Showing posts with label Chester Arnold. Show all posts
Showing posts with label Chester Arnold. Show all posts

Thursday, June 21, 2012

Re-vision

I began blogging in August of 2008, laid up with a bum knee. At first I posted a lot of old writing, tinkering with it in the new medium to make it shiny.

Then I began to write actual blogs. I'm fast approaching my 500th blog mark, with 41.5 k readers following my work (since Blogger began to keep track in July 2009). That's not exactly a Huff Post following but it's way more readers than I'd ever have in the traditional poetry books and journals I've previously been published in.

This is technically blog number 499 but then I tend to cram more than one blog in per blogspot. For example, I published several day's (7) worth of poems under one February heading for Poetry Inside Out as I wanted to keep them all together. And I have several unpublished blogs that I've yet to release into the wild.

My morning routine: scan Facebook posts, click on interesting articles (Medievalist is a fave), saving them to read later. Then I scan Twitter for interesting science & tech links, until I have a backlog of reading material saved up. I read them in a haphazard fashion, which usually leads to looking up some term or other, which leads to a trip down Wiki Lane, or a dictionary cruise and POOF! there goes the morning. But oh, the things I learn. 


And sometimes, as I comment on links, I'm lucky enough to glean enough fodder for a blogger or two. If I'm lucky. Otherwise, I try and revise my old blogs to keep my writing genes kicking in the deep end of the pool.

I have an odd revising methodology: I use Blogger Stats dashboard to see who's randomly reading what particular piece, and I use that trending list as a guideline (like an everyman's blogging teleprompter) to expand and revise old pieces. Mostly, I begin by fixing old typos and then go from there, if the piece juices me.

I wonder what the readers might think—or if they even notice, a piece they were reading suddenly expanded with hyperlinks and photos? Sometimes I imagine that the reader is madly searching for the original link, as if it magically disappeared. Poof! Link gone.

I won't mentioned that the danger is, that when you begin to tinker with old posts, formatting goes to hell in a hot-lead lined handbasket, and entire blogs can disappear between the space of clicking on the Publish button and View page buttons.

Forget Blogger's reassurances that the piece is constantly being "autosaved" like some oldtime revival camp religion prayer circle. NOT!

I've had entire pieces disappear because I wanted to get them letter-perfect before I posted. That's when Blogger crashes—right as I'm pushing the Publish button. And all that makes it to the other side of the HTML page is the title and a row of social networking icons. ARGH! Some unholy blue-ribboned cursing, er, praying, ensues.

Yes, it happened again today. POOF! God's wounds. Or in modern parlance, zounds! The entire piece disappeared. Just like that without a howdido or an excuse me, ma'am. This peculiar form of crashing seems to happen when I write of the dead—as if they're interacting in cyberspace.

It's as if the dead were snagging the words from me before they magically reappear on the page you're reading now. Luckily I figured out how to back-navigate with the browser, and I usually can salvage the text, sans, last revisions and edits.

If that doesn't work then I Google the blog, and click on "cached" link. That works. Usually. Today I was lucky. The expanded blog was still in the browser buffer. But it had me shitting lead bullets.

Blogger Stats also gives me a body count by country as well as by search engines. Fascinating, really. Sometimes, I'll enter a search phrase, that someone used to find one of my pieces, and that link will take me to another and so on.

The links take me where they will. Sort of like getting lost in the OEDictionary and coming up for breath two hours, or two days later.

Sometimes they even point to another blogger using my material, sans permission. Like with my Jim Dodge interview. It irks me if they don't offer a backlink, but it's part of the danger of publishing one the internet.

Today's mad goosechase (has anyone ever really thought about what a mad goosechase might actually entail?) was a rather droll scanned article I posted about an art show I'm in every year, "Art from the Heart"... who on earth was reading that piece, why, and what search word led them to it?

Well, one thing led to another—and after some sleuthing, I found out that the search word was "Marty Stoelzel." Clearly, the "50 red head women fucking" search words didn't seem to be the right link. (I get a lot of "redhead" search words because of a blog I wrote on redhead myths that has scored 9,000 hits. Now watch, with Brave! opening tomorrow, the redhead stereotypes will kick into overdrive. My redhead piece will go through the roof.)

Marty was Chester Arnold's and my old painting teacher from College of Marin. I also found out that Marty died about 15 years ago. Too young! Probably had a heart attack—he was pretty intense.

OK, so it's old news but it was fresh news to me this morning—so naturally the process of revising the notes following my formerly dry press release took on a whole new level of meaning—sort of like stacking Chinese boxes inside one another—or Russian dolls—to find some semblance of order.

Sadly, I found almost no information on Marty, other than a photo—or examples of his surrealist paintings. Who remembers Marty? He had such a great heart. Ah, so today was about paying homage to our teachers, our ancestors. I never did get around to writing about Marty—too busy fighting technology. Maybe next time.

Saturday, February 13, 1999

"Art From the Heart" Art Auction 2/1999

"Art From the Heart" Art Auction at Sonoma State University Art Gallery
Saturday, February 13, 1999, marks the date for the fifteenth annual "Art from the Heart" silent art auction and party at the Sonoma State University Art Gallery, from 6 to 9 p.m. Proceeds from the auction, now one of the longest-running fundraising events in the region, directly benefit the art gallery's exhibition, publication, and lecture programs. 

Each year, hundreds of art lovers gather at the Art Gallery to view and bid on works of art created especially for this auction, as well as bottles of wine, stays at inns and hotels, and other items generously donated by local merchants. 

This year more than 150 artists from the North Bay and across the country have donated original works of art, including Seyed Alavi, Chester Arnold, Ray Beldner, Rebecca Bollinger, Pegan Brooke, Poe Dismuke, Chris Finley, Cynthia Hipkiss, Charles Hobson, Maureen Hurley, Tony King, Hung Liu, Robert McCauley, Yoshitomo Saito, JoeSam, Sylvia Seventy, Steven Sorman, Marg Starbuck, Jack Stuppin, and John Watrous.

Further support for the auction comes from Benzinger Vineyards, Carneros Creek Winery, Cinnabar Theater, Cline Cellars, Clos Pegase, Copperfield's of Petaluma, Geyser Peak Winery, Gloria Ferrer Champagne Caves, Kenwood Vineyards, Korbel Champagne Cellars, Landmark Vineyards, Out to Lunch Catering, Quicksilver Mine Company, Rosemarie's Massage Center, See's Candies, Sonoma Creek Winery, Sonoma Valley Inn, Wolf Coffee Company, and ZD Wines.

Delicious food and wine will be served, and a $5 donation is suggested at the door. For more information, please call the Sonoma State University Art Gallery at (707) 664-2295.

Here's a link to the 2009 SSU auction. It's the 25th year! Wow.

If you change the date, the link will take you to that year's archived web page.
http://www.sonoma.edu/artgallery/heart/heart2001.html (2001 is as far back as it goes). Someday I'll scan the invites.


NOTE BENE: Finding this press release/flyer from 10 years ago was a blast from the past! I've participated in every "Art from the Heart" art auction since its inception ca. 1984—I think I only missed one year. 


My work always sells well. I think that during the quarter of a century I've participated in this art auction—only 5 pieces didn't sell. It's an odd way to get your work out into the public. But it's pretty much my only venue as I don't show or sell my work in galleries. I'm from the "Paint what you like and die happy" school.


My name isn't on some of the SSU invitations as I was always last minute in getting my work in (some things never change). Besides, it's hard to get enthusiastic over making valentines in December. Try it sometime.

In scanning the participating artist names, I realized that, at the time, I didn't even know who Oakland's Chinese artist Hung Liu was. I used a lot of her work and the KQED-SPARK artist interview DVD for my art residency at Cleveland Elementary School in Oakland. 


More connections: I went to high school with Poe Dismuke—Jeanette's twin brother. Chester Arnold was in my painting class at College of Marin with Marty Stoelzel, as was JoeSam—who later moved to Forest Knolls—where I grew up. 


I used to give Chester rides home from Marty's painting class—he lived at the top of Wolfe Grade in San Rafael. Completely out of my way. But Chester was—er, maddeningly Chester. I had a car, he needed a ride. Ergo, we went. No use arguing with that.


SF Gate review on Chester with a painting of his old Marin studio.


Tony King and Jack Stuppin (along with Bill Wheeler, and Bill Moorehouse) are part of the Sonoma County plein aire painters group I interviewed and wrote reviews for The California Museum of Art in Santa Rosa, that appeared in The Western Sonoma County Paper during the 1980s and 1990s.


My College of Marin art teacher, Marty Stoelzel & Frederick, ca. 1989. Marty always did like blondes.
NB2: According to this kooky website, (where I got the photo from), Marty Stoelzel died about 15 years ago—an amazing (if, nutty) man. I learned more about the nuts and bolts of painting and drawing from Marty in junior college than from any art teachers in the CSU college system (SF & SSU). Don't even get me started on Bob Bechtle! (Though I very much liked the SPARK artist interview—it did wonders repatriating me to his work).