Wednesday, May 25, 1983

2 POEMS: FAMINE FOOD, MONGOOSE MANGOES

FAMINE FOOD

Finger bananas 
banana toes 
little apple bananas 
taking seven years to grow
Will chopped down the banana tree 
famine food for the crossing.

5/25/1983




MONGOOSE MANGOES

Jacques, having some trouble 
with his English, asks me, 
have you picked any 
mongooses for breakfast?

5/25/1983
added 9/15/20116

Hawaii Journal 5/25/83 doodle drawing


Hawaii Journal 5/25/83 fossilized bones, extinct flightless Hawaiian bird, drawing

Fossilized bones of a large flightless extinct Hawaiian bird

Kay Kepler drawing! Hawaii Journal 5/25/83

Kay was our host for the deep ecology conference in Maui with Gary Snyder as the keynote speaker. We spent an afternoon and evening in a bungalow halfway up the slopes of Haleakala viewing a slideshow of indigenous species. She showed a slides of bromeliads and asked what we thought the parent plant was. In a room full of ecologists and botanists, I was the only one who guessed that it was a geranium species. The flower gave it away, Like the silver sword that grows on the slopes of Haleakalā, it looks like it should be in echium like pride of Madeira, but its parent plant was a California tarweed. 

Tuesday, May 24, 1983

2 POEMS: FLYING TO MAUI, DREAM SEQUENCE

FLYING TO MAUI

Scut cloud shadows on the ocean 
like darkened continents
Or sunken coral reefs
Modern mariner plane 
writing the air currents 
a ship of the sky.

5/24/1983?


 
DREAM SEQUENCE

I come from the past 
unerringly into your thorn shadow 
and we drink the deep water
from under the bridge. 

5/24/1983?
added 9/13/2016

Monday, May 23, 1983

2 POEMS: UP THE PALI, GUAVA JAVA

UP THE PALI

Up the Pali, the Chinese called this place 
the land of Sandalwood. 
Ginger and plumeria laden the air.
A solitary gecko chuckles in the night.

Koko head, Koko crater 
last point of volcanic activity in Oahu.
Pele, the fire goddess went looking 
for a last home here. Found none.

On the plains of Oahu, 
pineapples grow green skirts.
Dance in the wind.

8/23? 1983
added 9/15.2016
minor revision



GUAVA JAVA

The sun sculpted rain on the mountains
exoderm of ridges leaving rigid lava teeth exposed
The weight of ironwoods anchored in Pali winds.

8/23? 1983
added 9/15.2016

LOS CAPRICCIOS DEL PARADISO

LOS CAPRICCIOS DEL PARADISO
 —one breakfast delight, $2.45 plus tax

The mangoes aren't ripe,
the papayas aren't perfect
and the last tango was in Paris.
Pineapples ripen ever four years,
bananas take seven,
mangoes come twice a year
and in Waikiki—home to the spenders of paradise,
no grass hut for John Steinbeck
or anyone else for that matter,
pods of bronzed bodies outnumber 
the Hawaiian monk seals before colonization
where every season, the season of the tourist.
There is an open season on paradise every two blocks
But the fish still swim in Hanauma Bay, 
their bodies drift with the current
like leaves in the wind, 
and all is forgiven.

5/23/1983
Oahu, HI
added 9/15/2016

POSTCARD TO MARIANNE AND DAVE WARE

POSTCARD TO MARIANNE AND DAVE WARE


Aloha from Oahu.
The birds of paradise 
seem to get stuck up tourist noses
And the only real cure 
is to spend some puka puka.
The waihinis in bikinis on Waikiki
give rise to mail expectations,
But, the fish don't mind 
and that's the current count in the end. 
We all shaka shaka bro, Da kine,
Okay, okay, we hang loose.
The sign says it's okay, okay
And da water, she fine.
No Pele tears here.
Pele, she quiet for now.
Missionary man, he slapped her down good.
But she be like yeast bread 
in a bowl, rising, rising.
Soon, she make ready for da oven.

Oahu, HI
5/23/1983
added 9/15/2016

THE BIRDS OF PARADISE


The birds of paradise 
seem to get stuck up tourist noses 
and the only real cure 
is to spend some puka-puka.
The wahines in bikinis on Waikiki 
give rise to the mail expectations 
but the fish don't mind 
and that's the current count in the end.
We all shaka-shaka, dakine, okay-okay, hang loose.
The sun says it's okay-okay underwater, she fine.
No Pele tears here
Pele, she quiet for now.
Missionary man, he slapped her down good.
But she, like yeast bread in a bowl, rising. Rising.
Soon she make ready for the oven.
Aloha, Mahalo, mahalo.

5/23/1983

Sunday, May 22, 1983

Obligatory Hug, May 1983, Franklin St. Clubhouse, Santa Rosa (Maureen Hurley, Marianne Ware)





THREE POEMS from Hawaii

CHILDREN OF THE SEA

The children of the sea, 
the children of Mauna Loa
Pele raging against the sky
The fish swim between her toes 
in Hanamua Bay.
Her crying reaches the sea,
her black tears cool in its depths.


PAPAYAS

Papaya trees holding their clutch 
from beneath their leafy crowns.
Papaya trees holding their plantations skirts 
above their clutches of fruit
Waking to the cooling of Japanese doves 
wondering where I am anyway.


BREAKFAST DELIGHT

Papaya, Plumaria, papaya 
papaya papaya papaya.
White doves on the lanais in the tropical rain
Mahalo wahini, aloha welcome to Hawaii 
Hibiscus sunrise. Mahalo, Mahalo.
One breakfast delight, $2.45 plus tax.
$2.45 plus tax.

5/20-22/1983
Oahu, Hawaii
added 9/15/2016

Friday, May 20, 1983

RRWG reading, Franklin St. Clubhouse, with Marianne Ware, Maureen Hurley




MANINI

MANINI


How does the current level wave
capture that luminescence from the sky?
Tiny transparent fish in the surf 
schools of manini grazing on the coral 
as the wave changes, they suddenly shift 
as if they were fall leaves blowing in the wind.

The shifting wave swings the aspen leaf 
bodies of the fish about, as if a sudden dance 
of fall stirred them to madness.

Pale rainbow fish, zebra-striped eels, blue string worms.
How can one describe the hundreds of fish in the reef?

May 20-22? 1983
Added 9/15/2016



Thursday, May 19, 1983

FRAGMENTS

FRAGMENTS


The tentacles of the Banyan tree strangled, 
seeking wisdom from the earth.
Too much of a good thing is good for nothing.



Watching Hawaii 5-0 in Waikiki'i
is like déjà vu all over again.



The USS Arizona Memorial 
rests atop a thousand soldiers 
entombed beneath its decks.

5/19/1983
added 9/15/2016

RIDING THE NUMBER 20 BUS

RIDING THE NUMBER 20 BUS

Riding the number 20 bus
the driver singsongs the stops in duplicate:
Diamondhead, Diamondhead
Nimitz Highway, Nimitz Highway
Two types of coconuts over dere 
coconut tree, over dere, coconut tree.
Good shave ice. Shave ice. Kailua, Kailua.
Windward side, Windward side
Punchbowl Arena, up dere Yea, up dere.
Condominiums, condominiums.
See da banyan tree, da banyan tree
Ala Moana, Ala Moana. Hang loose, 
hang loose, bro, sistah, we almost dere. 
Almost dere. Aloha, aloha.

5/19/1983
added and slightly revised 9/15/2016

LAHAINA

LAHAINA

The tentacles 
of the Banyan tree 
dangle down 
seeking wisdom 
from the earth.

Too much 
of a good thing 
is good for nothing.

5/19/1983
I added title later.

Tuesday, May 17, 1983

2000 MILES FROM SHORE

2000 MILES FROM SHORE

Flying west along the path of the sun, 
a perpetual noon blazing on the ocean, 
occasional clouds, carpeted white against the blue—
I awaken from sleep with words 
slowly crystallizing in the conscious realm of thought.
Where do thoughts sleep?

Clouds forming vast mountain ranges at sea
Clouds forming milk skins across the volcanoes.
Tiny islands, mid-Pacific, land catching the clouds, 
a shawl draped over paradise.
All cultivated lands look the same from the air.
The vacant gleam of dark eyes:
the twin summits of Mauna Loa and Mauna Kea
watching the sky for signs.

5/17-18/1983
Oahu, HI
added 9/15/2016
slightly revised

Mimi & Livena drawing, Hawaii Journal 5/17/83


Saturday, May 14, 1983

FIRST TIME

FIRST TIME
— for Jim Byrd

Our canoe rounded a sheltered river bend
collecting calm emerald water
until it glistened in a slow curved smile.
The towering trees punctuated its mirrored speech.

From our raised paddles, words escaped
unannounced as water droplets
spawning concentric ripples
in an undulating desire toward shore.

Who is naming these silent tremblings,
sneaking up, canoe-like along the river
where, like deer coming down for an evening drink,
our hearts stopped, afraid to slake their thirst?

Who will stand guard while they ask the river
where the trees stop and the reflections begin?
Through the trees the wind is trickling.
Only the shore answers in a slow curved smile.

Years later, while drinking from separate rivers
we keep asking each other the same questions,
and our hearts, no less thirsty or afraid,
find nothing in the backwaters, except ourselves.

1983
rev./88
Forestville

1984 Deepest Valley Review

Monday, May 2, 1983

Obligatory Hug, May 1983, Franklin St. Clubhouse, Santa Rosa (poem)

I was scheduled to read with Marianne Ware at the Franklin St. Clubhouse in Santa Rosa on May 22, but according to my journals. it looks like I stayed in Hawaii instead. However, I had a poem in the Obligatory Hug. So I'm posting it as a publishing credit. Rites of Extreme Unction





Sunday, May 1, 1983

AMBER


AMBER

From the listlessness of fog,
and the dark regeneration of cherozim soil
to the pungent breath of hot summer’s evening,
comes my whispering shadows
trading secrets with the wind.
After a long winter, animals bend
me toward their mouths and learn
the tender filaments of spring.
Worn around the neck of a woman,
I am the pine forests weeping before the fire,
and the artists’ solvent, I am the amber tears
pressed to the deep bosom of the earth,
liquid sun, frozen sun, the eyes of tigers,
the eyes of snakes, bees hidden inside me.

The fog rises until I no longer see
the grey whales drifting on the Baltic.

5/83?  84? with Susan Kennedy’s class CPITS

I was in Hawaii May 17

Friday, April 15, 1983

SECRET ADMIRER

SECRET ADMIRER

I know a child who prays nights
to the sun of beauty
so fish will swim in a stream
filled with light.

Hollow masks: air through eye sockets.
We are afraid to look.

This light: the crisp edges of the sand dunes
spend little time shaving stars
from the night sky.

He proposed, I'll keep your books
until you're eighty before I return them.

Lately, I've been receiving anonymous postcards
filled with cryptic messages:
this poetry by which we live.

(Most nights I sleep alone.)

Last rainstorm, the Alta Mira
almost slid back into the sea.
Close your eyes. Listen to the rain
on my roof.
The cat's voracious yawn
disturbs the air as you turn.

My car breaks down
the third time this month.
You ask me just what I plan to do

And tell me about the babies
you want to have before its too late.
We both sleep alone.

In the hot tub, we drink your first wine
and sing love songs in the downpour.
A neighbor throws both of his shoes.
How many times do we torture ourselves
before we realize we've had enough?

Use commas before.
use commas after.
Use commas to separate.
After a word separate
this language.

Alienation—there is enough reason
to be frightened. Turn down the music.
I'll try to speak more softly
and not sing when you do.

Another postcard arrives unsigned.
Birds fly together. Don't they know
the sky is an arena for thought?

These tiny competitions between us.
Another wedge driven home.
Bird wings. Clipped feathers:

At night thin men imagine golden birds
flying across the sky.
The sky is filled with blackbirds
obliterating the stars.

The window is open.
An indecipherable melody
rides the nightair on tiny hooves.
These words fly softly west,
away from the dawn birds.

Loosened from the lassos of the sun
we are small unchartered islands
rising
and sinking
at will.

4/ 83


Friday, April 1, 1983

PLACEBO date?

PLACEBO

Sparrows dip in the evening sky 
for insects as the warmth of the sun 
slips from the dusty cheeks of the aged. 
The sky assumes its night position 
and masquerades as a bed of quartz 
as if the light of the stars could comfort 
the old ones for the loss of the sun. 
Fog clings to the hillsides like late apples 
on a branch in November. Another false night 
for those still hungry for the light of day.

April 1983?
added 9/15/2016

TRUE RHYTHM


TRUE RHYTHM
                          (Saguaro Arms)

Off the crisp edges of dunes,
a fine spray of sand forms into rivulets.
Rocks glisten in manganese hues
dressed in eons of desert varnish.

In that arid landscape of the heart,
opuntia, beavertail, cereus.
Saguaro arms reach for cerulean
dreams of desert sky.

The yucca's pale scent
attracts the moth.
In the desert, a blossom lives
throughout the night
and into the cool dawn hours
before it withers and dies.

The only rhythm of the desert
is the slow heartbeat 
of the saguaro after rain.

Spring 1983
rev. 10/15
 

Parade, 1955

Early childhood memory

I drag my new patent leather leather shoes on the sidewalk. My aunt yells at me and jerked my arm. Sonorous traffic like an angry hive of bees, charges as the light turns green. Exhaust curls around my white socks and thin ankles. My starched dress hangs over my body like a crinoline cloud. I hold onto my grandmother’s hand, and run the other hand along the white picket fence. The crowd stares at beautiful ladies in evening dresses and long white gloves, riding on the tops of convertibles, smiling and waving at us. The light turns yellow. Horses clatter by, dancing sideways, leaving steaming masses of manure. A man follows them, busily sweeping it up. Where are they all going? Why does the light keep turning from green to yellow to red like an angry eye changing moods, as the parade sweeps by? Those corpulent men all waving, fat cigars in their mouths, and gold rings and the endless clicking of traffic street lights.

Year? 4/83 This sounds like it was the St. Patrick’s Day parade in San Francisco, in which case it’s either 1954 or 1955.

Saturday, March 12, 1983

CAMPBELL HOT SPRINGS (100 Monkeys) no efile on final copy

CAMPBELL HOT SPRINGS
(100 MONKEYS)

Like snow monkeys of Hokkaido
we sit in steaming pools
under a flurry of snowflakes
and discuss our stomachs,
Keats, and the idea of truth and beauty.
We bring our ideas of culture to backwoods
artists who were content to paint
on rusted frying pans and saws.
To them this is what art is.

Imu, of the 100 monkeys story, was the first
to wash sand from grains of wheat in the sea
and soon the whole tribe copied her.
Scientists were puzzled by snow monkeys
arranging small white stones because
it had nothing to do with survival.
They couldn't bear the thought of monkeys
inventing a new game, or art.

Later, when the story of Imu's influence
was challenged by fundamentalists, I saw
a photo of the monkeys and people
bathing in the hot springs together.
Who was copying who?
Hoarfrost forms in our hair, melts and
trickles onto our scalps like blood.
Snow piles up on bare black willow branches
and leaves a dermis of skin on the water.
Nothing is as simple as it seems.

2/1983
Campbell Hot Springs
rev. 1988


CAMPBELL HOT SPRINGS

Like the snow monkeys of Hokkaido
we sit in steaming pools
under a flurry of snowflakes
discussing our stomachs.
Ice forming in our hair
melts and trickles down
to our scalps like blood.
Snow gathers on bare willow twigs
and leaves a dermis on the water.

2/83

IN KIND MATCH, and some haiku , Chico


Dear California Arts Council, this is just to say, that after my presentation, for my in-kind match I am deducting the price of a pair of gloves because we stayed too long in the hot pools and got caught in a snowstorm over Yuba Pass. I had to put chains on Ken’s car, because he didn’t know how, and then I couldn’t write for ages afterwards with my poor frozen hands. On the long straight slaughterhouse stretch of Highway 99, we gauged the distance of approaching cars in our lane by measuring how close together the headlights were. We hoped they weren’t in our lane. And we measured the speed of our death accordingly. And after that, I could only think in broken  haiku.

3/12/83

The precision of bird wings 
slicing through the air, 
A  scythe of feathers.

Honey locusts 
looking up through the mouth 
of a cliff to the sky.

Hydrants aching 
for a dog’s leg trickling water 
urging the bladder onward. 

Indian hot Springs, 
Big Bend, Pit River we were hot 
stones floating in the pool.

On I-5, the transparency of trees 
hiding winter’s houses in the hills 
clothed like green brides.

3/12/83

Friday, March 11, 1983

Gypsy funeral


Baro Ram, the big man, the leader, or king of the San Pablo gypsies, Staley Costello died. Gypsies believe that the dead should be surrounded by what they loved in life. Things to take with them on their final journey. Stanley Costello took a Styrofoam model of a leaping fish, a rod, some cigars, cans of Coke, a fishnet—all were  placed on the bier for that final journey.

No date. 3/83?

Note bene: The last gypsy funeral I witnessed was for Baro Ram Silva, the Santa Rosa King of the Gypsies. Swarthy men on horseback, decked in heavily tooled silver saddles, people crowded in Cadillac convertibles, down the middle of Santa Rosa Avenue, women in full skirts, shawls embroidered with roses, everyone, men and women wearing astounding gobs of jewelry, I stood outside of Madame Rosa’s Palm Reading parlor on Santa Rosa Ave., and watched a lost slice of history parade by, not understanding I was witnessing the end of an era.

Silva, or Silveria, lived on High Street in Sebastopol, across from the library, and made redwood chairs and tables. He supplied my friend Donna Champion’s fathers A&W franchise with tables and chairs. Come spring he found his way to my grandmother’s house in Forest Knolls, where he collected scrap iron and fixed our pots. One time we bought two chairs and a table that lasted forever.

Donna remembers one year Ursuline High School put on a Gypsy night, and the real Gypsies wearing massive chains of gold, turned out. Madame Rachael was reading palms in one corner of the room. It was a watershed event, as they are but nominally Catholic. Donna went to school with comedian Pat Paulson’s niece, Pulika (sp) was their gypsy name.

It seems I raided old notebooks and recorded everything in March. First paragraph is from my NPC journal. Silveria story I added later, with a lot of hindsight, 4/2020

See King of the Gypsies

Tuesday, March 1, 1983

GRAVID TREE

GRAVID TREE
      —For Daphne

Jonquils nod their heads toward the sun.
Shadows of trees claw at the edges of the meadow
 as winter sun pushes westward.

Like a river, the wind lifts me
and enters with greedy licks:
The only thing real. I am coming through the tall grass.

The wind carries me to the orchard.
and I sit astride a fallen tree covered with moss—
warm, yielding, like flesh.

Like the wind, the tree quickens
comes, and I fill the trees.
I am coming, through the tall grass.

The tree shudders & divides.
Embedded in the heartwood,
smooth as- silk, an embryonic apple
beats a slow rhythm.

The wind comes through the tall grass.

3/83 Forest Knolls

Tuesday, February 1, 1983

BOTTOM OF THE NINTH


BOTTOM OF THE NINTH

Our hearts catch an inside curve.
We try to sneak past each other
but the umpire yells foul play
and we are lost at the bottom of the ninth.
The player on third tries to steal home
but the bases are loaded and the score's
zero to zero in the moon's favor.

2/83

NIGHT HERON

NIGHT HERON

Night anchors on the dock
where the marsh heron's mask
is untouched by muddy water.
Only the slender bones of his legs
separate him from water and air.

 2/83

FALLEN ANGEL, drafts, no final efile


FALLEN ANGEL

Lost in the backwater
of each other's thoughts,
from the beginning,
we felt the letting go
into slow lees and eddies
until the current caught it,
eased it over venial stones,
closer to the whirlpool
in a slow gyrating dance.
Afraid of this sinuous twist-
ing of fleshéd days continuing,
we fishtailed, sought distance, slid
our attention into the river,
called it horizon. We named it mirth,
named it sin, grinned through
blackberry-stained teeth against
the skull-end of summer,
never calling it by its rightful name
The pelican daughters of King Lear
offered little solace. Like the redwoods,
their cliff-edged hearts beat once
a century. They never danced bone-
blind or drowned in the detritus
of amniotic love    after a coat-
hanger fished night’s labored descend-
ent from a crevice in the couch.

2/83  
rev 7/94

another version



FALLEN ANGEL

Feel the mind let go of itself
in the slow backwaters until
the current catches it, hurtles
it over stones closer to the whirlpool
in a slow gyrating dance;
the bone blind love
joined in the debris of night.

The mask of attention slips.
Afraid of this nakedness,
our eyes seek distant horizons.
Our hands offer hollow comfort.
We mechanically grin and laugh
calling it mirth, calling it laughter,
never calling it by its rightful name.
We are lost in the alleyways and cities
of each other's thoughts.

2/83
see
7 POEM FRAGMENTS, no date, end of summer 83?