Showing posts with label Robert Duncan. Show all posts
Showing posts with label Robert Duncan. Show all posts

Friday, February 5, 1988

TURNING STONES (after Layer of Marine Haze)

TURNING STONES

I am a mover of small rocks.
From Monte Alban I bring small pottery sherds
to Mount St Helena. I leave volcanic rocks
for my dead grandmother and take quartz crystals
from the mountain.

On the ridge facing the ocean
I've made a triangle of stone cairns.
Four vultures wheeling, circling as their want—
shiny black feathers in the deep forest
and blueschist
converging over my altar of stones—
I left them corn and bread,
water and sage smoke.

We invent ritual.
The elequence of necessity crystalizes all thought
into the single vortex of the sea
churning and rising like a cover
over sleeping bodies.
The sea answers, she is our mother.
These shells, these rocks are our gifts.

The passage of a soul is marked
in the muted silver of bracelets,
dentalium and jaspar.

In the firepit, rounded cobbles—
What quarry gave them birth?
I've begun to speak of things
I never knew I knew.

We are learning new languages to keep us on shore
and I am a camera facing the iris of my eye—
the diaphragm, open and close, open and close
like the contracting and expanding universe.

I dream of machine guns in the jungle
and of falling over backwards.
I dream of sickness
and of rolling with desire on the grass with wolves—
After all, we are pack animals.

On the day Robert Duncan died
I dreamed of the green meadows I am called to
again and again.

2/5/88

On the Day Robert Duncan Died


Point Bonita:
The scratchy sound of pen and white page, the drip drip of noses, and the scratchiness of the throat. Brokenhearted Sharon sighs, and I wonder how much my art piece sold for. Layer of marine haze tinged with brown, the ozone hole growing, closing in biological arithms, dedications to death, the healing power of green and the fire of magenta. 

The man with the guitar surveys his handiwork in the garden. With a few cord changes, Eurydice is looking back over her shoulder where darkness sat waiting to find the center of her eye, jostling her with paradox how much we savor without knowing the sense of vision. 

Mount Vision in Point Reyes with its strange helicopter pad and orange mushroom radar. Like a Stonehenge of sorts. What's strange quarry gave birth to them? 

The chupping of a robin in the chaparral, such comforting sounds – the dead one on my doorstep. I guess it's time to draw the robins again.

I am a mover of small rocks. From Oaxaca, and Monte Alban, the small pottery shards fit into the. niche on the north peak of Mount St. Helena. We invent ritual. I take back five rocks and find a huge quartz crystal, my talisman. 

At the big rock, with no other name, this megaliths on our hill, the Christmas day ritual, was to visit it with my grandmother. The sorrow washing over me and waves, caught between laughter and rock. 

From Mount St. Helena I take volcanic red rock and leave it there, and from this place I take ouartz from the ridge outside of Guerneville. I placed both rocks in a pyramid, making a triangle. Cairns to keep me safe.

At Armstrong Woods, after my ritual, four vultures came. Three from the north and one from the south. They converged over my crude altar made of stones – I left corn and bread, cranberry juice and smoke from sage. My crystal rocks pointing north receiving instructions, the rocks I brought back from St. Helena, the one from the top of my childhood hill. 

At the big rock, a bluejay and a hawk were my gifts. On the volcano, a crystal was my gift. On the ridge, for vultures circling and weaving feather and sky with shiny black feathers.

Blue schist slabs. I understand something more of geology. I have become a connoisseur of rocks, igneous, Franciscan, metamorphic.

I have forgotten all the rules. The club flag keeps whipping out prayers to the wind.

The sea answers. She is our mother. These shells, these rocks, are gifts and we will clean oil from the wings of birds because we were born into this passage. 

The passage of a fellow soul is marked in the striated silver of my bracelets, dentalian and Jasper. The churning breathing of the sea, I've begun to tell the trees things I never knew I had inside. 

The whispering of women, all those sea sounds. Surcease of wave, the crunch of rock and rolling of tires on pavement. Coyote brush in bloom. Timeout. People laughing. Just keep on going, one says. The whisper of the sea, the flag, we are all learning new languages to keep us on the shores.

 I am in a camera facing the iris of my thoughts. The diaphragm open and close, open and close, like the contrasting and expanding universe. I capture some snippets of emotion after 20 days of testimony from the sea. The elegance of necessity crystallizes into a single vortex, the sea churning and churning, rising like a cover for sleeping bodies.
I dreamt I was in the city house, the twin beds of my grandparents hiding their arms, were they dead? No, only sleeping. I say, excuse me I didn't know you were there. 

My grandfather is someone I don't recognize, he looks Italian and is smooth with the ladies. We talk soft so not to disturb my grandmother, she needs to sleep. And I comply, but who is this man to tell me this? He is my father whom I have not seen in 15 years. I dream of guns and falling over backwards, of sickness, and rolling on the ground with dogs. All this on the day Robert Duncan died.

2/5/1988
CPITS wokshop
this freewrite morphed into two poems

LAYER OF MARINE HAZE (aka Turning Stones, or Mover of Rocks)

LAYER OF MARINE HAZE

Layer of marine haze tinged with rust  
the ozone layer growing, 
closing in biological rhythms
dedication to death
the healing power of green
and the magenta fire 
The man in the garden with the guitar
surveys his handiwork strums a few chords 
to make the sun rise
and Euridice looking back over her shoulder
where darkness sat waiting to find
the center of her eye to dazzle her 
with paradox
How much of this world 
we savor without knowing it 
The word beauty had little meaning 
for me as a child
In the firepit, rounded cobbles
what quarry gave them birth
the comforting chirruping of robins 
scratching for a meal in the chaparral

The dead arrive on my doorstep 
a present from the cat
now in cybernetic sleep in my freezer
so I can paint it later
It's time to draw robins again

Four vultures circled
three from the east and one from the south
they converged over my altar of stones 
I left them corn and bread
juice and sage smoke 
instructions from the north  

I am a mover of small rocks 
from Monte Alban in Oaxaxa
I bring a small pottery sherd 
to place into the niche of rock on Mt St Helena
named after a Russian princess
We invent ritual
I take back five rocks and the huge crystal 
I find becomes my talisman

At my childhood rock
the megalith in the hill on Christmas 
a ritual to my grandmother who first brought me here
and the sorrow hanging over me in waves  
caught between laughter and rock 
I leave volcanic red rocks from the princess
and take quartz from my natal grounds
On the ridge facing the ocean I build
my third cairn with rocks from the princess 
and from home
I've made a triangle of stone cairns
a web to keep me safe  

At the rock &a bluejay mimicking a hawk was my gift
that same bluejay stealing my poems
four vultures wheeling, circling as their want
shiny black feathers in the deep forest and blueschist 
I understand something more about the geology 
a have become an obsessive conniseur of rocks  
igneous, franciscan, metamorphic
that' s rule no. 7 but I've forgotten all the rules
and the american flag over the bunkers 
keeps whipping out prayers to the wind 
what does it pray for invasion at this old army fort? 
The sea answers, she is our mother
these shells, these rocks are our gifts
and we will clean oil from the dead wings of birds
if necessary because we were born into this
the passage of a fellow soul is marked
in the muted silver of my bracelets
dentalium and jaspar 
the churning breathing sea
I've begin to tell of things I never knew I had inside
the whispering of women all those sea sounds
surcease of wave crunch of rock
rolling of tires on pavement 
coyote bush in bloom
time out people laughing
Just keep going one says and I do  
the whisper of the sea, the flag 
we are learning new languages to keep us on our shores
and I am a camera facing the iris of my thoughts 
the diaphragm open and close open and close
like the contracting and expanding universe 
I capture frozen snippets of emotion 
after two days of testemony for the sea I still cry
the elequence of necessity crystalizes all thoughts 
into the single vortex of the sea
churning and churning 
rising like a cover over sleeping bodies 
and I dreamed I was in the city house again  
the twin beds of my grandparents
hiding their forms under blankets as if dead, in sleep
The man who rises from the bed is 
not my grandfather
he looks smooth with the ladies 
he tells me not to disturb my grandmother 
she needs to sleep and I comply
But who is this man? 
Is he my father 
whom I have not seen in 15 years? 
I dream of guns in the jungle
and of falling over backwards of sickness
and of rolliing on the grass with the dogs
all this on the day Robert Duncan 
died and I think of the meadow
  that green meadow.

2/5/88

see 
so heavily revised that it's another poem
TURNING STONES

I am a mover of small rocks.
From Monte Alban I bring small pottery sherds
to Mount St Helena. I leave volcanic rocks
for my dead grandmother and take quartz crystals
from the mountain.

On the ridge facing the ocean
I've made a triangle of stone cairns.
Four vultures wheeling, circling as their want—
shiny black feathers in the deep forest
and blueschist
converging over my altar of stones—
I left them corn and bread,
water and sage smoke.

We invent ritual.
The elequence of necessity crystalizes all thought
into the single vortex of the sea
churning and rising like a cover
over sleeping bodies.
The sea answers, she is our mother.
These shells, these rocks are our gifts.

The passage of a soul is marked
in the muted silver of bracelets,
dentalium and jaspar.

In the firepit, rounded cobbles—
What quarry gave them birth?
I've begun to speak of things
I never knew I knew.

We are learning new languages to keep us on shore
and I am a camera facing the iris of my eye—
the diaphragm, open and close, open and close
like the contracting and expanding universe.

I dream of machine guns in the jungle
and of falling over backwards.
I dream of sickness
and of rolling with desire on the grass with wolves—
After all, we are pack animals.

On the day Robert Duncan died
I dreamed of the green meadows I am called to
again and again.

2/5/88