Showing posts with label elugy. Show all posts
Showing posts with label elugy. Show all posts

Saturday, October 27, 2007

A BROKEN HALLELUJAH FOR SEAN RITTER

A BROKEN HALLELUJAH FOR SEAN RITTER

Someone once said in order to tell the poetic truth
sometimes you had to stretch it a little to get to the deeper truth.
My beautiful and tragically flawed mother was a poetic soul
and when her sister Toddy couldn't have children
she got right down to the heart of things.
She was a woman way ahead of her time.
She created a small bundle of poetic truth and gave it to her sister.

When I was young, my mother often dragged me into churches,
not on Sunday, but in the middle of the week to pray to St. Jude.
Her only wrongdoing was sharing the genetic coil
that unwrapped in Sean the addiction and the burden of California's third strike
that led to this premature shedding of his own mortal coil.
Sean's middle name was Jude, the patron saint of lost causes.

Sure Sean was a teenage terror, and a troubled young man.
His actions put strain on the family and occasionally the law.
But my mother loved Sean with a fierce mother love
that transcended and forgave his flaws.
For Sean also inherited her talents and good qualities.

Sean was a carpenter. After the Loma Prieta earthquake
he restored fallen landmark buildings of Santa Cruz,
and he built showcase homes for myriad families
though he could never build a home within his own soul.
When my mother died, Sean stepped up to the plate to share the burden.
He was there to sing praises to the crazy hallelujah that was his mother.

But from that tragically flawed miracle called Sean Jude Ritter
other miraculous lives were formed.
I give my mother thanks to Sean
for his brothers, Barney, Myles and for Katie.
And from that miracle, I give thanks for
my nieces Tiffany, and little Emma Rose,
for Brittany, brand new Sean Logan, and of course, for Taryn.

Before he was awarded the Nobel Prize, Irish poet Seamus Heaney
once said to me that as a tribe, we are a genius of poets.
Genius runs in the family but the flip side of the coin,
is that the piper has been well paid for his time.

When my mother died, she had a tape of Leonard Cohen's songs,
it was set to the song Broken Hallelujah—which became the Shrek theme.
I kept on playing that song all through the night
and when I got the news of Sean, that song played through my head
wouldn't let me sleep, so I downloaded three versions of it
and when I peeled away the onionskin layers of language
I realized the music was telling me that Sean was a broken hallelujah
and that I should praise him.

We are all connected by the deeper truth of family
bonds that cannot be broken by death alone.
Sean was a broken hallelujah. I will remember his strengths.
I hope that he will find a great scaffolding project in the mansions of God
within the folds of giving up of the individual self to the greater self
and to that vast ocean of love.

10/27/07

Sean Jude Ritter was my half-brother, but, because my aunt thought that she couldn't have kids, my mother, who was in no condition to raise a child, gave him to her to raise, and so he was raised as a cousin.

Being his half-sister, I wrote this piece, expecting to read it at his memorial, but my cousins and nieces completely ignored me, and didn't even acknowledge that Sean was my half-brother. I was polite, as I realized it wasn't about me, but, their grief. No need to feel snubbed—we were all grieving. So, I let it be. I lost this writing and, while cleaning out old files, I only now found it Jan 2/2014. It's lain fallow long enough. Time to let it go.  

Thursday, March 29, 2007

SUBURBAN LIGHT

SUBURBAN LIGHT
—For Deborah Garnett, 1944-2007

Dressed in a blue hospital gown,
she is luminous, radiant eyes and face.
It’s a brilliant photograph. She’s like a movie star in rehab,
reminding me of my best childhood friend, Stephanie,
had she lived until she was 63 years old.
She is translucent, calm but nervous, smiling for the camera,
ready to go, ready to face what comes, what will come to pass.
The unknown is around every corner, 
but we always forget. It is a lesson we learn anew 
and fail to remember with each passing.

The shoulders of her gown, with its snaps are like a road
separating the front from the back, the past from the present.
There is no future, there is only the now tearing the fabric of space. 
Small blue stars on her gown form clusters at the edges of her eyes,
I imagine galaxies of blue stars receding from the light.

It’s funny how the corner of the room evenly dissects 
her body into the cardinal directions. A compass or a cross.
She would have objected loudly to the idea of a cross,
being Jewish, and a New Yorker, 
she would complain in firm Manhattanese.
In the picture there is a hint of a door just to the right.
It leads to the unknown room, perhaps to the waiting room.
She is in transit. We are all in transit. No one knows
the timetable or the master schedule, 
or the fare—only the “all aboard.”
We stand on the platform for years, in limbo, waiting.

We stand there to wave her off, 
to wish her luck and a bon voyage on her journey.
We give her a shekel or a drachma. 
Coins and honeycakes to see her on Charon’s way.
She would have pinched each coin as it fell from the purse.
Sure, she had some rough edges, 
she was salty and strong-willed as they come,
and you’d think the universe revolved around her, 
she was a princess, but she had a big heart. 
The breathless heart shrouded by decoy symptoms.

Someone says it’s Saturday in that photograph.
It will always be a Saturday frozen in time.
On Sunday morning, my uncle too will arrive at the platform,
not ready to go, he will rage against the dying light.
There will be the classic long goodbyes from the family.
Late reconciliations played out around the hospital bed.
His heart having failed him early in life, when he
slid down the neck of a bottle. But he took heart again, 
redeemed himself with seva. Like Deborah. The good work.
Courageous. Mon coeur, we could have been friends.
I bring her an armload of flowers from my uncle’s wake.

Deborah will wait until Monday morning,
she will wait for the real work week
to begin the letting go of this mortal coil. 
Her enormous heart will fail her.

Deborah, I don’t remember when we first met,
perhaps at the writers’ group, some five years ago,
but I will remember your passing, and your big heart.
I will wear your clothes with style so that you may see again.

In the photograph, it could be Taos, or Santa Fe,
or perhaps one of the turquoised Greek isles you loved so well.
Instead, it’s a suburban hospital just up the road
from the lost inheritance of his father’s hospital, 
a hospital well within view of the road not taken.

                        —Maureen Hurley, 3/9/2007