulips
veed feathers of water in his wake.

2/7/1987
a transliteration from the Egyptian

BEYOND THE REEF


The siren in the night
The calling of a whale
And beyond the reef
A thunderhead gathers
and takes in the sea.
I am breathing beside my body
The distant earth is my blood.
The heart of this universe is pale.
White blood of the galaxy
And this crayon of the sea colors the air.
And I am working hard
Looking for something
beyond the reef.

2/7/1987
a transliteration

FROM THE EGYPTIAN