Showing posts with label submission letter. Show all posts
Showing posts with label submission letter. Show all posts

Saturday, June 1, 2024

Submitted poems & prose

Submitted two new, and one old poem to Mendocino Women Poets Spirit of Place 2

BIO: Maureen Hurley is a Northern California photographer/artist/poet whose work is widely published in print and electronic media. She’s won awards for her work, she was nominated as the first Sonoma County Poet Laureate, and received several Pushcart nominations. Former photojournalist for North Bay alternative newspapers, her work has appeared in The Paper, Coast Peddler, Ridge Review, and artist tabloids, ARC/ Rural Arts Services, with editor Ken Larsen. She spent considerable time in Mendocino County during the 1980s and 1990s—especially on Navarro Ridge, Albion Ridge and Fort Bragg. She has poems forthcoming in Peace Press, and her photos will be featured in an upcoming documentary on Berkeley street-poet, Julia Vinograd: Between Spirit & Stone.

FIRST LIGHT

NAVIGATING THE STAR ROADS

PRAYER FLAGS


and to the Wide Open Writiing Blog

Seamus Heaney's Last Words (May)

and The Milkman (June)

Friday, September 12, 2003

Letter to the Enright House, County Kerry, Ireland


To the Enright House
Martin Enright, Irish Agent
Dromlought, Lisselton
County Kerry, Ireland

Sirs:

Enclosed are several poems for consideration in your publication of Irish-American poetry:

Like So Many Board Feet
In Mary Bianchi's Garden
Lighting the Electric Fire
Condemned Flesh
Chickory II
Comida del Muerte
Dispelling Darkness
Manna

However, I find the 25-line framework a bit limiting—so what I’m sending is not necessarily indicative  of my larger body of work. I am interested in where you got my name for your publication venture, because once I wanted to do a poetry exchange with Ireland, but was unable to find funding for it. But my contacts did put me in touch with Seamus Heaney (whom I've met several times), I've also met Paul Muldoon—he was staying in Berleley, CA for a while.. Are you familiar with the work of a San Francisco  Latino poet, Francisco Alarcon? He  just returned from a reading tour of Ireland; his poetry was translated into Irish. New Rivers Press of Minneapolis, Minn., is also doing an Irish-American anthology. You may want to contact them. 

I am interested in finding out more information on your book-length manuscript competition. I will be in Holland until the end of October. You may reach me at R. Hogerbeetsstraat 97 -III, 1052 VV Amsterdam; otherwise, please send information to the above address after October 25.

Sincerely yours,

Maureen Hurley

P.S. Most of my Irish connections (Walsh & Sullivan) are from the West—in Kerry (Tralee), Cork (Bantry)— and some in Dublin ( Reilly & Duffy), Fighoragh (sic) & Longkesh. My father’s side of the family left Ireland during the late 19th c.; my maternal grandparents left in 1910 - 1919. As far as I can deduce I’m 100% (Black) Irish by all four bedposts(there was talk of the  invasionof the Spanish Armada in Bantry). I was raised by my maternal Corkonian grandmother, and so learned history/culture  according to the  Irish alongside the Anglo-Saxon (American)versions of history. Her Irish sensibilities certainly are  a prima source in my writing.

BIO

Maureen Hurley lives near the Russian River, where she is California Poets in the Schools Area Coordinator for Sonoma and Napa Counties in California. She's recipient of several artist in residency awards from national, state, local, and private agencies including seven California Arts Council grants. She has led workshops in public schools, a mental institution, and universities in California, the Bahamas, and in the USSR. She is director of Poetry Across Frontiers, a program that exchanges student poetry and art with sister city, Cherkassy, in the Ukraine. Hurley is a visual artist and photo-journalist as well as a poet. Her poems and photographs have appeared in Apostrofe!, ROTOR, Phantom Cherkassy Krai (Ukraine); The Louisville Review, Shaman’s Drum, Sing Heavenly Muse, Looking for Home, Chaminade Literary Review, Caribbean Writer, Gulf Stream, Poetry SF, First Leaves, Napa Poetry Review, The San Francisco Bay Guardian, Poetry Flash, California Quarterly (CQ), Blue Window. Electrum, Sculpture Gardens Review, American Poetry Review, Mexico City News, & Oakland Museum Magazine. Her poetry has been translated and published in Spanish, Russian and Ukrainian. She has work forthcoming in Tin Ear and Maverick. Student poetry and art anthologies produced and edited by Maureen Hurley include: Poem for a Russian Child, The Gift of Dreams, A Night Full of Doves, The Power of the Reckless Sleeper, Still Writing on Rocks, Someone Inside Me, The Poem is the Person's Life, and  Seeds Deep in the Earth.

when?
filed 9/12/03

Wednesday, November 8, 1995

Letter to Carol Cullar, Editor, Maverick Press/Terrapin

Maverick Press/Terrapin
Carol Cullar, Editor,
Rt. 2, Box 4915
Eagle Pass, TX 78852
Nov. 8, 1995

Dear Carol,

I’m deeply honored to be included in another issue of Maverick/Terrapin. On the latest flyer, a stamped note, “need bio for upcoming issue”   had me scrambling through my notes as to what poem, “Feeding the Minotaur”; during the interim, I’ve made some small word changes which I’ve highlighted, but I suspect you’ve already gone to press, since it’s already November. No matter. !No te preocupes!

I’m slowly crawling out of the morass of two year’s worth of significant deaths—my parents & an uncle—all within a year’s span (not to mention a bad relationship), has left me virtually speechless/wordless. . . so this publication means more to me than you can imagine. It reminds me of my duty: I am still  writer despite all my stripped down illusions.

The Mother Earth Journal: Latin American issue came out in a slightly different format—I was too busy grieving to do layout, so Herman Berlandt finished it (to the best of his abilities). I’m very attached to good layout, etc., so I’m not happy with it visually. He used several of your woodcarvings. They look great. Did he send you a copy?

I loved the poems you sent me, I’d love to see more. . . are you a sister voice in the dark? I often feel my personal obsession as materia prima isn’t currently popular or acceptable in the publishing world, but it’s the angst/grist for my mill/who I am. If I’d a listened tae my teachers, my vision/voice wouldn’t exist. If only I could get a book published. . . I keep sending my MS out to contests, often placing as a runner up, to no avail. Still no book in sight. It makes me doubt my work. Your continued support of my writing (and a “Pushcart” nomination!) gives me reason/courage to submit/publish.

Sincerely,

Maureen Hurley

BIO: Maureen Hurley lives in Forestville, near the redwoods along the Russian River, in northern California. Her poems have appeared in Maverick Press’s Paisano, Culebra! and numerous journals and anthologies including Atomic Ghost, & Hermit Kingdom. Poetry awards include Negative Capability, Chester H. Jones, Kalliopea, National Writers’ Union, National Federation of State Poetry Societies, and two regional NEA fellowships. “Feeding the Minotaur” grapples with the unconscious dendritic history buried within her personal mythopoetics.