Thursday, November 16, 1995

My Thoughts Aren't Birds


My thoughts aren't birds learning flight, they are the feathers on the wings of time, drifting downward into the darkness of the soul. My past always threatens to abscond with memory, as if it were long buried pirate treasure, the moon's fish seeking the pocket of the sky.

My life always snakes forth like runnels of erratic water in the dry acrid dust of Alice Springs, Ayers Rock, a solid thought holding up the blueness of sky. 

And when I wake, dreams take on the flight of words, seeking the stillness of the pond in late afternoon light—not a reflection, but real words frosting the cake.

Whose fear finds me fighting for words in the stillness of the afternoon. Why all this preoccupation with waning light, why not the cover of darkness, or the last thoughts of the waning moon? 

I want to find the or origins of rivers between the corners of my eyes that hunger for the thirsty land, a mirage oases, so I can appreciate the sundance at the bottom of the well. 

November 16, 1995 
Higham Family School

Wednesday, November 8, 1995

Letter to Carol Cullar, Editor, Maverick Press/Terrapin


Maverick Press/Terrapin
Carol Cullar, Editor,
Rt. 2, Box 4915
Eagle Pass, TX 78852
Nov. 8, 1995

Dear Carol,

I’m deeply honored to be included in another issue of Maverick/Terrapin. On the latest flyer, a stamped note, “need bio for upcoming issue”   had me scrambling through my notes as to what poem, “Feeding the Minotaur”; during the interim, I’ve made some small word changes which I’ve highlighted, but I suspect you’ve already gone to press, since it’s already November. No matter. !No te preocupes!

I’m slowly crawling out of the morass of two year’s worth of significant deaths—my parents & an uncle—all within a year’s span (not to mention a bad relationship), has left me virtually speechless/wordless. . . so this publication means more to me than you can imagine. It reminds me of my duty: I am still  writer despite all my stripped down illusions.

The Mother Earth Journal Latin American issue came out in a slightly different format—I was too busy grieving to do layout, so Herman Berlandt finished it (to the best of his abilities). I’m very attached to good layout, etc., so I’m not happy with it visually. He used several of your woodcarvings. They look great. Did he send you a copy?

I loved the poems you sent me, I’d love to see more. . . are you a sister voice in the dark? I often feel my personal obsession as materia prima isn’t currently popular or acceptable in the publishing world, but it’s the angst/grist for my mill/who I am. If I’d a listened tae my teachers, my vision/voice wouldn’t exist. If only I could get a book published. . . I keep sending my MS out to contests, often placing as a runner up, to no avail. Still no book in sight. It makes me doubt my work. Your continued support of my writing (and a “Pushcart” nomination!) gives me reason/courage to submit/publish.


Sincerely,

Maureen Hurley

BIO:

Maureen Hurley lives in Forestville, near the redwoods along the Russian River, in northern California. Her poems have appeared in Maverick Press’s Paisano, Culebra! and numerous journals and anthologies including Atomic Ghost, & Hermit Kingdom. Poetry awards include Negative Capability, Chester H. Jones, Kalliopea, National Writers’ Union, National Federation of State Poetry Societies, and two regional NEA fellowships. “Feeding the Minotaur” grapples with the unconscious dendritic history buried within her personal mythopoetics.



Saturday, November 4, 1995

AMOR AMARGO


Inside the microwave oven, 
my note, with "I'm sorry" 
scrawled in large purple letters,
the color of forgiveness, 
returned as if to say, shove it.
And take your oven back too.
These words were seeking forgiveness, 
they were seeking the heart line,
the calmness of gray skies.
Instead, I find them returned, 
unspent words. Still trying to apologize,
how to soothe the raging heart of anger.
A song that haunted me in Holland,
I never knew the name, says it all: 
the Gypsy Kings sing Amor Amargo. 
Bitter love, just my luck.


11 November 1995
rev. 11/4/2015

Saturday, September 23, 1995

MEASURING THE DAYS



As I wind my way along backroads
to my cousin Sinead's house in Nicasio, 
I feel lines surge through me, and I let them go. 
Something about the measuring of days 
that brings me closer to poetry. 

23 Sept 1995

Babysitting on the Equinox



To my surprise, I spent the night at Sonny's—I'm went out with Marsha Connell, and when I got home I called Nathan to check in on him, who was being babysat by a friend of Sonny's. But a half hour later, Nathan called me to pick him up bring him home. We snuggled on the couch talking about random stuff and then we fell asleep.

Sunny came home from a gig  after 3 AM, and muttered something about us sleeping with the light on, douses, the light and crawls into Nathan's bed. Almost like old times. 

I haven't been in Sonny's cabin since mid July, and I said I wouldn't visit, unless things improved. Not that they have. But the heart is ever hopeful. I drew my line in the sand. And stood behind it. Nearly 2 months now I've managed to keep my distance. 

Sonny fixes me coffee, talks about how he ran into another of Cindy's strange friends. He says she systematically burns them all one by one until they kick her out. soon she'll have no place to go to. He told her she couldn't stay in his house anymore. 

He said, If I thought it could do some good to improve her situation I would wouldn't mind, but it doesn't. 

Poor Nathan witnessing this: his mother's degradation, her falling apart. His story is so much like mine. My heart aches for him. No wonder we cling to each other like burrs. I know our deep connection makes Sonny jealous. I'm his father, he says. As if that could take the place of mother complex. 

Equinox 23 September

Thursday, September 21, 1995

Mother Substitute


Nathan asked me asks me to babysit him tonight, I'm startled, and mumbled yes, of course. But then I remembered I had two emcee at Barnes & Noble, so he joins me.

Sonny goes off to practice at 6 PM p.m. and we snuggle in. It's been weeks since we've spooned. Sweet little boy kisses me on the cheek. Nathan tells me Sonny and Pat aren't seeing each other anymore. This part I had already figured out.

I wanted to ask Nathan, did they fight before or after our talk, but I didn't. it seems like their fight came after our big blow-up. He describes a huge phone fight. So I'm still a wrench in the works, good. But I'm not going to ask Nathan any questions. Too inappropriate for words. Nathan should not be a part of this messy adult affair.

Nathan is ever hopeful. Against all odds, he is busy orchestrating his own parent trap, as it were. The heart wants what it wants. A boy wanting a mother substitute. I get that. Story of my life too.


9/21/1995




David Bromige Reading, Barnes & Noble


Tonight I emceed at Barnes & Noble for David Bromage who opened his set with a dyslexic prose piece. Lines he'd snagged from his dyslexic friends. Being dyslexic, I'm fixing all his typos automatically in my head.

We dyslexics always mishear things, and are endlessly entertained.

Once, 15 years ago, when I was a new student, I blurted out to David Bromage, Would you trust a poet in your mouth? I no longer remain remember what I was trying to say, I was so mortified, only that David said aha! A poem! And so it was.

After the reading tonight David signs book marker broadsides, and his books. I hand him a bookmark. The pen barely works. He signs the books, complaining. I hand him another pen, and  misunderstood, thinking he'd called me a mensch, when he said, Don't mention it. So he signs the bookmark, From a real mensch.

I hand to back the book he'd handed to me earlier, as he had signed that one To Maureen, as well, except it's not my book. I ask, Are you giving it to me? He says, No, I can't even afford to offer that. We are coming to a solution. Let's see, he says. It costs $12. Tell you what, I'll give you my copy. 

But when David flips the book open, he discovers it's not his book, but Barnes & Noble's copy. He goes, Oh God, now what do I do?

Adds just kidding, after my name, and signs it for Greg Savarin, who works at Barnes & Noble. Only now the book says For Greg, with love, replete with little swirly loops. He hands the autographed book to Greg who looks very puzzled, and asks Whose book is it anyway? I'm not buying it, am I?

David slaps his forehead. Greg says he'll get Barnes & Noble to remainder it. I ask, Can I have it anyway? But, he says, it has my name on it. Oh God, this is getting complicated. Celia, David's wife says, it is worth more now than it then it was first signed. 

Meanwhile, David's writing a long disclaimer as to what happened to the title page and why it has lost all its value. Greg, who merely wanted David to sign his name on it for the bookstore, meanwhile has remaindered the book, and then he hands it over to me, and I say, A real mensch. 

The name of the book that I didn't even want to begin with: Men, Women and Vehicles. 

Ironically, earlier I wanted Greg to hold it for me, as I wanted another title, a Black Sparrow book, but it was very expensive. So I got David's book for free. Oh well, Greg, or Barnes & Noble owes me $60 for emceeing for May and June, apparently I am being paid in books signed to other people.

I figure the books are perk. Yesterday I had bought David's Tiny Courts, used at Copperfield's. I just wanted David to sign his bloody book, and also the copy of Manaña in Paradise. After that fiasco, he scribbled something unintelligible, and I can't read it. Speaking of dyslexia.

As a closure for the reading, I had asked David to read from Mañana in Paradise. One of my favorite Bromige books, I like the poem about the cars resting on cinderblocks in a driveway.

Greg reassures me that I'll get paid for May & June—mañana.

September 21, 1995


Wednesday, September 20, 1995

After Hearing Gary Snyder Read on the Autumn Equinox


September 20: After teaching Sonoma County History at Elderhostel at Silverpenny Farms, I went into Copperfield's Books to get more material on California Indians—Miwok, and Pomo. There were posters of Gary Snyder all over the store, people purchasing tickets for tonight's benefit event sponsored by the Sonoma County Land Trust.

I look over at a bookshelf, Gary Snyder's in the house. What's funny, is that everybody's importantly confiding to their neighbors—You know I heard Snyder read at... blah blah blah. And no one even knows it's him—practically standing right in front of them. It's as if he were a ghost. I can see him just fine. But apparently no one else can. They carry on. We smirk.

Gary's aged quite a bit since I last saw him. He's more washed out. I went up introduced myself again, hating to have to use those tags. I said by way of introduction, "I was the one who took the photo of you and Will Staple at the Maui Zendo....

Gary, says Oh yes! And reminisces about Aitken Roshi, trying to pinpoint this date. I say, It was the Deep Ecology Conference. He says, you look about the same. How are you? (A non-sequitor.) It's been ten years or more since Maui.

I asked Gary about the event last Saturday evening at San Geronimo Valley Art Center. When I drove by, there were hundreds of cars parked along Sir Francis Drake Boulevard. It was a zoo. I asked, So, was it a benefit? He said, No it was an event in honor of Kenneth Rexroth. We hiked up to his cabin where he used to write at, and me dictate.…

I interrupted Gary because he'd already slipped into his teacher mode. I said, I grew up there. But Gary's on a roll, he's teaching me about the park, etc. I blurt, My grandfather knew Kenneth Rexroth, but Snyder drones on… And Samuel P. Taylor Park, he says, There's a place called Devil's Gulch… I say, Yes, I know it well, my grandfather used to hike over Mt. Barnabe to visit him…

By the third interruption, I'm frustrated, and Gary finally begins to listen, realizing that I already knew all that information. A regular case of coals to Newcastle. I don't tell him the reason why I became a writer was because when he had read a poem about my ridges, from Manzanita, at Olney Hall, College of Marin, and got the directions all wrong, that was when I began to write. I said, I can do that. And so I did.

I wanted the new stuff— like the how and the why…what it was like to be back in Devil's Gulch after so many years. The cabin is long gone. I wanted a real conversation, not tapes on autopilot.

Perhaps I'm a bit put off by Gary because he continually is cold to those he doesn't know well, especially the women. I remember being hurt by his curtness a few years back, and I told Will Staple about it, who immediately turned around and reacquainted me with Snyder. Snyder suddenly was all very warm and receptive—especially since Philip Whalen, whom I'd known for years, was there, warmly greeting me with enthusiasm.

I guess it all boils down to the company you keep. I hate the fact that I even have to attach myself to men poets in order to get remembered. Where are the women on the Bearshit Trail, indeed? Snyder is a cold fish but we manage a few more civilities. He said he was just browsing around, checking out this book, and turns back to the bookstacks. I step out into sunlight, crispness in the air. First day of Fall.

After the poetry reading, Gary was available for book signing. I'd already bought Axe Handles to be signed, but I couldn't find my other books, some were first editions. We chitchatted a bit, and that was that. Awkward. I'm tired of trying to connect with Gary Snyder.



21st of September: Last night, some 300 to 400 people must've turned up to hear Gary Snyder read at Analy High School. I got there at 6:30 and already it was filling fast. They delayed the reading to get everyone seated, even in the balcony. I forgot my journal and resorted to writing on scraps, notes to the unconscious.

Gary read from No Nature: New and Selected Poems. It incorporates almost all his early work. Awesome collection. He opened with a poem I'd never heard before, Song of the Taste. Very erotic. I like to the anecdotal stories prefacing each of the poems, I like the context. Hay for the Horses, an old favorite, Manzanita, and Riprap. He reads from Cold Mountain. Li Po is invoked. Axe Handles—Fenceposts. Word Basket Woman, a poem I use in the classroom when I teach poetry to kids.
A clear, attentive mind
has no meaning but that
which sees is truly seen.
—from Piute Creek

He said the impetus of For/From Lou came from a dream. The circumstances of Lew's death are as follows: Lou Welch disappeared back in 1973 in the Sierra Nevadas. He was he was camping on my land. He didn't come to dinner that night. We went searching for him and found the suicide note in his van. We searched but found nothing, never a word, never a bone. He had told us that he was going to do it.

Now, 12-year-old boys are still searching for Lew's a skull. He's become the friendly ghost poet. For Lew Welch in a Snowfall, also came from a dream, said Snyder.

He talked about writing prose, how it's hard work. With prose, you have to flagellate yourself. He says, It's a call to arms. He says, Don't let right-wingers steal the word, or ethics from us.

He tells us creation stories about Turtle Island, the enduring name, not USA, not America, he talks about the longview. He told a wonderful story about friends of the LA River. A bunch of poets and musicians thought that the river was lonely, all culverted up, so one night they all went down to the river to read it some poems, They played it music to cheer it up.

Word got out, folks began joining them for the readings, and they found themselves organizing into action committee. When the Sacramento folks heard about it, they came calling too. Now local neighborhoods are turning their houses around, and turning everything around to face the river.

(See my four pages of notes)

After the reading Gary was available for book signing. I brought Axe Handles again but I couldn't find my other books, they were first editions too. Snyder was very warm to me on the second meeting. he drew me a picture of a man on the title page, and on No Nature, he wrote: To Maureen – fellow poet…

Lee, who's a rare book dealer, says that signature is worth something because it's to me, and it refers to me as a poet. I also had Gary sign Atomic Ghost, he had two poems. 

I told him I put on a reading for the anthology and that I was in it too. I gave Gary copies of Mother Earth Journal, as he has a poem in it called Word Basket Woman, and I suspect that he sent it to us before it was published. I also gave him the complete Mother Earth collection. He bowed and thanked me.

I asked if he still wanted a collection of my kid poetry books too and he said: I do, I do. He has several of my anthologies already. He says when he gets a big stack of children's poetry, he wants to do an essay on it. I tell him it's sorely needed. 

Earlier, Lee Perron told me how he had given Snyder a book of his, only to find it in a used bookstore with his inscription on it, weeks later. We discussed how Snyder can be so cold just like that! Turns out his mother lived in Petaluma he used to come visit her on his motorcycle. It sounds like she might've been a bit crazy. Anyway, the relationship wasn't good.

I asked Gary if he'd like me to sign my books too, he says, Please do. I write: To Gary, may the poems of the children continue to teach us. Should I put his last name? Oh well. Lee has some books too. I introduce them, saying Lee started California Poets in the Schools in Sonoma County and that he was my mentor teacher. Their conversation opens up as they talk about CPITS. Good closure.

However the autograph line is long, all the way down the hall—and I had taken cuts with Lee who was near the front. Upon leaving I ask, Gary: Are you still at Kitkitdizze? Gary replies, Yes. I say, If there are any worthwhile photos I'll send you some. We make our goodbyes, the people in line are angry with us, but Gary kept us talking.

It was a complete turnaround from the coldness of this afternoon, I remarked to Lee. He says: I believe Gary was genuinely quite touched by tonight's reception, and the fact that you had his poems marked in Atomic Ghost, end that you had read them at the book party… Somehow I had touched the man behind behind the coldness. 

We agreed that the public setting probably had something to do with it, and he was also on his best behavior. I said, I hated having to continually reintroduce myself as the photographer… That I wasn't into hero worship, I wanted to meet him on equal footing. Keeping in mind how many thousands of people he meets in a year—and I only see him once every 3 to 5 years. 

When talking with Lee, Gary began dropping my name as if he knew me, I was no longer the stranger. Earlier, I pointed out my name on the book, This Body is to Ask, for spelling purposes only. He said: That's the only way I know how to spell it. There are few Maureens that come through the autograph lines, I daresay.


9/20-21/1995
transcribed & edited 11/6/2015

THE LAND OF STANDING STONES


I come from the land of standing stones
I come from the land of blue people
who tends to beneath the moon.
The last days of winter are drawing to a close,
what did they dream up?
What dreams dwelled within their hearts?
I am my grandmother's last hope, 
living in a cabin in the woods, 
an artist, and the rain coming down.
She always said It's a soft Irish day.
She, who bore eight children 
and a husband who who hid behind history 
compressed between the lines of the book.
And the whiskey soothed his troubled heart.
She wanted solitude more than anything else.

My mother chose the artist's path, 
but the jealous birds
called her unseasonably home. 
Tomorrow is the equinox,
the last days of winter,
the first days of spring.
My mother, not yet dead six months.
I am still searching for the appropriate path
to mourn her loss but the tangled web
of deceit and neglect is still too great.

I was a premature baby 
born at eight months.
They said I was a love child. 
As a euphemism for
she, who came too soon. 
Was I wanted? or a surprise?
My mother said I was wanted, I was loved.
Then she left me on the doorstep.
I carry my mother's name. 
I am the small one of the sea,
She always signed her letters, Jen 
instead of love, taken from the Chinese, 
it meant love, but more than love.
She was seeking answers 
other than what the family provided.
And left me behind, with my grandmother,
as she searched the city streets.

Once I was the Pictish dancer 
I dreamed of moonlight bathing each stone.
I turned into the whispering secrets of trees.
I became the pathway of the stars.
Sometimes I think I can remember
the thoughts of my ancestors, 
a turn of ankle, or phrase,
and it transports me.
I wish for more stories to find me.
I am always hungry for more.

A neighbor's boy child,
a child who is not my own,
but he has chosen me,
too is seeking the mother.
We sit on the couch eating snacks,
it's a rainy day, the wind is howling.
We each seek a solution
to our lost parentage. 
But so much genetic history
is mindlessly passed on, 
like generations of mayflies.


March 20 1995
rev. slightly 15/11/15

Tuesday, September 12, 1995

September 12, 1995

Journal Entry: Last night I said to Lee Perron: When I was in Montana, I was looking for change, because I deserves better than what I was getting, h. He asked if I went to John Oliver Simon's going away party, and I said no I didn't want to go because he wanted me to go so he could be forgiven. I'm tired of it.

Our last meeting and phone conversation was fine and I was satisfied to let it go at that. I'd already said goodbye to John. Then I tell Lee: if something happens to John on this trip, a worst-case possible scenario for nine months in South America, then I would have to be satisfied with our last conversation. The party wasn't necessarily going to make any difference in my life, or my memories of him. It would be awkward for me to be there.

Lee asks: Is it dangerous where John's going? I tell him South America is always dangerous, there's always an element of risk. We've gotten into a couple potential life-threatening situations in our own travels together. 

Lee is tired and doesn't respond when I say I sound pretty heartless. He says the signs are all there. Time for me to fast again. I guess I should've been a monk, but I'm an atheist.

Lee wanted to know about my friend Lee Evans, and Patrick? who studied with Richard Hugo and James Wright. He wants to know if Patrick had any memorabilia of theirs. Lee's a rare bookseller so he's always hunting for poetic ephemera.

When I first met Patrick, I didn't like his demeanor, or his words. Oil and water. But when he got on stage and told his life story, I was moved to tears. Whether by accident or design, I was transported into his world. 

He was also also noticeably changed toward us afterwards, and was more accessible and approachable. He wants a copy of my poem, Lighting the Electric Fire, that I had read to the group. He says it's unusual to find such sustained maturity that stays with you all through the poem, and continues to resonate long after the poem is over. 

I also give him a copy of my children's poetry collection, This Body is to Ask. (Garbled text.....) I can't breathe. I do all these crazy things and see very little return. I personally get exhausted and have trouble nourishing myself. 


September 12, 1995

Need to find original and decode garbled text.. who is Patrick? I must've been referring to a Montana poet.

Friday, September 8, 1995

Helena, Montana 9/8/1995

Journal Entry: Sept. 8, 1995

Helena, Montana. I arrived last night, near 11 PM. It's drizzling still this morning. my wasp sting's finally gone down but the itch is driving me mad. l swig lots of Benadryl to keep the swelling down. It's the length of my forearm and is still feverish.

I'm feeling pretty melancholic and am lonely for a mate. In Utah I looked in the mirror and I saw a pretty woman who's beginning to show her age a bit, and I wondered if things were ever going to improve, or am I destined to be alone like this forever. I feel pretty cut off from Sonny and it's certainly deliberate on my part. 

Wednesday afternoon I returned from Bolinas and Sonny came up for a few minutes. I was in an extremely bad mood due to my wasp sting. I don't want him near me when his ex girlfriend's here. Obviously I'm not taking this reunion well—especially since I know the pattern. In the morning he comes to chat and tells me he wants to reckon up. He still owes me for babysitting but has to pick up his paycheck.

I didn't bother to tell him I'll be gone by afternoon. In fact, I went to the airport to two hours early. How is that for avoidance? Nathan said he wanted to go to Bolinas with me, but his mom kept him until Sunday. I didn't know if Sonny bothered to invite them or not.

My feelings were pretty hurt by Sonny's coldness on the phone. I feel trapped before venture to be I did stream I keep thinking what could be more erotic than helping Sonny raise his son?

I sing, treat me like a friend, treat me like a lover, don't keep treating me the way you do. A song fragment comes unbidden as I'm driving to the airport 

Two and a half hours at Oakland, and then I'll be in Utah. 


At the Montana arts Council meeting waiting for it to begin. Everyone knows each other, except me, so it makes it difficult to make contact. people come up to me and introduce themselves, but I'm awkward and shy.

I have insomnia  xxxx (garbled text) Will I be able to sleep?

One artist I'm rooming with, Claire, says: I used to call my husband Shotsy now I just want to shoot him. I laugh. I was concerned because several of us had been assigned to this room and I came back only to find two strange men in our room. We seem to be triple booked in Room 310.

We giggled and we thought oh how progressive the Montana Arts Council is. Five people in a two-bed room might be pushing it. Is is the Arts Council trying to save money or just taking introductions a step further?

There's a whole gaggle of us trying to figure out the keys. The woman at the front desk gave them our keys. It really was funny. I keep laughing about it as I try to fall asleep.

9/8/1995

Thursday, September 7, 1995

flying over Mount Diablo enroute to Montana


Flying over Mount Diablo enroute to Salt Lake City and Helena, Montana, for the Montana Arts Council meeting. The Mormon Tabernacle shines in the Oakland Hills, like a crystal palace.

I stock up on chocolate and drink a double latte because my next stop is a long layover in Salt Lake City, the idea no alcohol, no caffeine, or chocolate suddenly has me craving all the necessities at once. A good thing sex isn't banned. I'd have to join the mile-high club, then.

The coastal mountain, Mt. Diablo rises up 4000 feet from sea level, with impressive girth. We're flying over the Oroville Dam, and the Feather River, we're crossing the Sierras, they are like unsheathed knives slicing the sky. I can see Mono Lake, and Buck's Lake.

There's a fire burning in the Sierras. The canyons to the south are filled with smoke. Looks like Kings Canyon. In vain I search for Yosemite. What is that next next deep canyon below Oroville?

Mono Lake has numerous ancient, and a few not so ancient, shorelines. They're like stair steps leading down to a jeweled eye. Once it was double its present size, and steamers crossed it. Flocks of birds blotted out the sun. An ancient lake, drained by Los Angeles' water lust. Dying slowly, inch by inch. The eye of the desert is disappearing like the Aral Sea.

The block fault mountains of Nevada's Humboldt Basin give way to the snowy Rockies. And the Great Salt Lake. More ancient shorelines. Bonneville Salt Flats looks like a field of snow. I don't know if I like clouds more from above or below. Magnificent either way. I can see them reflecting in the lake. As above, so below.

We descend to the Great Salt Lake, the plane kicking like a mule in the turbulence, shafts of sunlight, and dark shadows divide the ground into patterns.

I run into fellow CPITS poets Darryl Chinn from Arcata,  and Susie Terence from San Francisco, in the terminal. We laugh. We're all three going to be Montana Arts Council artists in residence, how cool is that?

September 7, 1995


Friday, September 1, 1995

September 1, 1995 Bolinas

Journal Entry: September 1, 1995 Bolinas

Last night, over for wine, I read new works to Herman who said I have a very distinctive voice and style. Image, voice, language, emotion ,intellect, philosophy, social theology, even political, the layers I try to include.

Yesterday on my way to Bolinas, I stopped off at Point Reyes, at the vet's office to see if I could get a prescription for Panalog and worm medicine from Dr. Fisher. I'd written a note explaining how I lanced and treated the cat's leg wound, having massage the puss from between the muscles. I irrigated it three times a day with HCl. I kept wanting to write it in shorthand but I can't remember the periodic table formula and confuse it with the formula for bleach.

So I knocked on the door though it was 6 PM. A cleaning woman answered, and I handed her the note for Dr. Fisher. Then I said disbelievingly, Debbie? She looked dumb was about to close the door on me, then changed her mind, saying she had changed her name. She said she was known these days as Nina. Now she had to explain to the two younger women who this Debbie was, yes. And she nearly tried to shut the door on my foot and the past as well.

Debbie Howard, who was a friend from my childhood, and I talk about old home week. We gossip for a good two hours. She and Sarah live in Inverness. Their brother Guy lives in the city and has two kids. One's going to Harvard like his grandfather, and their little sister, Jennifer, too has a couple of kids.

When I got to Bolinas I told Patrick Flynn the stories, and he wondered what the moon was in. We seem to have all these crazy meet ups while the moon is in Sagittarius according to the Bolinas Hearsay News

My horror-scope reports an adventurous road trip was about to happen, and so it did. All the way to Bolinas. Yes, I'm feeling lighter, Jupiter is the planetary ruler of Sagittarius.   Gemini and the moon squares that Virgo symbolic fire. We walk down to the Bolinas Library and dance to grunge music until the cows come home, I can barely make it back up to the top of the Mesa.


With powdered lime I purify the outhouse, dusting it white, the piles of shit slowly climbing towards the toilet lid. Herman says lime is the secret, but the stench greets us anyway. I admire that ongoing whitewashed sculpture. There's something to how we daily contribute our communion. There is beauty even in shit, the layered rosettes of toilet paper bloom against mountains of dung, and the sun warms our legs as we sit and survey the garden of what we will later eat. The bowels letting go of the burden of our eating existence.

Verona goes over her lines as Eleanor of Aquitaine. I listened to her pain, the irony, he who imprisoned her, loved her, But he was meant to rule, so he imprisoned her for waging war against her husband.

Herman in Verona ask about my love life. I have no ready answers to give ,for I created the distance between us. Vorona asks if it's better to have meaningless sex with someone you don't love, or live in a sexless country. Herman says the distance between Sonny and me has more to do with that sexual potential, of what might happen, rather than a lack of desire. Verona tells me if he keeps going back to the ex-girlfriend, and has been picking fights, he's afraid of commitment so the trouble between us is sexual though there's no sex between us. Therein lies the rub.

What would I do with my life if there was no possibility that I would fail? Herman asks me. And I can't get past that domestic laundry of wanting to be with someone, be it Sonny and Nathan, knowing there'd be times when I'd go crazy. But if I had the option of having both the domestic and the artistic life, what I could what I choose? It's more than what I have to give, give up my art even when it doesn't come to me easily? I remain loyal to it. Herman says that I'm not producing much these days, but it's strong and succinct. What would happen if I was able to live my dream? Well, the element of surprise always arises, how would I survive? Words like "but" and "how" are open to interpretation.

Fourth of September Labor Day in Bolinas. A parade and drum circle at the crossroads. A chalk circle mandala.  Yesterday we went rowing in the lagoon. Herman and Verona were content to be bickering passengers. Herman was finding arguments and everything Verona said. As usual I was the one rowing against the wind and the tide.

The lagoon and the creek were beautiful. It's good to periodically get a view of the land from the water, it puts everything into perspective. Houses diminish, the streets, the cars, the people become invisible—even the pounding hammers lost their barking. Today's the big Bolinas Labor Day street party and I'm alone here.

Verona and Herman went back to Novato early and I was too tired to return home to cook dinner. I read until 10PM and nodded off to sleep. I only had a 12-hour day, so I had lots of wild dreams and slept until nine AM. It's unusual for me to sleep 11 hours unless something's wrong. It's as if the ache has settled in my hips, I don't think it's depression, it's more like physical contact. The outside and inside world colliding.

Thursday, August 31, 1995

BE ONE MILE 1995 (Need date!)

MISSING BITS

Be one mile above your home 
dreaming of a time when childhood 
held the meaning of magic. 
Hopefully there, you'll become 
part of the memory.

Be one mile above the coastal ridges 
where you were conceived, 
on Mount Tamalpais's body at sunset, 
after the wedding. 
Remember there are no accidents.

Be one mile north of your heart.
Watch its struggle, 
necessary growth requires the shedding of pain. 
Layer by layer, 
onion tears to cleanse the wound 
of the father and the mother.

Be one mile above Forest Knolls, 
the hill your family's owned a hundred years, 
the big rock like a phallus jotting out, 
the ravines, his legs. 
your house at his feet
if Mount Tam is a woman 
then surely this ridge is a man.
This is the way of things.

Be above the road that leads you home, 
named after an English pirate.
Remember how the Estero 
uncovered the old wood, the square nails, 
and you dreamed this was part of his legacy.
Yes, the plaque was fake.
But the idea of Nova Albion 
and the ache of those white cliffs 
seeking the cadence of speech with the sea's voice.
It told you of other stories:
How the Miwoks dressed in fine embroidered silk 
and ate shellfish from the Chinese blue bowls.


1995
need date!

Sunday, August 6, 1995

Atomic Ghost




John Bradley (Editor)
"The sun was slow in arriving that morning though it was no longer dark, was light enough, and having been born with good eyes, we..." (more)

Editorial Reviews
From Library Journal
August 6, 1945: a day when the world was changed. Thirteen thousand people were killed instantly in Hiroshima, and 90 percent of their city was obliterated. Three days later death again rained down, this time at Nagasaki, with radiation poisoning and slow deaths following. The ghosts of these two Japanese cities move like shadows over Americans, who fear for the safety of their children and the survival of the planet. They are also fearful and angry about official lies about the impact of nuclear testing on health and the environment. The poems in this collection speak honestly and elegantly on these points and more, exposing the nuclear fear that has spread into the core of our being. This is poetry as witness, from the conception of nuclear power to its testing ("talking of the danger/as if it were not ourselves/as if we were testing anything else," writes Adrienne Rich) to its inevitable, unbelievable conclusion. In these poems of witness, protest, prayer, and, perhaps, redemption, we hear compelling voices of the human spirit. Important for poetry collections.
Louis McKee, Painted Bride Arts Ctr., Philadelphia

Copyright 1995 Reed Business Information, Inc.

Review
Over 100 poets participate in a strong collection of reflections on the nuclear age, providing personal views of atomic politics and human costs. From Adrienne Rich to William Dickey plus a host of lesser-known but equally-talented poets, Atomic Ghost is rich in imagery and assertiveness. -- Midwest Book Review

CONTENTS   


(—now at Google Books with hot links. Click on the word "Contents" and a list with links will pop up. I've posted a few links here as well. For ages, it was almost impossible to find this book. The reason why I posted the list and reviews here was because it had almost disappeared from sight. Great to see its contents available on the internet as it's an important anthology—one I'm proud to be in. Thank you John Bradley for your vision. MH)

The Testimony Of J. Robert Oppenheimer by Florence Anthony
Bringing Zeus To His Knees by Antler [pseud.]
Atomic Ghost by John Balaban
They're Family Men by Ellen Bass
Wine From Bordeaux by Sujata Bhatt
Deeper Than A Dream by Peter Blue Cloud
Sailors Shielding Their Eyes During Atomic Bomb Test, Bikini by John Bradley
Why I'm In Favor Of A Nuclear Freeze by Christopher Buckley
Eight-legged Colt, Chernobyl by Jerah Chadwick
To An Unborn Child by Allan Cooper
Bomb by Gregory Corso
Armageddon by William Dickey
Secret Symbols by Hilda Doolittle
Ground Zero by Sharon Lura Edens Doubiago
Why I Think About Hiroshima And Nagasaki by Edward A. Dougherty
The Cocked Finger by Stephen P. Dunn
The Way Light Bends by William Daniel Ehrhart
Another Kimono by Nancy Eimers
The Planet Krypton by Lynn Emanuel
The Fish Dream by John Engels
Mushroom Clouds by John Robert Engman
The Garden Shukkei-en by Carolyn Forche
Radiation by Margaret Ferguson Gibson
Plutonian Ode by Allen Ginsberg
These Are The Word Wounds by Daniela Gioseffi
Harry S Truman Library, Independence, Missouri by Diane Glancy
Shadow by Patricia Goedicke
A Dream Of The Closeness Of Venus by James Roscoe, Jr. Grabill
The Lightning by James Roscoe, Jr. Grabill
What The End Is For (grand Forks, North Dakota) by Jorie Graham
The Half-life Of Sorrow by Roger Greenwald
The Atom Bum by William Henry, Jr. Greenway
Prayer For Continuation by Susan Griffin
Origami by Jay Griswold
The Bath: August 6, 1945 by Kimiko Hahn
Dream Of The Hair-burning Smell by Jana Harris
N by William Heyen
The Message by Jeffrey Hillard
A Prayer For Men And Women by Linda Hogan
Psalm by Peter Huchel
Late Spring In The Nuclear Age by Andrew Hudgins
Country Of Origin by Maureen Hurley
Simultaneously by David Ignatow
Green Light by Rolf Jacobsen
High Altitude Photo Of Hiroshima (circa 1944) by Kent Johnson
Trilobytes by Kent Johnson
Directions For Carrying Explosive Nuclear Wastes Through ... by June Jordan
Questions by Marc Kaminsky
After The Neutron by Terence Keenan
Waiting For The Invasion by Barbara Kingsolver
The Fundamental Project Of Technology by Galway Kinnell
How To Survive Nuclear War by Maxine W. Kumin
When We Say 'hiroshima' by Kurihara Sadako
A Liturgy For Trinity by Barbara La Morticella
The Garden by Dorianne Laux
Gathered At The River by Denise Levertov
The Horse by Philip Levine
Nevada Red Blues by Adrian C. Louis
The Crab-apple Crisis by George Macbeth
In The Shadow Of The Poisoned Wind by Jack Marshall
Terminal Colloquy by Charles Martin
War Resisters' Song by Thomas Mcgrath
Opening Day by David Mckain
Utilities Advertisement In The Wake Of Three Mile Island by Gary Metras
Sputyen Duyvil by Honor Moore
Uranium by Robert Morgan
The Hibakusha's Letter by David Mura
Tulum Saw The Coming by Alan Napier
The Radio Talk This Morning by Lorine Niedecker
Shoulders by Naomi Shihab Nye
When by Sharon Olds
In This Third Year Of Reagan, My 27th Year by Peter Oresick
An Army Of Lovers by Alicia Suskin Ostriker
Oppenheimer by Antonia Quintana Pigno
For Harry S Truman In Hell by David Ray
Rose Bay Willow Herb by Judy Ray
For Ethel Rosenberg by Adrienne Cecile Rich
Trying To Talk With A Man by Adrienne Cecile Rich
Black Beauty, A Praise by David William Romtvedt
Eating Dinner At My Sister's by David William Romtvedt
Creation by Benjamin Alire Saenz
Memorandum by Nanao Sakaki
Chernobyl by Mary Jo Salter
Welcome To Hiroshima by Mary Jo Salter
Nuclear Winter by Nicholas Samaras
A Vigil At A Missile Silo by Mark Sanders
Tale Before The End Of The World by Maurya Simon
Strategic Air Command by Gary Snyder
Vapor Trails by Gary Snyder
Sunday Afternoon At Fulham Palace by Elizabeth Spires
At The Bomb Testing Site by William Edgar Stafford
When The Vacation Is Over For Good by Mark Strand
Shadow by Stephanie Strickland
Return To Hiroshima by Lucien Stryk
Silence At The End Of The World by Amber Coverdale Sumrall
Destruction by Takahashi Shinkichi
Explosion by Takahashi Shinkichi
Land Of Little Sticks, 1945 by James Tate
At The Makeshift Aid Station by Toge Sankichi
August 6, 1950 by Toge Sankichi
The Shadow by Toge Sankichi
Hurricane Season by Edwina Trentham
Of Simple Intent by Pamela Marie Uschuk
Early Morning Test Light Over Nevada, 1955 by Robert Vasquez
The Hell Mural: Panel 1 by Ronald W. Wallace
Advice To A Prophet by Richard Wilbur
Strategies For Survival (for The Post-nuclear Children) by Beryle Williams
Tar by Charles Kenneth Williams
High Noon At Los Alamos by Eleanor Wilner
May 28, 1945 by S. L. Wisenberg
The Lamb Of Peace, The Ram Of War by William Witherup
Mervyn Clyde Witherup (b. July 14, 1910 - D. May 12, 1988) by William Witherup
On The Eve Of Our Mutually Assured Destruction by Carolyn D. Wright
Because Of Duties, Zimmer Had Forgotten The Forest by Paul Zimmer
But Bird by Paul Zimmer
-- Table of Poems from Poem Finder®



Another review: University of Oklahoma.

What's interesting it to see where it was reviewed: the Los Alamos Study Group, United States Air Force Academy in Colorado,

Listed under Los Alamos Study Group Since 1989, the Los Alamos Study Group community—our staff and board, volunteers, interns, and supporters—has consistently provided leadership on nuclear disarmament and related issues in New Mexico. Not infrequently, we also have provided leadership nationally as well. Our work includes research and scholarship (central to all we do), education of decisionmakers, providing an information clearinghouse for journalists, organizing, litigating, and advertising. We place particular emphasis on the education and training of young activists and scholars.
Our careful, reasoned approach has gained us many friends, and built bridges even with people in the nuclear labs and plants. Since September 11, 2001, our work has increasingly placed nuclear weapons in the context of aggression abroad and the militarization of our society at home.

The Study Group is based in Albuquerque, New Mexico. Our board of directors includes both New Mexico and national members, and the work of our staff is supplemented by the contributions of interns and volunteers. We are supported largely by individual donations. We welcome your questions, participation, and support.

War, Literature & the Arts: an Interntational Journal—from the United States Air Force Academy in Colorado Turning Away From the Blast: Formsof Nuclear Protest Poetry

There's a fleeting reference in Literature of Nuclear Nevada | ONE; and in 2001, someone from Knox College, GA, did a performance piece based on lined from the anthology.

It too is listed under Miami Universities Libraries, but not linked to House on Via Gombito; at the Chicago Public Library, and the National Library of Australia.

It's also available at Cornell. What this suggests to me is that it's on class reading lists. I founded it listed in a history bibliography at Virginia Polytechnic Institute and State University, on a UCLA syllabus for Winter, 2013, and elsewhere.

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