Showing posts with label Kauaii. Show all posts
Showing posts with label Kauaii. Show all posts

Wednesday, March 11, 2020

ODE TO A SCRUNCHIE

           —after Neruda

You were painted with exotic flowers
from the Garden Isle
where the fog drooped 
on the back of the volcano
like an old gray cat 
while the sun struggled to shine
through the thick drizzle at Kalalau Point 
where fogbows ringed the rainforest 
and the ocean whispered secret stories
of the people who once lived on that beach below.
Scrunchie, you tamed my hair
during a time when nothing else would do.
But you’ve slipped back into the wilderness 
on your own, lost in a strange concrete jungle, 
a weary traveler so far from home,
to find something else to tame.

3/11/20
Hammer Montessori School

Thursday, October 10, 2019

Napali Coast



After traveling nearly 80 miles in a Zodiac, this is the half-way point. The sea is calm so I’m still smiling. The next leg home will be brutal with afternoon waves whipped by an oncoming storm stacking up on the diagonal. Trough and crest. Rise and fall. Slide into the trough at an angle, but hit the next crest head-on. We nearly ran over a startled sea turtle basking in the waves. Dip and sway. Like riding an unsteady horse side-saddle, over very rough terrain. At least no petticoats were involved.

Tuesday, October 8, 2019

California time, island time


Sitting in the dark, in a stranger’s house, on California time, not island time. Drinking tea and trying to convince my body that it’s OK to be up at 4 AM. The tropical air is balmy and the stars on this end of the island are much brighter than at home, where frost rimes my windshield. But then, I have no home, other than what I carry inside me. That was taken from me. What is home, other than a collection of memories, of things both ordinary and plain, that fill our waking thoughts. The stars, my constant guide.

Sunday, October 6, 2019

Flying to Hawaii



Outside my window, an untrammeled wilderness of clouds rear their heads over a sterling sea, and one can almost hear the rustling taffeta gown of the Pacific, laced with positive imprints of the air currents. Clouds commute toward the land, and out to sea again in Peregrinó colors—capturing fleeting glimpses of the spectrum, and the burnished gold of the morning sun is a deep ache of copper, or perhaps it’s Homer’s wine-dark sea, beneath us. An odyssey of thought escapes its earthly confines, as we wing west to the land of the ever-young. Or at least a hunkering back to the beginning of time. Perhaps we are all pilgrims here. Some are arriving for the first time, others returning home. One way or another, it is all a journey. A cluster of fishing boats, huddle like whitecaps on the outer banks. The wind singing arias. Strong headwinds leave us in suspended animation. Cirrus and stratocumulus clouds, odd lone whips of fog, perhaps a squall, I think of how useless the rain is on the ocean. Then a scurry of mare’s tails, scud clouds surfing on the surface of the sea, all following the currents, seemingly alive, a sentient slipstream or a dance cotillion. Clouds give way to the illusion of continental shapes, or ice sheets. Then, for a moment, I forget my worries, and think I am among the Gods. I am mesmerized by the separation of sea and sky, the horizon is both obscured and melded by the clouds. And that dark beyond, the great unknown, is both the nursery of stars and the crèche of death. The curvature of the earth is a subtle plain. Below us, the Marianas Trench, the deepest place on earth, and beneath us, the Farallón Islands, slip by unannounced, they are the last landfall and handholds of the Pacific Plate migrating north to return home to Pangeac depths, but the poles are shifting, north is changing its mind once again and the ice is melting, all that archaic sweet water, slipping into the bosom of the sea from whence we came.

Monday, August 13, 1984

Polynesian paralysis! Oahu, Kauai’i, Hawai’i, Journal, 8/4 -12/84


July 31 
(see Letter to Jim Byrd: Mid-Ocean, Enroute to Oahu) Well, there's land out there— Must be getting close. Mauna Kea. Through the clouds, the low flat tongues of Molokai's shore. 

Oahu: The water is so warm, I had forgotten the sheer joy of it all. Welcome to Hawaii. I'd forgotten about the slow pace here. In spite of 9 million tourists, Waikiki is still manages to be friendly. Waikiki is like Disneyland, or LA shrunk into a dream.

I'm in a room crammed with first-time haoles and not so haole visitors. Very difficult to think. Heavy. Pacalolo means I no can remembah, with an H. So much for intellect. Wish I could leave. Hanamua Bay is waiting, and all those fish....

It is so beautiful here, how can anyone possibly make plans for anything?

August 4
Waikiki, Oahu. Coconut palms grow along the shore, the green nut extracts clear water from the saline sea. We punch a hole in the coconut with a screwdriver. 

The Vietnamese man told me how he gave a local a ride back from Hanamua Bay. Passing the coco palms, he reminisced of the foods he ate in Vietnam. He said: I've been here 10 years. Not the same. The native Hawaiian ran up the coco palm and picked me ten coconuts. It took me four trips to get them all back to my hotel room, he said. 

Seeing me on the lanai above, he offered me a drink, placing the straw in the hole. We sip the faintly perfumed water tasting of traces of salt. There is a drought in Oahu, he said, tourists flush water into the bay while residents take turns watering their lawns. Coco palms grow along the shores of Waikiki, making their own water slowly, slowly.

After the canoe regatta, the women winners say, as the coach falls asleep at the Jolly Roger restaurant at the Coconut Plantation. Our coach goin' down. How you do, Miss Chang? Shaka. Hang in there brah. I not forgettin' notin'. He standed up against the door thing.

August 5
In the hotel I am meeting no one but the shopkeepers and I swap tales of homeland and of journey. Traveling alone, feeling safe, no need to worry.

At the zoo fence, a watercolor artist and I discussed left-handedness and right brain theories. We are defining the role of discipline and art. I came here to write. So far it's all been rubbish. But I'm collecting so much data I feel viscerally ill after each day. 

Polynesian paralysis has taken ahold, slowly it comes when you sleep, and it stealthily slips in like an errant lover into your waiting arms. I keep losing my camera, my keys, my wallet, camera bag, and I am nonplussed. I'm not losing them, I keep misplacing them and then can't remember where I've put them. 

Small kids clamber over and say hi hi hi. We smile, the best of friends. Kathy's nephew Mike and I putter around Hanamua Bay on a raft, we're sharing a snorkel. It's if they were all my children and we are all friends. I discovered how easy it is to be 10 years old again. 

There is something about the Hawaiian tongue that takes hold like a religion. I want to chant Napali, Napali, Napali. I find place names, searching for a place in within me. Lihue, mahi-mahi, Hanalei, pakalolo, talk-talk pigeon. Soon not long you talk like natives. Sentence structure and grammar are as cumbersome as a wool sweater in the tropics. No slack key here. Dakine. English as we know it becomes obsolete. I am convinced the tropics put you into permanent right brain mode. 

Right brain is capable of simple language structure and expletives aren't difficult to dredge up. Listen to the language of the tropics, an excellent reason for Polynesian paralysis. Right brain is inhabiting the timeless creative mode, full of concepts. Left brain is the administrator in Hawaii, and even administrators get a little slack key sometimes. Shaka brah! Hang loose.

August 6 
I spend days in paradise waiting to write something inspiring, earth shattering, nothing comes out. What words can compete with this truly soft caress of the ocean air and the warm blue water breathing on long reaches to the coral sand?

Honopu Trail: Passion fruit, small wild fuchsias, I eat strange red berries, similar to huckleberries, and their flavor reminds me of blackberries. It is so dense, so much undergrowth, I keep my arms and camera above my head. My feet follow a path I can't see. I notice how similar the land is—yet, different. Volcanic soil, blood-red, caked like adobe, yet slippery and porous. The trail I'm on is more than poorly maintained, it hasn't been maintained in years. So many down trees, walking is difficult. More like crawling.

August 7
I feel like I'm coming home to Kauai'i, a place where I’ve never been. Every major movie with those lush tropical scenes was filmed here. Bali Hai rises above us. It's truly what the song says it only rains in the mornings and evenings.

Hanalei: I take the Island Voyager up the Na Pali Coast, and see frigatebirds, tropicbirds, egrets, lava tubes, and caves, we breathe the warm ocean breath from the inside of a sea cave. I swim with sea turtles, barracuda, porpoises, and large schools of mannini.

The water is much cooler than Hanamua Bay. I am transfixed by iridescent seaweed, sea cucumbers, white and pink coral tinged with lavenders and blues. The ride back home was rough. All those following waves. We went inside to see crater, open to the sky—like the wall the Chichén Itzá. Lava tubes sleeping with waterfall to the ocean.

North of Hanalei, there are one-lane bridges, lush vegetation, philodendron, water hyacinth—all in lavender hues. This looks like the South Pacific. I wear a crocheted open work rayon blouse from Bali, with two large hibiscus strategically placed, at the center of those flowers is an offering of life. Women wear hibiscus as large as their faces, behind their ears, and nothing seems out of place. Color has a way of getting tamed on the islands. In Waimea, an orange truck was almost invisible against the red earth.

A father instructs his son to find a yellow fruit, it's ripe, he says, Suck on it but don't eat the seeds. Potentially poisonous fruit as the poison is usually in the seeds, not the flesh. You have to really want passionfruit, it's like pomegranate, only it's orange, and not as juicy—you have to want it passionately.

Over Maui: In this place where land is at a premium, the military is still using Kahoʻolawe, the smallest of the Hawaiian Islands, for target practice, Its tallest point, 1,483 ft, reaches out for help. Kaho'olawe is part of Maui Nui —the original island of Hawaii. The Target Island, Its red lands bleed into the sea, she is curled up, fetus-like, hemorrhaging, as if in pain.

Oahu: at this point I have the instructions for evacuation memorized. It is always good to know all possible escape routes. Crash landing sleep little choice. 

Over Pearl Harbor Quonset huts covered with trees, strange arches, caves where men lived during the war. This flight makes two stops. I'm making the most of it. In high-altitudes, liquor works quicker. The DC-9 gets to a Oahu too fast and we get merry belting our beers down in five minutes flat. Someday I will see all the islands.

See:
August 8 At the coffee plantation, Hawaii journal
August 8 Kona Lagoon, Hawaii journal
August 9 Ke'ie Beach, Hawaii Journal

August 9-10
Big Island. Mauna Loa's curtain of fire. Pele migrated from Nihoa to Halemao'oma'u, in the Kīlauea cauldera. Pele brought offerings of fruit, leis, fish and pigs. As I stand in front of the seismograph, I watch four earthquakes, and two volcanic tremors being recorded within three minutes. It's a seismic calligraphy dance.

Forbidden fruit: While drinking Kirin beer and eating mahimahi sashimi, I think of him, and the fire we both are. Is it balanced, or would we consume each other in our hunger. 

See prose notes Kamapua'a and Pele on Kilauea, which becomes the poem, NOT THINGS THEMSELVES.

August 10
Saturday I spent the day snorkeling. Ed took me to keep a beach Ke'ei beach onto the place of refuge like the edge of a caldera, an exquisite reef, steep mountains of coral, and fish of every description. I swam over 20-foot cliffs without fear and over the blueness of the caldera, such peace. I hope it will stay with me during those times when life gets rough.

August 11 see Letters to Pele, Hawaii journal, Volcano

August 12 
Captain Cook. From the kitchen window I can make out the palm trees of the place of refuge, Pu'uhonua O Honaunau. They say that those who broke kapu, could flee to the city, and seek asylum, but they had to run 5 miles barefoot over ropey lava, while stones were thrown at them. If they made it to the place of refuge, they were safe, but when they did, what did the stones have to say?

Kona, Captain Cook. My cousin Eddie quotes from T.S. Eliot's The Wasteland, while we pick coffee berries in the rain. And he talks about asylum, a place where we all have lived at one time or another. The fragrant coffee blossoms are like gardenias. Ed says they're related.

August 13
After spending five days with Ed, I am content with my visit. It seems that we never get tired of each other, it's as if I've known him all my life. This is one friendship I cherish. So easy, the meals, the boasts, complaints, secrets, and the laughter we shared at everything under the sun. He is as flippant as I am. I will be sad to go. But go, I must. Time to catch the inter-island shuttle to connect to the Red Eye out of Honolulu.


Oakland airport: it's now 5 AM Hawaiian time. Two guys play frisbee in the Oakland terminal arrival lane. I am so sleepy and eager to get home. This time the timing seems right, although I am saddened by the thought of leaving Ed, and I do love the Big Island. Aloha, mahalo nui.

added 9/17, revised

Sunday, August 5, 1984

ON KAUAI'I, 8 poems (photos)

CROSSFIRE

Enroute to Kauai'i
CO2 rolls out of the air conditioners
Stewardess says, Don't worry.
It's only a crossfire.



rough fabric of ocean
warp and weft of cross currents
on the sea, whitecap lint.



mynah birds and Indian doves at my feet
plumeria, pikake, and jasmine
warm rains, blue on blue, mother of oceans
and the fish make fire opals
seem dull by comparison.

8/5/84


SOUTHERN CROSS

It's hard to rearrange the stars
of the Southern Cross
to make them fit in my mind.
At the Tropic of Cancer, 
I align the planets
and lose my way along the constellations
Where is north? The Big Dipper?
The stars of the Northern hemisphere,
their indelible location, 
hardwired as breathing,
have gone and moved on me.

8/5/84
rev. slightly 12/4/15


IRONWOOD

Ironwood cones brace my feet
their litter needling this shore
to be an adult, is to realize
the dreams of childhood
Ironwood trees, the South Pacific.
all those things learned in geography books
At 12, I was ready for the stars
of the Southern Cross
At 31, I'm almost there.
Will I ever see them directly overhead
instead of at an oblique angle?

8/5/84


ISLAND IN THE STREAM

Kawai'i. I keep thinking how this place
looks so much like the South Pacific,
the banana leaves, hibiscus, coco palms,
and the rain on the tin roof shacks.
I have to keep reminding myself
but this IS the South Pacific.

8/5/84


NA PALI VALLEY

What can I say
after flying through the valley
of the lost tribe? Honopu Valley.
There is nothing to compare with this.

I am forever losing my way in sleep
to return to this valley, this place,
a place I've never been to before.

8/5/84


MT WAI'ALE'ALE

Entering inside the crater
of Mt Wai'ale'ale, Kauai
there is no time,
only the verdant walls
where white ribbons splash down
the mountain flanks
and etch the curve of the caldera
The summit wears a continual raincap
sheaves of hoary white hair
Pools carved eyelets on the mountain
The ocean is hammering the reef
All that suspended salt wanting water
Pele's hair covered the mountain
when she left to stoke the fires
of the Big Island.

8/5/84


POLYNESIAN PARALYSIS

In the hotel I am meeting no one
but the shopkeepers all swap tales
of homeland and journey.
Traveling alone, feeling safe
no need for more of the same
A watercolor artist at the zoo fence
and I lefthandedly discuss right brain theories
redefining the role of discipline and art.
I came here to write
so far, it's all rubbish
but I'm collecting so much data
I feel viscerally ill after each day
I keep losing camera, keys, wallet,
camera bag, and am non-plussed
Polynesian paralysis takes hold while you sleep,
stealthily slips in like an errant lover
into your waiting arms.

8/5/84








I will need to redo these photos, they're slide prints from a proofhseet, which has degraded.