Friday, July 12, 1991

Journal entry, 7/12/91 another postcard from O


Journal entry, 7/12/91 I get another postcard from Oleg, he’s getting the publicity and the attention he craves, the importance of man, with a capital M. And no females need apply. I enjoy his wit, perhaps I can enjoy more later. The break was necessary. I am not missing the relationship as much as I thought I would. 

I’m troubled by E. I see so much wrong, and I can’t save myself, let alone, the others. I’m not in the revival ministry of broken hearts and codependency. What I need is a healthy relationship, no 40-year-old puere stuck at age 16, though brilliant, addictive, and not self-motivated, drifting through life. It’s so intense an experience to  really see and to not be fully cognizant is an oxymoron. He reminds me of an admixture of past boyfriends—so achingly familiar and dead wrong. I know why he lets K sleep in, it’s his only solitude. She is incredibly gracious, has all the hostess motions down pat, but it’s a carefully reconstructed world. Nina says she was an abused child and it fits. Developmentally, it’s as if she was arrested at the level of an adolescent child. 

Codependency requires that each partner maintain the net of illusion for the other. The ultimate addiction. Persuasive, and evasive, it requires a tremendous amount of upkeep to maintain the illusion.

I am troubled by a dream, I’m with Oleg and we’re in a tall building, perhaps a school, and what seems to be admiring students surrounding us. It’s a reception of sorts. Igor Zabudski is there, perhaps in New York and he wants to thank me personally for getting him the Mac. I know nothing about it, and I don’t want to meet him. I don’t very much like him, but Oleg shoves me into a room and Igor is literally shaking my hand, thanking me for all that I’ve done. Wet, clammy hands. Not until I’m awake, do I realize he was standing, no longer bound to his wheelchair. A dream miracle.

I remember another image about a young blonde girl in red. We interact but I don’t know the context, and I can’t remember the details. I wake up too early, and can’t get back to sleep. The volcano is beckoning. 

On the eve of the eclipse, I fell asleep too early. Marilyn was sitting on the edge of the bed, and I swear a presence, tall and green, came through the door. oh great, what ghost is this? I screamed, having no clue or warning. Maybe it was the food or stress. I’d had a lousy dinner at Hugo’s and was terribly annoyed with Marilyn for hurrying me through the city of refuge so she could prepare for a night on the town with Eddie and Kim—which was moved up from 5 PM to 4 PM, so I only got 30 minutes snorkel time in before she wanted to go home. 

We were going to go downtown and shop too, but she managed to fritter away 2 1/2 hours getting ready, and for what? Too many times I’ve been waiting for her while she meticulously groom herself, and we don’t accomplish what we set out to do—due to a lack of time. I get frustrated but that’s not the answer. 

As Luis Kong said, we need to set limits, in this case time, just like with Oleg, and adhere to them. Otherwise I become equally codependent. Slowly I’m learning, my friends, my family my loved ones, are my teachers. I feel I have a heightened understanding of those processes I’ve been blind to all my life. Whether or not I can progress is the real issue as recognition is only half the battle of self-awareness. Or should I articulate, self-actualization. 

There’s much I don’t like about others; it must be something I dislike within myself as well. With John, I came apart, and when I put myself back together., I kept some of the old pieces, but they didn’t fit well into the new puzzle and I didn’t know what to keep, or what to discard. It was almost as if I got dressed in the dark with no regard to the order of clothing, or direction. 

Today my nightgown is on inside out. I put it on in the dark. It is equally functional either way, it is still a nightgown, but inside out, it suggests a lack of social awareness or control. Exteriors, how others view us. I feel out of sorts, so much controls us. Reined in. When boundaries are crossed, threatened, or removed, we are out of control, and that is a dangerous sensation of course, and it also suggested artificial control that doesn’t emanate from within the core. A shaky foundation, a false structure, something to be examined closely.

Thursday, July 11, 1991

UMBRA, CITY OF REFUGE, HAWAII, 7/11/91


UMBRA, CITY OF REFUGE, HAWAII,  7/11/91

.
The
Moon bites
the   Sun's  lips.
A circle of darkness:
the umbra descends like a

tent across the barrier of clouds
as if companion light was trapped

deep in the arms of summer, remembering
the past as blue as dreams of fish wanting to

be water, becoming water.  The birds, just finished

with the morning song, begin a hurried evening chorus.

Dawn winds reverse directions. When Perseus threw Med-

usa's shining head into the sea, the algae turned to coral. We

look directly at the sun, and we are not turned to stone.  A chil-


led, primeval silence: stars surround the corona. It's a sun flowering

      iii
        eyeyeye
with serpents of light; a vast  e y e,  a hole opening into the universe.
        eyeyeye
      !!!

But if the moon is moving away from the earth, total solar eclipses


are doomed to extinction.  Between the silhouetted moon's mount-

ains— solar flares, Bailey's beads, & the dazzling diamond ring.

The ocean winds & perplexed birds prepare once again for dawn.

A wild cheer is raised across the island for the prodigal sun.

We clap, cry & rejoice. A couple exchanges wedding vows.

The end of totality,  I break tapu by casting a common-
er's shadow in the City of Refuge, and leave my pik-

ake lei on the stone altar to appease the old gods
but the Ailii are asleep; the sea turtle glides,

a raptor over the sleeping coral. Ris-
ing tides pull at me,  a shim-
mering storm, wanting
to be  air, becom-
ing air.


3/5/92

1992 Chaminade Literary Review

this isn't going to work on Blogger, shape will be lost

Journal entry, 7/11/91 Kihei Beach


7/11/91 Kihei Beach requires a quick plunge and though I am beyond tired, my breath is taken away by the beauty and the depth of the water. I am still irate with both Kim and Marilyn, as their daily ablutions preparing for an event sometimes takes longer than the event itself. Such vanity. whereas I just want to get on with it, I don’t care how I look.  I stop in at Ed and Nina’s at Toad Hall and vent my frustration. I am disturbed by the relationship, it seems unhealthy, but illusion is powerful magic—as long as it sustains them they will continue to thrive, and I hope they do. I have no desire to offer advice, or rescue anyone, though his mother would dearly love it. I have been gone all day. They will all think that I have drowned.

Hawaii Journal, 7/11/91, total eclipse of the sun


7/11/91, total eclipse of the sun. I actually saw the solar flare of the sun’s corona with the naked eye, red verging on magenta. And I could see the surface of the moon. Totality lasted four minutes but it felt both timeless, and only one second long before the diamond ring burst forth. On the beach a couple was getting married.

We sat within the sea wall arms of the place of refuge and offered our very consciousness to the sun and moon. But we didn’t see the moon’s shadow descend, due to the light cloud cover. We were lucky, as the coast was socked in with fog earlier in the morning. It actually parted just as the eclipse began. It was as if we had made a bargain with the gods of weather.

Everything was bathed under a strange glowing light similar to candlelight. No sooner had the birds chattered and sung their songs to make the sun rise, they had to prepare again for the descent of darkness. As soon as they did that, they had to sing their morning song once again to make the sun rise. It seems they were confused as to which song to sing, and when. It was a very busy morning for the birds.  

I swam in the pool with my massive night-blooming cereus blossom, the size of my face, wearing a plumeria lei, visor and shades, I must have been a sight. I swam with the sleeping fish, mostly yellow tang, and manini, as the eclipse descended. 

The city of refuge was a perfect place to view the eclipse, there was a scattering of people. As totality descended you could hear everyone gasp, let go their breath, and a spontaneous cheer erupted as the diamond ring broke free. You could actually see the edge of the moon, the silhouette of the mountains and the craters. No metaphor about it. Nothing could prepare us for the actual experience, nothing.

Photographs don’t even come close to capturing it. It’s utterly magical, a strange glow, an umbra, followed by the penumbra. The air had gotten noticeably colder, and the wind stopped blowing, and the sea grew calm. Then the wind reversed directions, and the sea rose. Never have I seen such obvious cause and effect, such sheer power, the forces of gravity at work. You could actually see the direction of the solar wind radiating out from the corona. 

I think we had clearer weather here than at the main viewing place, which was packed as a penguin rookery. The couple getting married embraced, a group hug followed. It seemed that the sun took forever to come out from behind the moon. 

We stood on the pahoehoe, or female, or ropey lava with our backs to the sea, it was mirror-calm, a glassine pond, without a ripple. I didn’t need a snorkel to see the fish. There was a timelessness to the event, we felt bound to each other and wedded to time itself—suspended animation. No problem in understanding why primitive folks freaked out when there was an eclipse. It was a sublime event, a real harmonic convergence.

We went home, had toast with Cabernet Sauvignon jelly, and mimosas made from Eddie’s own tangelos and Napa Mumm champagne. We watched the televised event again. Eddie had pre-recorded it, but the cameras did not capture even half of what we witnessed or experience. However, it was wonderful to be able to replay the clips on the TV. They showed shots from the Maunakea Observatory. 

And to think we had clearer skies than the designated eclipse viewing spots on the northern Kona Coast. It’s a somehow fitting that we watched in the very place, Honaunau Bay, where Captain Cook met his untimely end in the Sandwich Islands (hold the Mayo). If only he had made it to this side of the bay, to the city of refuge, the Aili’i would have had to given him refuge, and he would’ve lived to tell the tale, instead of becoming the main course. Instead, he wound up in someone’s stew pot. 


I gave my night-blooming cereus blossoms, dream-white with lemon yellow stamens, so like ostrich feathers quivering at the site slightest breeze—as a gift to the sea.

Later on in the afternoon, I came back to snorkel in this same pool, there are two perfectly round lava pools here, the one I’m sitting in front of now, is a reflecting pool, higher than the sea. We sat between the two pools, a spot Ed had picked out. Those 6 AM scouting parties paid off, we had the best seats in the house. 

I also snorkeled in Honaunau Bay, entering it from the lava flow in front of the heiau. It was as magnificent as I had remembered, the most outrageous coral gardens on earth. I saw myriad unicorn fish, and a lot of fish I have never seen before. I braved swimming outside of the reef and was startled to see a strange creature in the canyon in front of me. I swam with the sea turtles for nearly a half an hour. They led me out to sea.

A couple I had met earlier, played tag with this creature, he said he tried to hitch a ride but the turtle’s shell was slippery. We swam out around the point where the bay drops off 30 feet and we found an even larger spotted turtle.

Unicorn fish, orange and black and blue and white scribbled file fish, an orange trumpet fish, surgeonfish, Moorish idols, threadfin and long-nosed butterflyfish, ornate wrasses, several types of parrotfish, Achilles’ tang, sargent majors, blue jacks, anglerfish, purple surgeons, Picassofish, or humuhumu triggerfish, angelfish, damselfish... I spotted at least 50 species and some that I can’t even find in my fish books and I’m not including the gobies, the lizard fish, the tetras, the neons, and all the other aquatic fish we’re familiar with. mudskippers, a turkey fish, I forgot about the grunts, the coris, and the blennies and sculpins.

The Hawaiian kids that I swim with earlier, thrashed about in the lava pool, once a sacred fishing pond of the royalty. A boy takes off his snorkel and turns it into a conch horn. The sound reverberates up the mountains. My day is now complete. I leave my lei at the heiau altar. Yesterday’s ti leaf and coral intact. There are many more leis, offerings to the older gods as well as to the gods of science. 

It’s beginning to rain as it does each afternoon. And I am thankful to be alive on such a day as this.
My butterfly-fish drawings are 24x36”




Solar eclipse, totality, Big Island (photos)

Solar eclipse, totality, Big Island. Since I couldn't look through my camera, I was shooting blind, and apparently I was a bit unsteady, as well. It was a long handheld shot, as there was so little light.




Hawaii Journal, 7/11/91, total eclipse of the sun

Tuesday, July 9, 1991

Journal entry, 7/9/91, City of Refuge, Big Island


7/9/91, Big Island At least I am consistent as to when I wake up. 7:30 AM and my biorhythm is kicking me out of bed and to the curb. Meanwhile, Marilyn snores deeply. I like the stillness of the house. Yesterday we stopped up by to see Ed and Nina’s Victorian house that they built from scratch, called Toad Hall, a monstrosity that has them asking why did I build this house? Ed loves it. He says the only way he can stay retired is to be here in Hawaii working on the house. He was a labor lawyer. The good fight.

Soon it will be the seventh hour of the 11th day of the seventh month, the belief in the promise of sanctuary: pu’uhonua. And a total eclipse of the sun. Big juju.

In the City of Refuge, I find promise of sanctuary. Oleg writes that Texas is like the southern Ukraine and how he misses me. Yesterday the air was gray with volcanic ash. Returning to the sanctuary, I am reminded again of what I thought I wanted so desperately was like volcanic ash. How I desperately plunged into the sea in order to overcome the vestiges of another man—was it five years ago? Was it Geoff ? How they all break my heart, but this time it’s not my heart that’s broken, oddly enough. Just the residual flotsam and jetsam of another relationship ended. Can you ever separate the two?

In Pu’uohounua a honaunau, the City, or rather Place of Refuge, you were not even allowed to cast your shadow on the outer wall if you were a commoner. I’ve done much more than that, I’ve swum pass the mouth of the tiny harbor where the kapu God warns of eminent death to all who approach. Kumulipo, the creation chant at the altar of the high chief. I leave a coral rock wrapped up in a ti leaf.  This place, keone’ele, is called the Royal Landing. The ki’i god marks the channel of Honaunau Bay.

It is said the heiao still holds the bones of 23 chiefs. Mana is spiritual power. And lele is a raised platform. People came here to be absorbed by the kahuna pule. In the game of Konane, a Hawaiian cross between checkers and chess, the object of the game is to make the last move. Sort of like getting the last word in edgewise during a heated argument. Yesterday, the volcano was active.

Kapu breakers included those who escaped the fury of battle. The fragrant pandanus, the screwpine, the walking tree, neither palm nor pine, stands tall on its roots, the tree of life, the nui coconut’s leaves clatter, a staccato, and the ohia, the first tree to grow on new lava, greet us. Both ends of the wall reach for the sea, it is both a barrier and a link, separating the royalty from the commoners. 

But it joined people together in the belief that there was hope for life in that place set apart by the wall, the pu’uhonua, But the heiao, not the wall, gave sanctuary. Mana, or spiritual power was thought to have remained in the bones of chiefs. But King Kamehameha II abolished the old religion in 1811. Still, people believe. Offerings of poi, rice, fish, leis.

Instinctively I entered the sanctuary from the south, from the seawall and approached the correct heiao where the sanctuary is given, wrapping a ti leaf around the coral rock and offering it to the right altar—because it felt right. I feel like I’ve passed the test. 

Hours later, when I read the guidebook, I discovered that I had done everything in the right sequence. I didn’t think of it, it just happened that way. Am I a noncombatant in a time of battle, a defeated warrior or a kapu breaker? 

I’ve been here twice now, given a second chance at life. What secret laws have I broken now? Seeking a new life here? What have I done? And I offended the guards, will the lava flow? Will the tidal waves ravage the coast, will the sun fall from the sky? When I leave this place, will all be forgiven?

Monday, July 8, 1991

Journal entry, 7/8/91 at cousin Eddie’s compound, Big Island


7/8/91 My cousin Eddie’s parents arrived from Orange County, and we all went out to dinner at the Terrace in Kona. I found out that they took a Russian language correspondence course in the 1950s—during the height of the red scare. Pretty amazing. Not everybody supported McCarthy. Ranger tells me that there is a Russian fort in the Hawaiian islands, just like in Sonoma County.

I tell them the story how my best friend Stephanie‘s mother who spoke Russian as a child, worked for the UN as a translator, and was blacklisted during the McCarthy era for speaking Russian. Probably one reason why I was fascinated by Russia and wound up going there to see it for myself. Of course my aunt Jane, Big Ed’s cousin is rabidly anti-communist.

Ed, Senior, my second cousin Eddie’s father, is also known as Ranger. I never did get the story why he was named after the Lone Ranger, plays swing jazz oboe with an Elderholstel group. But I prefer it to Big Ed, his other moniker. But he is a big rangey cool drink of water.

Big Ed picked up the dinner tab saying, it’s nice to have family here. Having been raised by the same family (my grandmother, his aunt), was taught to always order the cheapest thing on the menu and so I did. Luckily I love mahi-mahi and it was so good at $9.75, the other meals range from $15-$22 looked great, but I am suspicious of shellfish in the tropics. It seems odd order to order cold-water species in the tropics.

I woke up early with the dawn. Easy to do in the tropics. I took a long 2 1/2 hour nap yesterday afternoon, I could’ve slept in longer, but the temptation of a quiet house, my notebook, and defining the beauty of the morning in a tropical garden proved to be too tempting. I do need quality alone time. And I keep thinking of London, his thousand words a day, his short stories are not long, only 3000 words. Something I must do, or surely I will regret it.

Writing is not a joy, but I necessity. Too long I’ve been under the dominion, or is it a distraction of others, nine months of Oleg, and now Maryilyn. It’s no one‘s fault, I just can’t seem to sit down and write if I’m distracted.

I’m sitting outside on mossy concrete watching an enormous land snail slide across lava rocks. He has an elegant spiral streamlined back as if he were aerodynamically sound, but the mollusk crawls, well, at a snail’s pace.

The mango tree is ringed with fallen fruit, a crashing of leaves small clouds of fruit flies rising up to greet a new addition to their already veritable kingdom. There are more varieties of fruit flies in Hawaii than anywhere else in the world. The Hawaiian version of Galapagos finches but not so interesting to watch.

On Eddie’s photo wall, two postcards from me from the Galapagos where I write how much it reminds me of Hawaii. The temptation to re-read them is too great, so much has happened to me since I sent those cards three summers ago. How was I to know that John and I would break up so painfully? It’s been almost 6 years now since I have known John—three years in, and three years out.

I feel torn, seeing Eddie with Kim. Obviously they stuck it out after all. He and I share a similar attitude towards life, but he’s able to maintain a relationship, while I clearly, cannot. Certainly, I was unhappy with Oleg in my space, unhappy with many things in the relationship which spanned two years and included two countries. 

Nine months of living together in my small cabin helps to explain the probable outcome. Would it have been any easier if we’d had more money, and a larger living space? I suspect the living conditions merely exacerbated what was inevitable. In contrast, having two living spaces with John merely prolonged the inevitable—damned if I do and damned if I don’t.

But did I come all the way to Hawaii to obsess about a man when I could just as well have done it at home?

Sometimes I feel like it’s so American to stumble blindly through life, only after the fact, do I come to the conclusion that after piecing together pieces of a puzzle, the a-ha that follows. But I’m suspicious of the puzzle itself. What if it’s a structure I’ve invented in order to give meaning to something? Chaos is a random type of order. 

JournalI need to be careful of those too-ordered hedges in the garden but aesthetics always calls for improving upon what is sculpted by nature. Sometimes things grow wild and out-of-control on the leeward side of a tree. The dogs are barking, they are Hawaiian poi dog strays that Kim has been feeding on the beach. She is an enigma to me. Eddie, I feel I know without knowing him, because he is very much like me and we are twin-cousins, born a year and a day apart.

But I am even suspicious of that model. Always question the current model of the universe. It is only as big or small as our concept of it, whether it be a dragon swallowing the sun, or moonshadow. Keeping alive the mystery is also a part of the writer’s job. Unfortunately swatting mosquitoes is too. Kim is up. I need to find another place to write. Am I ready to to chat. No. A gecko chuckles, sarcastic little bugger. Mynah bird squabble in the mango trees, the heavy odor of papayas,

My ankles and thighs itch until I’m driven indoors. The desire for solitude won’t overcome the blood lust of mosquitoes.

It’s funny how location triggers associations, memory inexorable intertwined with surroundings. We bring with us the sum total of our lives. We can’t escape who we are, what we remember—we are like those snails carrying with us the house of memory on our backs, streamlined shells capable of withstanding hurricanes, or great speed, but we never quite get up to speed, or expose ourselves to the elements in order to truly test the arrowdynamic design of our psyches.

The odor of tuberose and orchid stumbles into the verandah with the heavy ease of tropical air. I can’t stop looking at the gardens, so many textures and designs, I don’t know whether to paint or write. But I don’t have any paints. So that solves that. Words it is then.

Marilyn’s awake, I’ve moved to the front porch. And I have a new set of cats for an audience. There are eight, each with their own personality and special habitats. They are small strays watching us with real interest. There is an intelligence behind their animals stare— like that of lemurs and squirrel monkeys.

Eddie comes in with armloads of papayas—mostly green ones. He said, if you let them ripen completely on the tree they’re not so sweet. Same with bananas—some green improves the flavor. Maybe it’s something to do with stored sugars—a reversal of corn which is sweetest after you pick it. Those carbohydrates, can you trust them?

Sunday, July 7, 1991

Hawaii Journal, 7/7/91 Big Island, Hawaii, eclipse madness


7/7/91 I’ve been in Hawaii a week and I have no real writing to speak up. On the Big Island, at my cousin Ed’s place, I feel at home at last. I fall asleep for a few-hour nap after lunch. Island salmon grilled in the yard. Divine. Maybe it was the rum punch at noon.

Later, we went down the hill to Kona and sat in a bar overlooking the bay, the open air is redolent with moisture, an incoming storm. Rain, and eclipse countdown. I try not to get too excited, it might be overcast. I admire ripe mangoes against green miniature suns, and listen to the Japanese doves cooing, their quiet call has become a signature backdrop sound of the islands.

At Ed’s place in Napoopoo, we are miles above the sea. It’s been five years since I’ve been to Ed’s place, and everything seems so familiar, as if I had never left. The geckos chirping, trying to lay their eggs on the ceiling again. We can’t explain the properties of gravity to them. Little eggshells on the coffee table. I read that Jack London wrote 1000 words a day. How did he ever do it here? I’m positively narcoleptic.

Evidence of eclipse frenzy everywhere. From Tshirts to designer cookies. The camera crews arrive on our same flight, looking as disoriented as us. Do you to a late airport shuttle pick up, we barely caught our flights at all. All Aloha air flights were booked solid and they added 60% more flights said my cousin Ed, landing and taking off every 10 minutes. It’s a zoo here. The buzz in the air is palpable. Eclipse madness.

Saturday, July 6, 1991

Journal entry, 7/6/91 Tantalus Dr., Waimea Falls Park


7/6/91 Yesterday’s drive up Mount Tantalus was well worth the wait. Spectacular views of Honolulu, Pearl Harbor, and Waikiki below us. Diamondhead was breathtaking. We are in a rain forest. Lianas, passion vine, yellow ginger and philodendron bedecked the understory of koa trees and tamarinds. Other trees that I know not the names of, hale mua, aumakua, guardian spirit. Bananas were ones forbidden to women, they were kapu, the hale pe’a, the menstrual but. Hale noa, a place of kapu. We are all kapu here. Hale is earth, haole is strangers, invaders. Waikiki is the gathering place. Aina is land, Ka’a aina, natives. The old ones. Aloha means both hello and goodbye.

Friday, July 5, 1991

Pearl Harbor, Hanamua Bay, Hawaii Journal, 7/5/91


Early this morning we snorkeled in Hanamua Bay, in order to recover from the Fourth of July. Waikiki was jammed. Fireworks like I’ve never seen before, so many people all in one place. The sunset was a maroon fire. Fireworks against the backdrop were spectacular, if short lived.

Later in the afternoon we head out to Pearl Harbor, we’re waiting for the tour boat. I never thought I’d come to this place, but I am desperate for some alone time to write. I am semi-brooding, incubating material, but there’s so little time to write. I’m trying not to get frustrated with time issues.

Traveling with someone is always a compromise. I feel like I’m being railroaded. For example, the day we rented the car, I wanted to go back and get my camera since we were going around the island. But she didn’t want to. Yesterday, after Hanamua Bay, I wanted to stop at the blowhole, since I had a camera on me. She didn’t want to. I still haven’t had my Waikiki shopping fix because Marilyn didn’t want to go. Anyway other than that, it’s going well, in spite of it all.

I found a lei while waiting for the tour to the USS Arizona. A World War II survivor describes how the ship burned for 2 1/2 days, and there are 105 unmarked graves. A few years ago, I refused to go to the memorial because I am so anti-war. Now, I am ready to visit this place, though I dislike anything that commemorates war. It’s my job as a writer to record everything—both good and bad.

Pikaki and magenta carnations on my lei, the heady scent of the islands. There are few Japanese tourists visiting Pearl Harbor. Marilyn says it is similar to the Germans not visiting Auschwitz. Yesterday’s headlines, revolution in Slovenia. It was quiet for so long, revolution and war erupting in the Eastern Bloc countries. What will come of it other than more senseless death?

The World War II survivor rolls off a litany of ships damaged during the war, beginning with the ships named after states. They are always she. The USS Missouri, Mighty Mo. My namesake. Then he adds those ships named after cities, mythical creatures, and extinct Indian tribes: Phoenix, Oglala. They say you can still see the fuel rising to the surface from the USS Arizona even after all these years. Rainbows on the water. God’s promise of peace.

Yesterday, while I was snorkeling on the outer reef, a large moray eel followed me, lazily swimming unafraid in the open water. I had to keep reminding myself that he was only opening and closing his jaws like that in order to force oxygen into his gills. But it was alarming to see all those teeth up close. Fish have altered their behavior due to so much hand-feeding. One young parrot fish nipped my finger. Peas make them hyper aggressive, a naturalist says. All that sugar.

Finally they’re trying to save Hanamua Bay, now that they know that the coral is really dead. Too much human love, people standing on the coral reef, not understanding that it is a living entity. And sunscreen leaves oil slicks on the surface of the water. The bay is dying. I am appalled by its demise. Requiem for a bay.

Still, on the outside reef, I saw many more fish, a school of manini grazing on the reef. As the surging waves tumbled above us, the fish tumbled and turned, their mouths attached to the reef like stems of golden leaves in a windy sea. Something about the coming fall, golden birch trees—manini means leaves Hawaiian, I once read somewhere.

I am haunted by the thought of all those men entombed beneath the bay, their bones like bleached coral. Japanese doves circle at my feet. This place of pearls. What was it like before the military destroyed this shallow bay? A tiny Japanese girl chases the doves, shrieking in proverbial delight. Did the dying men even have time to scream I wonder? I want to cry, disliking these tears of pity, of sorrow, and distrusting the sentiment behind it.

My body is approaching 40, and I am uneasy with my reflective surface, feeling the loss of a mate, I’m lonely, having little to show for my life except for obscure deeds done. Bone tired, I no longer know how to slow down, even now. Death approaches in sleep, occluding the day.

The beauty of tropical fish, rare birds of the sea, as they swarm around me, is almost timeless. I am mesmerized, and never want to return to land. A man who pointed out a fish to me earlier underwater, recognizes me at the Save Hanamua Bay table. Smiles in recognition. It must be because I am the only one diving in a T-shirt and purple leggings. No sunburn here. I like his smile, but his face is indistinguishable from the others.

The other night walking along the beach at sunset, another dark-haired man smiled at me. I smiled back, smiling only because he smiled at me. It was expected of me to smile back. I acknowledge you without having to speak. Nothing else was implied. No pick up motions. I get so hostile when this happens, not that it does much anymore I thought to myself—then I was busy correcting that statement. Never did happen much to begin with—not because I’m old, or ugly, but because I make myself unavailable to most people. It’s a self protection mechanism.

I feel particularly unflattering right now. I could lose a few pounds but MarIlyn likes to eat all of her meals—like Oleg—and my will is weak. I need more control over my diet, I need more exercise, but my calves hurt from the Waikiki shuffle. I fell asleep at noon yesterday. I never fall asleep during the day. I am continually tired. The tropics drains it out of you. Mynah birds, twice the size of sparrows, and redheaded cardinals at my feet like Christmas ornaments.

The World War II veteran drones on, his voice drops an octave as he tells a story of a Japanese man who came here, with tears in his eyes, saying, I am so sorry this happened. Auschwitz is ensconced in a white glass bottom boat over the USS Arizona, and its name is Pearl Harbor. The only pearls left are the teeth of the dead. Even the palm trees wear yellow ribbons. We are all weeping for the dead. On the memorial wall I find my last name in black and wonder if we were related.

Overweight American women sprout sequins flags on their ample bosoms. I am an anti-sentimental American. An Asian kid wears a shirt saying, Proud to be American, is indistinguishable from the Japanese tourists swarming in indiscriminate formations, like pulsing flocks of starlings into the sky. It is all group mind.

At Hanamua Bay I was surrounded by Japanese tourists who have little sense of American body space. I do something considered to be rude. I push back. My ticket says number 17, with a message, Aloha. Take pride in America. Can I take pride without liking the hyperbole associated with patriotism?

The guide tells us, At 7:55 AM on December 7th, 1941, the USS Arizona sank in less than nine minutes—on a Sunday morning. What prayers were offered up?

Wednesday, July 3, 1991

Oahu, Hawaii Journal, 7/3/93, part 2


When Perseus threw Medusa‘s head into the sea, the snakes turned algae into stone and coral. A sign of good luck. Rapture of the deep. At the iron gate on the old Pali Road, a Styrofoam cross and a faded red shirt, small black squares like raisins tied to the tip of an ohia tree. I throw píkake blossoms, someone’s abandoned lei. 

I can’t get used to the hordes of Japanese tourists doing everything en masse, like the random choreography of starlings. Someone’s remembered suicide, the Pali winds didn’t blow him back up, like in the legend. No reprieve. But even though today there is no wind, the wind is blowing floral offerings to the gods of the sky. A suicide remembered. 

Tomorrow is the Fourth of July. And patriotism makes me nervous. Oleg found our graveyards strange. Red flowers equal death on all the graves. A mynahbird pecks at a fallen mango. I’m feeling sorrow for the parting of lovers, the suicide of the heart. The rain is falling like tears—all the clichés to haunt us. Oleg says the sky is the color of his heart turned to stone. The lover’s gaze, an unseasonable summer rain.

Sunset beach—a squall to the west, rain over the ocean, pink from the volcano, Sunset, the golden path of the sun. False calligraphy of clouds. Turtle Bay was murky but along the road, a Chinese man driving a tractor was followed by a cloud of egrets. A white frenzy of wings writing the air with the feast of feathers.

This sunset promises to be a good one, rosiated hue. It was hard to relate to the penguins and the flamingos sharing the same pond at the Waikiki Hilton. Mind boggling.

Turtle Bay is Mormon territory. White-skinned women who have never seen the sun draped in pahoehoe shawls. The men, with their sharp angulations, look like aa, which is fittingly, male lava.

In the place where I buy my second pareau  the owner discusses Japanese buying habits— just as a busload stopped and bought $3000 worth of clothing. Less Japanese here now. The natives are grumbling, but the building racial tension is stanched by the flow of money. We all have our gauntlets. Party boat coming in packed like sardines.

Marilyn walks along the beach in a red toga matching the sky. The squall deepens into purple and becomes opaque, falls into the secret of the night.

Tuesday, July 2, 1991

Oahu, Hawaii journal, 7/2/91, part 1


I’m feeling a little grumpy because our room, Marilyn’s and mine, in the Hawaiian Monarch, with its advertised corner window and water view—is a minute corner of the Alawai Canal. It has no lanai either. Psychologically I need a lanai to step outside this prison of a room. 

Earlier, I fell asleep beneath a palm tree at the Hilton Fish Pond and I am red enough to prove it. I woke up this morning with a headache and I was doubly grumpy. Such a dramatic change in surroundings. Life has left me feeling discombobulated. I am more tired than I realized. Bone tired. A deep exhaustion factor. Hopefully the Islands will soon work their magic. 

Waikiki has gotten even more so Waikiki on steroids, and the guides blitzkreig us with color and chaos, they offer little by way of bargains. Definitely a more expensive town than when I was last year four years ago. Of course, I stayed with my friend Kathie the last time, in Haiku, and so avoided the whole tourist mess. 

This is Marilyn’s first time here. So we’ll be touristing somewhat. More Japanese and European here than ever, though, Waikiki, which means the gathering place, has always catered to a cultural admixture of folks and everything is either bi/trilingual. The selling of a dream in foreign tongues.

Sunday, June 30, 1991

I, Poet (personal essay)



By MAUREEN HURLEY

Great nations write their autobiographies in three manuscripts: the book of their deeds, the book of their words, and the book of their art. Not one of these books can be under. stood unless we read the two others, but of the three, the only trustworthy one is the last.  —John Ruskin

When I was 10, I first heard my muse. I recall savoring une moment, a small Joycean epiphany, looking west, late afternoon. Out of the blue, a voice said: "Remember everything about your childhood because someday you'll become a writer.Startled, I looked around me. Not a being, except for my cat Winky who wandered by; surely he didn't suggest I become a writer. The resonant voice immediately amended that statement: not a famous one, of course." The muse then mumbled something about being known in small, but important circles. Important to whom?

1 was the only one filling the visible air, spiced with the pungency of black-green oaks and bay trees, clay dust, horse manure, and dry summer oat grasses seething in the afternoon heat. Panic-stricken, I felt guilty because at an early age—somewhere in the eternity between ages 3-1/2 and 4-I promised to become a visual artist like my mother. I remember watching her make India-ink lines on creamy paper magically transform into a three-dimensional object even I could recognize: a broken Christmas ornament. Much to her annoyance, I was literally drooling on her drawing, but I was hooked. All through school I declared myself an artist, even though one didn't major in a given field until college, as my school counselor so aptly pointed out. It took nearly 20 years before the prophecy of the pen took root.

Where do creative ideas come from? Life experience, pain, conflict—an attempt to give order to the chaos of the universe. Sometimes lines or words come to me in dreams, I say them over and over until I wake up, and then write them down. Easter Island is a mathematical equation of the mind. To trace back an idea is sometimes more cumbersome than just accepting it as a gift from the gods. Sometimes I just hear voices. No. 1 don't need psychoanalysis--it's merely a mater of tuning in to a particular channel. We all talk to ourselves. My grandmother wasn’t so silent about her internal dialogs. Often she discussed her facts with the empty room- usually a rant against the English, or the Anglo-Saxons, who, according to her, were responsible for all the world's woes. Perhaps it helps to have an eccentric Irish grandmother to stimulate the writing process. Or nostalgia for the past, and a desire to find order. I suspect my dyslexia has a lot to do with how I perceive the world. I hear things differently; it both helps and hinders the process. 

The computer has made a vast difference in my life as a writer—that doesn't stop my fingers from typing the wrong letters, though; shape-changers p, b, g, q still refuse to toe the line. I can think all jumbled up and it's OK, because later I can unravel the tangled ideas and give them a logical order. Perhaps it was the computer that allowed me to blossom as a writer. But I began writing by longhand, transcribing everything to calligraphy because I couldn't type. (I now type with four fingers and an occasional thumb.) 
This room, with its indirect morning light, a permeable membrane, like the boundaries of skin, translates the air with origins. We each bring with us the burden from earlier fires, but here we unwrap genetic coals, and though there's no longer a hearth, it is a placeholder for an idea. We can’t quite let go up. Late at night when there’s a little else to sustain us, words burn across the page. —From "Stacking Wood for Celia" —by Maurcen Hurley
I refused to take typing in school because I didn't want to be a secretary or a teacher. So now I make my living as a writer and a teacher as an artist in residence. I've been lucker than most writers in that I’ve been able to survive at my craft. Eventually the computer helped me to think logically enough to write my grants for six California Arts Council artist-in-residency projects at Mark West School, and a short project at Napa State Hospital, Another grant gave me a year's worth of work exploring Sonoma County heritage at Matanzas School in Santa Rosa eventally launching me into the Soviet poetry and art exchange, which has absorbed nearly all my available time for the past two years. A poem from that journey, “Country of Origin," recently won the San Francisco Bay Guardian's Poetry Award. It seemed funny that the award chock presented to me was from the investigative journalism fund—yet many poets and writers were journalists as well.

Hemingway comes to mind. He said, "Trivel broadens the mind. Writing broadens the ass. I write standing up." Though I tend to write lying down, travel always stimulates my writing process, because the newness is a sharp foil against the complacency of what is known. I started wandering at an early age. Macy’s in San Francisco with its escalators hiding dragons beneath the bottom step, scared, but didn’t deter me. I wound up smothered in the coat racks, ghostly rattle of hangers whispering among themselves. On horseback or anything similar (we rode anything on four hooves), we explored the long north-south ridges that traversed West Marin, where you can see the bell curve of the ocean arching beyond Tomales, headlands and Point Reyes Peninsula, a floating island. Later, the Sierras, Canada, the Caribbean, Latin America, the Galapagos, Europe, and Russia beckoned. 

Our family has always maintained a fierce, unsellable love for the land. I suppose I inherited it without really knowing what it encompassed. The land itself, shapes, culture, art, and cuisine. Growing up in a pristine area, strikingly similar to Coleman Valley, shaped my art. I remember my neighbors visiting sister, Borg, exclaiming on, and on how beautiful it was, where we lived, the fresh air, etc. I suppose we were spoiled, but we knew no other life. The horses took us across the boundaries of freedom and change in the form of fences and county lines and home. I had to leave west Marin to stand the concept of beauty; by understanding the loss, after the fact. Maybe that who was responsible for the distillation of vague ideas into tangible writing. Is my story any different from that of an inner city rider? Other than locale, I suspect the primary impulses are the same, my story is any writers story. 

VARIATIONS IN WHITE AND BLACK

       Language is the music of thought.
 —Andrei Vosnesenski

The composer Satie, who ate only what was white
would've loved this cavernous room suspended from dark beams
with its white rug, walls and venetian blinds of white linen.
The hostess, the guests, even the keyboards of the baby grands
and our poems—all in variations of white and black.
Sighting down the vault created by the raised piano lids
snuggled in each other's curves like tired lovers,
Kirk and Marilyn play a four-handed improvisation
on Pachelbel's Canon in D. Dah dada dá dah-dum. . .  I think: gun barrel.
Just after the war we are overly sensitive to images of war.
Sasha, a Soviet vet who survived fire, reads about Afghanistan.
More piano wires taut around the slender necks of poems
of those who can never break free or go back:
Marilyn to Cuba, Oleg to the Ukraine, Sasha to his unscarred face.
We prepare to read translations, but because each line
requires a leap of faith from one image to the next,
we fine-tune them mid-air. Music is the mother of mathematics.
At one point, near the end of Haydn's Variations by Brahms,
the notes begin to merge, forming new ones like hawks mating mid-flight.
At the right moment a chorus of frogs joins in
but there's a hole in the sky; how do they measure time?
As the last note descends, it is silent; they say frogs
are the living barometers of the earth's health.
They say Gaia's final chorus will be silence in spring.
They say in some places it's already begun.
Where does a Möibius strip begin and end?
Sasha transliterates Kirk's name, and we are drunk on this music,
the sum of this defenseless layer of human culture.
Notes leaping over the small mossy stones in our ears
add up to a temporary respite from the shadows of raptors—
useless angels of the war, any war.
Even the frogs are listening to the Hallelujah Chorus.
3/29/91
Santa Rosa 1991 The Paper Sasha: Alexandr Karpenko
Why, I write is to heal something within myself. It’s the most vulnerable act I know of, to be a poet. Perhaps it’s also the most practical of the art. As a painter, I turned my back on the world, working in isolation. I was mute and shy; communicating was the hardest thing I could choose, and so, having no words for what was boiling over, I began to write reams and reams—not calling it poetry. That came later. Perhaps it was the dissatisfaction with the pimping and whoring of the art world that made me turn my back on it. Or it was a time to grow in another direction, to become literate. Once, I interviewed KPFA talk show host, Joan Marler, who said the reason why she got into radio programming was to prove to herself she was intelligent. As a practicing dyslexic, I know the story all too well. The supreme challenge for me is to paint pictures with words. To string two ideas together, to prove that I have a brain.
 
Dostoevsky said everyone is an artist. I like working with children in poetry and art because they’re closest to the creative process. As a writer, I keep going back to early childhood memories, and I wish I hadn’t waited until I was 27 before writing, my first poem, such as it was. Everyone has a poetic, voice (or creativity), it’s merely a matter of finding, and uncovering it—sort of like being a detective. I belong to a “detective agency” (code name: private, Irish), we meet once a year to read poetry, and to play softball. What we have in common is the love of language; this is what bonds us. I tell students, “as artists we’re  spies. We record what’s around us.” Poetic license to snoop. In art there is no one “right “answer. In fact, there are multiple solutions. Sometimes the third or 10th solution is better than the first. Art requires going back again, working with material until it feels “right,” it requires persistence. As with science, it comes from those hunches and intuition. If we always knew what we are going to say, or paint, why bother? 

Poetry is not limited to what is “poetic. “Poetry, the apex of culture, is the distillation of human expression. The integration of the physical, mental, emotional, and spiritual selves should coalesce in a poem. The Mayans and Aztecs called it the flowered word. Poetry is a form of activism that took me into the schools – to effect change, to make sure the children were getting the tools to help them put their feelings in perspective with the logical world. Poetry is empowerment. It’s political. It saves lives. 

To be a poet, one must live life fully. You have to have something to write about, a need to tell someone the story, and a reason to write it. If you’re stuck, ask yourself: who is my audience? Whom do I write for and why? It could be to yourself, to your peers, or to the tribe at large. We spend a lifetime designing an imposed order on this chaos of thought. One can feel so alone in the midst of the personal journey of the creative process. I think we need both aloneness and fear— some inner conflict to hone the creative process, forcing us to write. I have to write, it’s not a matter of choice. There’s no magical formula used. You just do it and do it and do it. It’s also about self empowerment. It offers another perspective on responding to the painter Gauguin’s question about who and what we are, and where we are going. An interesting study was done on art and madness. Of course, writers, artist, and schizophrenics shared similar symptoms. All the artists weren’t clinically insane, they just seem that way. It’s because we delve deeper into the unconscious and utilize it in our craft. We render it, give it shape; a byproduct to heal ourselves. Art is a process, not a product. This is why art is a mirror reflecting back to who we are. The only trustworthy mirror we have. 
The battle of the sexes continues to operate between the sheets making no distinction between lines of gender, the shore line, midline, line of declination, the screen phosphor line, a line fed to us from the psyche, the gods, or another man or woman wanting something other than commitment between church and state, war and peace, enemy and friend. —From "Sunday Morning, Berth 1-Il" —by Maureen Hurley
A poem is like a stone thrown into the pond of our collective unconsciousness. A small splash—concentric ripples spreading out into the conscious dimensions of the larger pond of humanity—can affect change.

Plato said "all knowledge is recollection." Keats said poetry is what is recollected in tranquility. And now, in this technological revolution, when we re barraged with facts, it's hard to string them together, to make a deeper sense of them beyond the shallow impressions. The role of the poet is to reinvent the myths. We've been on a crash course, destroying what we believe in, and as a species, we need the myths in order to survive. Like dreaming. Otherwise we enter inton world of nihilism, of denial. This is why there are gangs in search of identity, they form tribes in order to know who they are. Pocts are the keepers of the conscience of the larger tribe of man; they give shape and meaning to our existence. These small stones thrown inte the pool of the world leave concentric ripples lapping on the near and far shores of our thoughts. As the good doctor-post William Carlos Williams said: it is difficult getting the news from poetry but men die miserably every day for lack of what is found there.

Saturday, June 29, 1991

Journal entry, 6/29/91, Oleg calls from Indio, California

 6/29/91 Oleg calls from on the road, Indio California. I tell him he’s in the San Andreas Fault bed. The Salton Sea, the Sea of Cortez. He asks if the San Bernardino Mountains are the Rockies. He has no idea. No, I say the Sierras, simplifying geography a bit. I tell him how the peninsula of Point Reyes came from there along the fault, though it was probably from the Tehachapes, or at least that’s what geologist say. But most of those same granite outcroppings extend all the way to Cabo San Lucas. At Point Reyes I saw the same kind of rock as I did in Cabo. How I love the story of rocks.

Anyway, finally, I think I made a geologic impression on him after all this time. He’s never fully grasped the magnitude of the idea of how living along the fault line has shaped our culture and our coastline. He doesn’t think of the earth is moving because we can’t measure it with the naked eye.
When he called, he said he was in Forestville, he said he couldn’t leave me, then he amended it by saying he was in Indio. It was a joke maybe not in the best of taste, considering the circumstances. I had mixed reactions.

I was willing to go and pick him up, but I had a pang of dread, thinking of all I had to do before I left for Hawaii at 5 AM on Monday morning. Both of us were trying to pack at the same time. It wasn’t working. So I said squelched my needs in order to meet his needs. I still haven’t physically packed though I did all my bills and chores.

I couldn’t pack with him in the house. He was ending a way of life, while I was merely preparing for a short respite from the interruptions of the past nine months.

Having Oleg in my tiny house was definitely a pattern breaker. So, my life was turned upside down. Rather than face the emptiness of his not being here, I opted to get out of the house. A complete change of scene. Hawaii. The eclipse will take my mind off the past year’s events, and hopefully it will launch me into the next stage of my life, whatever that is.

And so, his call was welcome, though I fought down the guilty beasts rising within myself. Why don’t I like to answer the phone? Fear of responsibility, and of what is to come. I hated it when he called, asking me of my plans and is pathetic hangdog voice. I’d love to make over his telephone voice too, because I knew I always had to come and get him wherever he was. Beck and call. I was always responsible like a mother to a child, and I hated it. I loved it when he was self-reliant, which wasn’t often, but it seems we fight too hard to get there. My secondary emotions, resentment and anger included all the primary emotions.

I just re-learn the word sublime from the ground up. To pass from solid to gaseous state without going through ice to steam. Turner’s paintings are sublime landscapes, Wind, steam and fog. I too learned to pass from one state to another, bypassing logical progression, into the sublime state. Pavlovian emotions. How to stop the roller coaster heart now?

He forgot five rolled cigarettes In the Bugler can on top of the clock radio. Women are more sensitive to smell, than men—it’s biogenetic. We are born that way. It makes sense—food, danger, sex, all carrying odor with a message of one kind or another like the on/off binary code of computers. Pixels. Danger/no danger. I hated the smell of tobacco, rolled, unrolled, loose, burnt, etc. Nothing to do. My nose smells the minutest particles. I could smell him rolling cigarettes in the kitchen while I stood in the bedroom doorway 8 feet away. Sometimes it made me sneeze.

The past few months I’ve had to take allergy pills day and night to suppress my allergies as it was an unusually bad pollen season. His cigarettes, my down comforter, and pollen were too much for my immune system. I kept getting short term viruses with a duration of a few days to a week, the worst part is the low grade fevers and the night sweats. Of course it scares me, AIDS foremost on my mind. None of us can completely rest assured when it comes to our sexual past. I saw a gripping documentary Absolutely Positive, how HIV affects lives, both straight and gay. I guess the hardest part is to get to the no blame section as the I Ching says.

No, I never got to the no blame, or at least it was pretty rare. I did it times achieve that state, saying to him, no blame, but when you do A, B, or C, this is what happens within me…
How can we avoid this möbius loop? Issues of time being the most prevalent.

I took Oleg to meet my family after we went to Point Reyes. He said he wanted to. I didn’t suggest it, but I pointed out landmarks dear to me— my hill, Mount Barnabe, and the Olema Hill Road. We were on our way to Bolinas and Mount Tam for the solstice. As it turned out, we hiked to the other end of the point, Chimney Rock at 4:47 PM, or whenever the precise moment the solstice was, and missed it. I wasn’t aware that the solstice happened at a certain time, I was waiting for sunset to celebrate.

At the solstice I was alone, enclosed within the circle overlook, a wooden fence, very much like a wooden Stonehenge watching the sun set due west behind the lighthouse. I was alone on the edge of the continent, celebrating the sun, something far older than me within, and across the naked fields, a small black dot, man’s torso, Oleg always lagging far behind.

I had gotten tired of waiting for him and forged on ahead, alone, but this is the way I experience the openness of nature best. Alone, elemental. Surrounded by sea and sky, light, wind, earth. But he came into my circle. And we watched the waves crash below us, I pointed out Point Reyes, to the west, Drake’s Bay, and the scalloped cliffs to our right. I’m on an island in time, we were on another island, it seems like Scotland or Ireland. Nova Albion. I get it.

I wore a nylon jacket from the 20th century and there were boats in the harbor, but it was as if time itself didn’t exist. My determined pilgrimage, my mindlessly running to this place, only to have the uncanny sensation of having had a similar experience before, unnerved me. But my relationship with Oleg has been filled with déjà vu from the very beginning. He was supposed to stay this long, I guess.

I remembered another useless dream about schedules, etc., fragments of conversation, meaningless in the dream, but they still came true nearly two years after the fact. Because I write down what I remember of my dreams, I have a running fact sheet of images. The earthquake dream came true too. The rubber band dream with the red carnations defied logic. Oleg had rubber bands around his neck with me helping him to adjust them.

In another dream, we were on Highway 101 by Cotati, heading north to Santa Rosa. Instead, in real life, I took him to the San Francisco depot late at night, I had placed a red carnation in his food bag. And there were plenty of rubber bands around his luggage items, as it seems. In fact, he took all of my fat rubber bands, only Leaving two behind, just like in the dream. I have the elements of the dream right here. The order may be out of sync or it hasn’t happened yet.

And so we went to my grandmothers house, had dinner with Jane and my mom. So many cornflowers or bachelor buttons in bloom in the field below. Oleg said they grew among the rye in the Ukraine considered a weed, but to describe a beautiful girl was like cornflowers among the rye, all blonde hair and blue eyes. I realized my darkness, my hair and my eyes were the opposite of assumed beauty in the Ukraine, with its predominance of blue-eyed blondes.

Home, this land I love, and roses filled the path to the upper garden. We struggled in the tangle. I showed him plants. Huge bushes, rosemary and flowering peach that I had planted in the rocky, barren soil as a child. I season our food with sprigs of rosemary from the parent bush of my grandmother’s garden. I’ve made many progeny. Several here in Forestville as well as elsewhere. Rosemary the blue sea rose of my name and of remembrance. Roman cliffs, Italy, the sea.

We said goodbye to the sun setting in the northerly gap on Mt. Barnabe. Fitting that I should come home, appropriate accident. Later, my mother tells me that my uncle Bill has lung cancer. I am so angry knowing he was missing a half a lung from TB and yet he continued to smoke. I’m surprised it took this long to catch up. Jane, Oleg, and my mother continue to smoke as she tells me the details.

The open window and the air purifier is for my benefit, the asthma that comes from inhaling cigarette smoke, will not help their lungs. I flash angerly at Oleg. See why I want you to stop? I say it just brings more death. He continues to smoke. I pointed to my mother, saying how our family is riddled with cancer. She had breast cancer, an,uncle died of melanoma, and my aunt Toddy has skin cancer and breast cancer. My grandfather’s throat cancer from the cigars. In defiance, he draws another halo of smoke around his shoulders, the pleasure on his face is unmatched even by sex. Even with the knowledge of death, they enjoy their guilty addiction, subtle, thorough and lasting.

I want to mail those last five cigarettes to Oleg just to get them out of my house but I am aiding and and abetting by mailing them back to him, or am I? Grim reminders of death. I leave for Hawaii soon. When my uncle be alive when I return on 21 July? I talk of returning to my childhood home, living in a trailer in the garden. Oleg says it would be coming down in life to live this way, it would be regressing, that I’m better off staying in Forestville. Wow. I didn’t see that one coming. A middle class Soviet.

I never liked my uncle Bill, especially when he tried to sell our land right out from under us. My grandmother crying one summer evening as he laid down the news. Who was he, living in a tract home, to tell us what to do with our land? In a rage I attacked him verbally. I wasn’t even 12 years old and he never for gave me for my adult anger in a child’s body.

And I never forgave him for manipulating us, trying to break up our family. Put her in a nursing home, what happened to me and Guy? The enemy was a man all right, within the family. Eldest born son with the arrogance to match. Shades of the dream. The white cylindrical tubes, the glistening silver lines—what significance can I attach to the number four?

Sarcasm is the first form of humor. I think of the word sarcophagus. Phagos. The body devouring itself. Cancer. Give me another fag. I can hear my uncle asking, as he lies, so white and pale on the bed. I want to tell him, the Little League coach, that the bases are loaded this time, and who is left to steal home?

Journal entry, 6/29/91, dropping off Oleg Atbashian


6/29/93 12:38 AM, what better time than to start a new journal, having just dropped Oleg Atbashian off at the San Francisco Greyhound station, the end of relationship, end of a project—and a new beginning with my art. I am really ready to be done with him.

Sad to report it since Oleg’s been here, I’ve only filled one journal. Nine months of relationship absorbing all my free time. So much conflict with us, the useless arguing, we even managed to contradict each other on our final ride to San Francisco. He’s on his way to LA, then to Fort Worth, New York, and then home to the USSR. He was definitely saying goodbye forever, and I guess whatever we had, the experiment that failed, it’s gone forever, though we told each other I love you, what is there really?

He goes back to his kids and wife in the Ukraine. What of her? Someone said Nadia went to the authorities to report him missing, having abandoned his family. I can’t help but wonder what horrors he will face when he gets home.

All his American loot will bring much excitement. Two heavy suitcases, a backpack, and a Macintosh. Between the two of us, we could barely carry it all. How will he managed if no one meets him in Fort Worth, or New York? I can’t imagine him in the Moscow Airport trying to get to Kiev train station. But that is no longer my worry.

When I think of my lover leaving, it makes me cry. When I think of all the technical difficulties, I remain dry-eyed. I can’t imagine why he so easily riles me up. Yesterday, after making love, we finally talked a little bit about ourselves, and the relationship. The scary part is how alike we are. So, even though he was from a completely different culture and language, we managed to find a twin of ourselves. Dysfunctional match. He said I was like his grandfather and I said he is like my grandmother.

The constant contradictions in arguments over trifles—we both became our own worst enemies, and exorcised our personas on each other with predictable results. We’re both equally guilty of something we had little control over. I often felt possessed by a demonic urge to challenge, to be hard, and he really brought out a side of me from my childhood that I don’t like at all. He says we’re too alike to have a relationship. We are two pluses, we each need a negative to balance us out. He thinks similarity is a bad thing. I think it’s positive.

Stalemate. Checkmate. Guilt is a motivating factor, feelings of inadequacy. He says I’m more of a male-female while he is a feminine male. The problem is, it’s easy for him to not develop and grow, he lets me take the role of responsibility and he becomes a parasite, like the male parasite fish attached permanently to the side of the colossal female, so huge, that scientist at first assumed they were two different species.

He said he learned a lot from me, not necessarily positive. He said he learned that he needs to be kinder. I probably tenderized him enough to make his relationship with his wife better, such bitter  irony there. Where does love fit into all of this conflict? He says to remember the bad times when you wanted me out of the house, it’ll make it easier.

So easy for us to cry, and to hold each other. In bed we were friends, better lovers than workmates. A reversal of our role in Cherkassy. Emotionally, it was a roller coaster, though I seemed to retain a clarity as to why I reacted, and felt the way I did, but I was helpless to prevent the emotional upheaval.

What do tears mean, and those three words, I love you? Values. Sex wasn’t enough to make the relationship work—really work. We both wanted something more tranquil and supportive. Instead we got chaos, and fireworks. I felt angry because I was having to do so much work to keep us physically afloat. Maybe having him in my territory was the real problem. We talked about the conflict there too—we both want to occupy the same territory and I’m not used to sharing that space, and neither is  he. He thinks he began to recognize some of my criticisms were based upon truth after all.

It’s going to seem strange sleeping alone, our silly mammalian talk, horses and rummaging rights, penguin talk and blue sky acts. Once he rubbed my ass saying blue sky! And the sky turned blue. It stuck and every time he wanted blue skies to appear, he’d rub my ass. Silly things that lovers too. I’ll miss the affection and the sex it was satisfying—for the most part.

His odd quirk, his dislike of my breathing on him never changed, it continue to hurt my feelings when he turned his head away. He had enough phobias, it sometimes made life difficult. He was so intolerant of my animal love noises, my licking and biting and scratching. I was surprised when he asked me to scratch him very gently the other day. It took us a long time to trust each other sexually.

His changeability, apparently a cancer trait, was very unhealthy for me, creating a whole scenario of mistrust. We never quite molded each other into the likeness that we each desired. We never quite accepted each other the way we are, flaws and all.

Luis says there’s a danger in trying to remake someone, codependency. I was definitely trying to remake Oleg over. The entire fucked Soviet system of co-dependency equaling love. And to his credit, he did improve in many areas. I told him how difficult it was for me to have someone entirely dependent upon me. How it drained me. He really was foolishly wise. Childlike in so many ways. We really were from different eras, time travelers. But the hourglass shattered.

Saturday, June 22, 1991

TRINITY


TRINITY 

from a drawing by Marsha Connell, White Sands Guardians

When Marsha drew 
rock formations at Stallion Gate,
naming them White Sands Guardians,
she knew nothing of their history
witnesses to Ground Zero, 
and the new green desert glass, trinitite—
On July 16th,1945,
the sand fused for miles
by Trinity; a destroyer of worlds,
said J. Robert Oppenheimer.
This is the place 
where Billy the Kid 
& Pancho Villa last rode
on The Trail of the Dead.

This is the place
where ghosts of the Cold War 
swarmed in hissing sands, 
where fathers and sons listened 
to the sounds of war 
growling across a cloudless sky
announce the birth 
of the nuclear age.

This is the place 
where blood stained white sands, 
and the threefold nightmare 
of a black flower bloomed,
riding across the world 
at the speed of light.   


6/91 & 7/16/92                                                                        

Saturday, June 1, 1991

WHY I AM A POET

WHY I AM A POET


The silhouette of a bird on a telephone pole
a raven, a vulture, a hawk? Too big.
I swerved and braked the truck—
in the sunlight, a golden eagle,
too close to civilization, and I understood
why they're called golden; they are luminous.
Spotting eagles within city limits
isn't reason enough to write a poem about it.
What am I supposed to do now?
Tell the world I hang eagle feathers
from my ceiling to keep away bad dreams?
We feel compelled to talk of more human things
site-specific, but now I've seen rare eagles
where they're not supposed to be.
We've come to expect vultures and crows
with whom we co-exist so beautifully.
The raptor who faced near-extinction
isn't reason enough to celebrate;
our sights are limited to an occasional red-tail
on the fringes of society, and we are satisfied.
We always have trouble imagining
anything beyond our own limitations.


6/91